Attached is a photo of Zhou Bangyan warrior Lan Ling Liu.
Zhou Bangyan, born in A.D. 1056, has a beautiful word and is called a Muslim layman. He is from Qiantang, now from Hangzhou, Zhejiang. He once held official positions such as Taishouzheng and Zhili Shuijun. As a teenager, Zhou Bangyan was free and easy, and he was really keen on reading. When I was in Song Shenzong, I once wrote an article "Bian Du Fu", praising the new law implemented at that time. After Song Huizong ascended the throne, I succeeded Yi Hui, who was prepared and promoted by Sheng Da Palace. Zhou Bangyan was called the master of graceful words by later generations. On the basis of inheriting the predecessors, he boldly innovated, absorbed the strengths of various schools, and at the same time integrated his own thoughts, which raised the graceful words to a new height and had a great influence on the style of later graceful words, so he was respected as "authentic" by later graceful ci writers. He also founded the metrical school and made outstanding contributions to the artistic form of ci. The main representative works are Jun Liu of Lan Ling, Liao Shenxiang of Su Mu and Nostalgia of Xihe Jinling. 1 12 1 died at the age of 65.
It should be noted that there is no difference between graceful school and bold school, but there is no other difference in the style of ci. They are all valuable cultural wealth and heritage of our country.
Zhou Bangyan is very cold.
Crying in the dark willow at a cold window is a word created by Zhou Bangyan, a famous poet in the Northern Song Dynasty, also called cold food at a cold window. This word mainly describes the author's sad feelings of traveling far away when he is very old, touching the scene and missing his hometown. The word came from the Collection of Pian Yu and was later included in Three Hundred Poems of Song Dynasty. Throughout the poem, the author's complex feelings and thoughts are revealed in the transformation of time and space. Moreover, the dictionary is elegant and full of charm, and the poems of predecessors are used ingeniously, without giving people a sense of carving and originality.
Poetry with pictures
The whole word * * * is divided into two parts. Let's take a look at Que first: crows crow on the yellow willow tree. I stood outside the curtain of scarlet in my single coat, and I saw that the falling tung flowers had occupied the courtyard of half an acre of land. The yard stood there quietly, it was raining heavily, and it was really sad. The rain beat on the empty terrace until late at night. This situation makes me feel the same as Li Shangyin: I look forward to cutting candles under the west window with my beloved wife one day and telling him my thoughts in the rain. It seems that when I was a child, I spent the night by the Chu River, and the wind blew into the house, making the lights sway all the time, and finally I tasted the taste of wandering outside. In the last chapter, the author expresses the loneliness and helplessness of a person floating outside through the scenes he saw and the scenes he recalled.
Then there is Xiaque: I already feel dead. In the place where we usually play, all the hotels and guest houses in Beijing have disappeared because of the Cold Food Festival from winter to the future. So I had to go to the restaurant and get drunk with wild and unruly drinkers. When I think of the East Garden in my hometown, peach blossoms must be blooming brightly. Is the person with small lips and shallow dimples on his cheeks as beautiful? If one day I go home, there will be some flowers left in the distance waiting for me to come back. Let me take some wine and food to see it. Xiaque mainly writes about the homesickness of the Cold Food Festival. Through what he saw and heard, he set off his true yearning for his hometown.
Zhou Bangyan Bodhisattva Road
Xue Mei Bodhisattva was written by Zhou Bangyan, a famous poet in the Northern Song Dynasty, and was included in his anthology Pian Yu Collection. Among them, the epigraph name of the word is the common "Bodhisattva Man", and "Xue Mei" is the original name of the word. At first glance, this word seems to be an ordinary poem describing scenery, but in fact it expresses the hardships of a stranger wandering abroad by chanting Xue Mei, and also implies the feeling of loneliness and loneliness. There are only eight sentences in the whole word, but each sentence is picturesque, lyrical and full of scenes, which can be described as a natural work.
Poetry with pictures
The creation background of this word is in the most intense period of the struggle between the old and new parties in the Northern Song Dynasty. At that time, even Imperial College, which was supposed to be devoted to learning, became a battlefield between the two parties. Before Zhou Bangyan entered imperial academy, a student named Yu Fan reported to the court that there was unfair teaching in imperial academy. This should be a very common thing, but it was used by the new party, which eventually triggered a major case that shook for a while. As a result, old party member, who taught in imperial academy, was either exiled or put in prison. Since then, the New Party has become the leader of imperial academy, and their theories and thoughts have also become the standard textbooks of imperial academy. On the contrary, any theory that goes against its purpose will be regarded as crooked ways. Among them, the prestige and interpretation of Wang Anshi, the leader of the new party, reached its peak. Professor Tai Xue must attend classes according to his explanation, and students must take exams according to his theory. Anyone who dares to raise objections will be reported by the ubiquitous eyeliner. It can be seen that the environment in which Zhou Bangyan lived at that time was very bad.
Through the description of the scenery, the word skillfully expresses the resentment hidden in the deep heart, which not only achieves the purpose of expressing feelings, but also avoids unnecessary troubles. Whether it is words or feelings, it is an impeccable boutique.
Zhou Bangyan night lark
The Night Flying Magpie River Bridge is the representative work of Zhou Bangyan, a famous poet in the Northern Song Dynasty. Among them, "Night Flying Magpie" is the name of the inscription, and "He Qiao made room" is the first sentence of the word. This word comes from Zhou Bangyan's anthology "Pian Yu Collection". The word recalls the farewell scene in the past, and then writes the scene of the party ending and leaving in a hurry. The emotion expressed by ci is a lament for the ups and downs of personal life experience, and then it becomes a concern for Conan people and a feeling of grief and indignation that cannot change this situation. This word seems to be mixed with personal attachment, but from the whole word, it has got rid of that kind of personal affection and love, and it is more of a lingering hesitation and heavy thinking.
A poem of "Night Flying Magpie, River Bridge, Send People away"
The word * * * is divided into two parts. Let's take a look at Que first: I am inseparable from my lover in the pavilion next to the river bridge. It's late at night, and the coolness is getting heavier, but we don't even know what time it is. The waning moon on the horizon dragged its afterglow slowly to the west, and the candles in the copper plate on the ground were about to burn out, and the cool dew wet the skirt. The party before parting is drawing to a close. Listening to the ferry drums in the wind and looking at the light and shadow on the treetops, it should be dawn. The flower over there seems to be human. Even if I whip it, it moves very slowly. Uptown mainly expresses its reluctance by describing the farewell scene.
Look at Que again: After seeing my lover off, I embarked on my way home with sadness. Gradually, the noisy sound on the ferry gradually disappeared. Vilen is empty and lonely. It turns out that the way home is so far away and lonely. Unexpectedly, when I came to the place where I had left her again, I didn't see any trace of her, even the path was difficult to distinguish. The setting sun shines on sunflowers and oats, and the long shadows seem to be as neat as people. I lingered on the grass where I once relied on her, watering the land with wine and looking at the west, as if I had lost my soul. Xiaque mainly wrote about the feelings after leaving, expressing the feelings that things have changed.