Poetry that can stand proudly in the wind and rain with the image of phoenix tree 1
Dynasty: Song Dynasty Author: Zhang Lei
Original text:
No one in the house is bright in autumn, and the night frost clears first.
Indus is really unwilling to wither, and a few leaves are still audible in the wind.
2. Gong Beiqiu sent Cui Mingyun.
Dynasty: Tang Dynasty Author: Cen Can
Original text:
White dew phoenix tree, Xuanchan day and night. The autumn wind moves in Wan Li, and the setting sun is yellow.
A gentleman helps Ming Xiu, but a villain is Artemisia. Suitable for fish and birds, you can't slant a sharp knife.
Lonely boat to bare arms, birds back to elevation. Victory is similar to Japan, and it is boring to think about your own heart.
Why are you happy? Why are you sad? Leaves fall with the wind, phoenix tree falls in the rain ... What does this mean? It means let nature take its course. For leaves and trees, there is neither sadness nor joy. There will be new leaves next year, and it will be more lively after the rain.
Analysis of Wu Tongshu's Works I. Artistic Achievements of Bai Pu's Wu Tongyu
The artistic achievements of Bai Pu's masterpiece Wu Tongyu mainly include:
(1) full of lyricism. The drama Wu Tongyu describes the love story between Tang and Yang Guifei, which has attracted much attention in the history of literature. However, it focuses not on romantic love stories, but on the emotions contained in them. Of course, there is the joy of love, but more is the pain of death, the sadness of missing, and the sadness of historical vicissitudes. The whole play is like a lyric poem, which is not attracted by the plot, but moved by the emotion.
Rich lyricism first comes from the lyrics as the main body of the script. Wu Tongyu's lyrics are naturally simple, but touching and delicate. In particular, the last few songs of the fourth fold seem to be rainy scenes, but they are using the traditional way of lyricism and scene blending in China. After waking up from a beautiful dream, Emperor Tang wrote a hearty and touching story about the loneliness and sadness of Autumn Rain of Wutong. The script is full of lyricism by using classical poetry to create feelings. The strong lyricism is also due to the constant emergence of phoenix tree images in the play. Wu Tongyu greatly developed the phoenix tree image of "Peach and plum blossom, spring breeze blows, after autumn rain, leaves fall back to their roots" in Bai Juyi's Song of Eternal Sorrow, and ended the whole play with phoenix tree as the center. In the first fold, Tang vowed to Yang Guifei under the buttonwood tree, and in the fourth fold, Tang mourned Yang Guifei alone. In Tang's ci, the phoenix tree appeared six times before and after. On the one hand, this arrangement makes the whole play start under the buttonwood tree and end in the buttonwood rain, which echoes the theme and echoes from beginning to end. On the other hand, it makes use of the melancholy color contained in the Chinese parasol image in China literary tradition, arouses the melancholy feelings precipitated in people's consciousness, and increases the lyrical sadness, thus making the script obtain a unique artistic effect. (2) Distinctive characterization. Rain is the last play, and the image of the protagonist Tang is very distinct. Bai Pu adopted a sympathetic attitude in Wu Tongyu, and created the image of Tang's faithful lover. In addition to the wedge, 40% of the plots in the play focus on Tang's special feelings, and the last part focuses on Tang's memory of Yang Guifei, highlighting his special feelings. The above is a brief analysis of artistic features, and the following is a brief analysis of Bai Pu and Wu Tongyu | [> ] Bai Pu's life has a deep sense of vicissitudes. The moral of Rain on the Wutong Night is Bai Pu (1226 ~ 1306), whose real name is Renfu and Tai Su. His father Bai Hua was an experienced Privy Council official in the Jin Dynasty. When the Mongolian army besieged the capital of the Jin Dynasty, Bai Hua went out with Jin Aizong, and his family stayed in the city. Soon after the city was broken, Baipu's mother died in this catastrophe. Bai Pu, who was only eight years old, was brought up by his father and good friend Yuan Haowen. Bai Pu "lost his mother at a young age" and was traumatized. When he grew up, he used to travel all over the country. Seeing this dilapidated society, he felt very heavy. Faced with the cruel reality, he felt powerless to cope and decided not to participate in politics. "Let go of the waves and wait for the opportunity." Or linger among the green mountains and green waters, or return from the romantic scene with zaju writers and Goulan geisha. 