World luck: the ups and downs of fate to control chaos. Innovation: developing in a novel direction. Poetry and articles should follow closely.
Not a day goes by when the ups and downs of the times do not develop in a novel direction. It means that literary and artistic creation should keep pace with the times. Literary creation is closely linked with the fate of the times, and there is not a day when it does not develop in a new direction. Explain the relationship between literary creation and the times.
From Zhao Yi's On Poetry in Qing Dynasty (Volume 46 of Ou Bei Ji), "Poetry is a poet". This statement comes from Dongpo, which means to take the image of an external god. The antelope sleeps and hangs its horns, and the Tianma rushes to the dust. In fact, the theory is too high, and it is not easy to follow after learning. Poetry moves with the world, and every day is not new.
After the ancient sparse gradually dense, not cut for the old. For example, riding a horse will be more suitable for Qin. At the end of the southern scenery, why is there spring scenery in the West Lake? Another example is hand-painting, which looks very gentleman. Pipa spring breeze, and Guanluo. I just knew it would be super and expensive. I tried to turn my words into words, and the case turned over. Poetry is a poem, a real poet.
In On Poetry, Zhao Yi put forward his own poetic theory in view of Su Shi's viewpoint that "writing a poem must be a poem, and knowing that it is not a poet". In the poem "Two Broken Branches in the Master Book of King Yanling", Su Shi felt that both the poetry and art circles at that time tended to emphasize similarity, and issued a message "Comment on the similarity of paintings, see your neighbors."
Poetry must be this poem, you know you are not a poet. Su Shi's poetic aesthetics advocates "vivid" and "far rhyme", which requires that poetic aesthetics should not be satisfied with imitating objects and expressing meaning in sentences, but should transcend images and pursue a kind of "verve".
Zhao Yi disagreed with Su Shi's point of view, thinking that Su Shi's theory has gone beyond the scope of studying poetry in later generations, and put forward that "poetry moves with the world and is not new every day", advocating that poetry should keep pace with the times and innovate every day, taking "innovation" as the aesthetic standard of poetry, and pointedly putting forward that "poetry is the real poet".