This dear friend’s poem basically conforms to the flat and oblique rhyme of the quatrain and the bonding of the front and back. The flat and oblique format
There are four formats of the quatrain, which are divided into five-character and seven-character. Examples of Pingqi style and Qiqi style are as follows:
1. The first sentence of Pingqi style does not fit into the rhyme, which is the formal pattern Bibo·Ying the tree Bibo·The scene of the creek
Ping Ping Chi Chi Chi Ping Chi Chi , deep in the fertile fields, the branches are lush and flat, and the wind blows the willows on the shore.
The trees are flat and flat. Thousands of green leaves look like jade carvings. 廄廄廄平平. Jumping on the branches.
廄廄平平廄廄, originally from the same root and same blood, 廄廄平平廄, let ducks ripple in the river,
平平仄仄仄平平. Why is there a rustling wind and waves? Flat, flat, flat. Ding the boat on the clear waves.
2. The first sentence of Ping starts with the rhyme of "Biege Bao Dezhen·Yesi Bao Dezhen·New Year's Whispers"
Ping Ping 廄廄仄仄平平, Tianxin is confused at will, 平平仄 Flat, the rainbow sings out of the distant sky,
Things are flat, flat, flat. It often makes Yi people think hard. 廄廄廄平平. Lan Shui is a poetic spring.
The wind and waves may not recognize me for the first time. The moon brings the stars with it.
The wind and waves may not recognize me for the first time. The Songhua River washes rouge. Flat, flat, flat. Laughter comes to the pillow.
3. The first sentence of 廄that does not fit into the rhyme is Zhengge Bibo·Storm Li Pin·Crossing the Shuangjiang
廄廄平平廄廄, A burst of madness like a beast, 廄廄平平廄, The sound of the book outside the ridge is broken,
It's even. Flying sand and walking stones Xintianyou. Flat, flat, flat. After winter comes spring again.
Pingping, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat, flat. Violence destroys everything in the world. 廄廄廄平平. I didn't dare to ask anyone.
4. The first sentence of 廄 is rhymed with "Biege Bao Dezhen·Yong Li Bai Bibo·Yong Ri"
廄廄平平廄廄平, Only when you travel can you know that the road to Shu is difficult, 仄 The sky is flat, the universe is domed,
It is flat, flat, flat, flat. Thousands of stories and wine fights, the sea and the sky are wide. Flat, flat, flat. The golden wheel hangs in space.
Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping-Ping. More than Wu Ge and Chu Wuhan. 廄廄廄平平. All things are in spring glory.
There are only four lines in the poem. It pays attention to the composition of "starting, continuing, transferring, and combining", which is the basic rule observed by ancient and modern poets. The first sentence is "qi", which means starting; the second sentence is "cheng", which means taking over; the third sentence is "zhuan", which means turning; and the last sentence is "he", which means closing.
The structure of succession, transition, and union is not defined by anyone, but is something that poets constantly summarize and follow unanimously in the process of writing poetry. It is formed naturally, which shows that poetry does not need to be based on form. To trick poets; it was not until the Yuan Dynasty that anyone summarized the composition and structure of Lujue poetry. Specific techniques: the starting point must be straight, the supporting part must be broken, the turning part must be changed, and the joining part must be deep and long. Once you master the requirements of these four sentences, you can write quatrains well. There are four forms of "starting, continuing, turning, and combining". Examples are summarized as follows:
(1) Parallel form. For example, Du Fu's quatrain "Two orioles sing in the green willows, and a row of egrets ascend to the blue sky. The window contains thousands of autumn snows in the West Ridge, and the door is docked with ships thousands of miles away from the East Wu." There are four lines in this poem, each of which expresses its own meaning, each describing a scene, like four pictures. Hanging together, and integrating into one, separated but not scattered, combined but not mixed, far, near, high, low, no matter what people look at, they will get their own beauty.
(2) Acceptance type. For example, Liu Yuxi's Zhuzhi poem "The mountains are covered with red flowers, and the spring water of the Shu River beats the mountain streams. The red flowers fade easily like a man's will, and the water flow is endless like a farmer's sorrow." The first two lines of this poem each describe a scene, with the mountain flowers at the top and the river at the bottom; The third sentence follows the first sentence and is derived from "Mountain Peach Red Flower"; the fourth sentence follows the second sentence and is derived from "Spring Water of Shujiang River". The four lines of poems are juxtaposed in pairs, corresponding to each other, with a strict structure, fresh style and quite the characteristics of folk songs.
(3) Turning style. For example, Li Bai's "Early Departure from Baidi City" "Call to Bai Di in the colorful clouds, thousands of miles to Jiangling in one day. The apes on both sides of the bank can't stop crying, and the light boat has passed the Ten Thousand Mountains." The first two lines of this poem are about Bai Di, going down to Jiangling, the second sentence The three sentences are suddenly translated into the sound of ape, with a step forward to make a transition, and then closed. The third sentence has a wonderful twist, making Tongshou's spirit soar.
(4) Cause and effect. For example, Wang Changling's Boudoir's Resentment "The young woman in her boudoir knows no worries, and goes up to the green building with her makeup on the spring day. Suddenly seeing the willow color on the street, she regrets teaching her husband to look for a title." The first and second lines, and the third and fourth lines of this poem, They are cause and effect; the first two sentences and the third and fourth sentences are also cause and effect: that is, the young woman "went up to the green building" because she "doesn't know sorrow"; because she "sees the color of the willows", she "regrets" (teaching her husband to find a prince). And because of "going up to the green building" and "seeing the willow color", the cause and effect are connected and the structure is rigorous.
My dear friend, this poem should be slightly improved in terms of imagery and artistic conception. I also fully understand the meaning of this poem. I have also written a similar poem:
The white hair of the young man is scattered in the wind,
If you don’t teach the youthful beauty to turn it back.
I often hate the lack of hard work,
I have wasted my time for another year.< /p>
Just for fun.