1279 the southern song dynasty perished, and the war in the southeast was pacified. Bai Pu also lived in the south for a long time, and often got together with the elderly to drink and recite famous events of the previous dynasty. In his works, he often shows vicissitudes of life and lost sadness. Bai Pu is good at writing lyrics and songs. The collection of ci is called "Tian Lai Ji", which is characterized by "strict words and expressions, full of lofty sentiments" and melancholy tone. There are 40 Sanqu, most of which are written in natural language. According to the names recorded in Ghost Record, there are 15 kinds of zaju. Now only Wu Tongyu and Wall are left. Wu Tongyu is a historical drama, which describes the love life and political experiences of Yang Yuhuan and Li Longji. Since the Tianbao Rebellion, the story of Yang and Li has become a hot topic in the literary world. Especially after Bai Juyi's Song of Eternal Sorrow came out, poets in Tang and Song Dynasties reflected on this history from different angles. There are also works such as Biography of Yang Taizhen and Records of Xuanzong. By the time of the Jin and Yuan Dynasties, playwrights were also interested in the stories of Yang and Li. Guan Hanqing wrote Weeping Sacks, Yu Tianxi wrote Huaqing Palace and Clothes Complaints, Yue Bochuan wrote Dreams Broken Yang Fei, and Wang Bocheng wrote Tianbao Legacy. However, all these scripts died, but Bai Pu's Wu Tongyu survived. Bai Juyi's "Song of Eternal Sorrow" has a sentence "Raqqa-after the autumn rain, the leaves fall to the ground", which is full of sorrow. In the Jin and Yuan Dynasties, the details of Li Longji and Wu Tong attracted the attention of poets. Feng Bi, Yao Shu and Jue Yuan, who are related to Yuan Haowen and Bai Hua, have all written poems for the famous painting "Ming Taizu Beats Wu Tongtu". Wu in Bai Pu's Works >>
About the description of Wutong in the Rain, it is better to add some sad poems: Wutong Song.
Wu Tong shed tears in the rain.
I'm worried about when Cai Feng will return it.
It breaks my heart to miss you so much
Strong winds hit the liver and intestines.
Ho ho! Alas!
Buttonwood tree, it is raining in the middle of the night, and the hobby that never leaves is bitter. A leaf, a sound, empty footsteps fall into the light. What do you mean by "more leakage"
Jade furnace incense, red candle tears,
Some photo galleries in Qiu Si.
The eyebrows and eyes are sparse, and the clouds are residual.
The night is long and the pillow is cold.
Buttonwood, night rain,
If you don't leave your feelings, you will suffer.
A leaf, a voice,
Empty steps lead to bright places.
[analysis]
The style of literary works can be summarized by the combination of beauty and sadness. But this work is very special: it's not too gorgeous, it shows an autumn night, a lonely * * *, no grooming, little make-up, and it's difficult to sleep in an empty house in the rain. Here, once you wash away the gorgeous and leaden flowers in the past, you can feel "sadness" with light makeup in autumn scenery, Qiu Si and autumn nights. Character makeup is light because of strong feelings; Intermittent scenery description is also to set off sadness. In particular, the image of sleepless nights and lying listening to rain dripping from trees at night highlights the image of the heroine who is heartbroken and in tears. This writing method of setting off the image with scenery, as the predecessors said, is based on the superb means of painters and painters, and the result is implicit and artistic. Li Bingruo's Romance of Xuzhuang said: "Fei Qing has the highest concentration." This sentence is indeed a very weighty sentence in warm words. As Mr. Tang Guizhang commented: "This poem is written in different colors, the upper part is rich and the lower part is sparse." (A brief explanation of Tang and Song Ci) Shangque is the usual way to write warm ci: the combination of beautiful room in the flower hall and beautiful woman. The first three sentences are written indoors, the smoke from the stove is curling, the candle is dripping with red tears, and the autumn is full. People who can't sleep already are worried by this flickering candlelight. The word "piece" highlights a deviation between material feelings and human feelings. The last three sentences turn to write the heroine, "thin" and "incomplete", which is a concrete portrayal of the protagonist's trouble sleeping. This is where the "long" and "cold" in the next sentence come from. These three sentences tirelessly strengthen the protagonist's insomnia with various senses such as vision, perception and touch, and the stitches are very thin.
