Five generations of Li Yu
How much hate, I dreamed of it last night.
It's like swimming to the Garden in the old days.
Cars flow like water in Ma Rulong.
the flowers and the moon are spring breeze.
On the surface, it seems that this word is about nostalgia for the prosperity of the past, but in fact, the author wants to focus on the other side-the bleak situation of today. This is a successful application of the artistic technique of "positive does not write negative". The whole word "deep sorrow and shallow appearance, short phrase and long affection" reached its peak in art.
2. Memorizing Jiangnan
In the Ming Dynasty, Wang Shizhen
began to sing, and the sun was half red.
soft green pole adds plum rain,
light yellow shirt is resistant to lotus root silk wind.
My home is in Wuhu East.
The whole poem is picturesque and harmonious in color, reflecting the poet's peace of mind. The openness of the realm and the brightness of the scenery also revealed his strong homesickness. The lyrical description of the scenery and the painting in the poem show the synchronous attainments and aesthetic taste of poetry and painting, reaching the beautiful realm of "painting in poetry" by poets in the Tang Dynasty.
3, "Recalling Jiangnan"
Niuqiao in Tang Dynasty
Red embroidered quilt, two mandarin ducks.
it's not that birds prefer you,
it's that you sleep in Nantang because of your relationship.
total victory, fickle lover.
This little word, by praising and admiring Yuanyang, reveals the inner attachment and resentment to the "fickle lover". The language of this word is simple and profound, which has a folk song style.
4. Memorizing Jiangnan
Niu Qiao in the Tang Dynasty
remembers the mud swallow and flies to the painting hall.
occupy the stability of Xingliang,
only the owner has pity for being light,
it is worthy of good karma.
This poem expresses the heroine's pursuit of a happy love by borrowing things. The first three sentences are the introduction, which paves the way for the feelings behind. This is a single, the following is a double-bearing, from Yan to the master's love, but in envy to reveal the feelings of self-injury, not as good as Shuang Yan. This word can also be regarded as a sense of life experience, which is implicit and has a wind.