In the next part, a complicated sentence is changed, the words are watertight, the speech speed is fast, and the emotion, words and scenery are organically integrated. "People are cold (empty) orange pomelo, autumn old phoenix tree." (Li Bai: "Qiudeng Xuancheng Xiebei Building") "A phoenix tree leaves, and the world knows autumn." ("Guangqun Fangpu" in the early Qing Dynasty? Wood spectrum six? In the long river of China literature, the phoenix tree has a strong sense of decline and autumn, which is closely related to the "Qiu Si" in the shopping mall. "It's hard to leave your feelings without saying anything", which is very lyrical. It points out the reason why the last three sentences are missing, and especially points out that "Qiu Si" is for later lovers. In the last three sentences, write "three nights of rain" from the perspective of hearing. In "Drip to Dawn", the protagonist must have stayed up all night after listening to the rain. It can be seen that the rain at night does not fall on the leaves of buttonwood trees, but more like dripping into people's hearts. Compared with "Startled Goose in Kaesong", it can be said that it is already very sad. Nie Shengqiong, a poet in the Song Dynasty, "Tears fall before the pillow, and the rain falls through the window" ("Partridge? Bieqing is the last three sentences. The overlapping of "leaf" and "sound" makes "long" and "bitter" concrete from the perspective of sound. The author lengthens the sound by overlapping words, thus realizing the continuous drizzle from night to dawn. [Southern Dynasties] Liang? There is a poem in He Xun's "Farewell to the Old Night": "The rain at night falls short, and the dawn lights are dark from the room." Just like the context of this poem, the author thinks that the poet may have used this poem intentionally or unintentionally.
Tan Xian commented on this word in Qing Dynasty: "It seems to be a straightforward word, which is aroused by' the night is long' and is also the calligrapher's method of' no drooping'." ("There are three kinds of Qing candidates' comments? Tan's evaluation of Volume I of Ci is not clear. Mr. Yu Pingbo explained: "The second half of the song was written straight, but after a sleepless night, it was meaningless and implicit;" "Around Tan Yi." ("Selected Interpretation of Tang and Song Ci") But Chen Tingzhuo is not optimistic about Xia Kun's straight language. "I don't know the number of the buttonwood, but it's faster with a pen, which means it's not as thick as two chapters." ("Bai Yu Zhai Hua Ci" Volume I) But he had another sentence in the earlier "Shao Yunji" Volume I; "The wording is sad and colourful, which is the true nature of Fei Qing. Summarize three sentences and start the Northern Song Dynasty. " "Opening the Northern Song Dynasty" is indeed prescient, but it is a pity that there is no further discussion, so absent-mindedness is ignored. Xie, people of A Qing dynasty, are also very insightful about this sentence. "Wen Wei should be * * *, but it's not that complicated. ..... Under the buttonwood tree, it rains at night, and it is bitter to be unable to leave love. A leaf, a sound, empty footsteps fall into the light. "Light words and bitter feelings are not as good as beauty." ("Gambling Chess Villa Thorn", Volume 8)
Bai Juyi's Song of Eternal Sorrow: "Peach and plum blossom, spring breeze blows, autumn rain falls." "Yan Jiangyue, Huang Sheng? Night Cool: "Who will love this and leave on the plane ... >>"