Interpretation: It is necessary to transcend the interference and bondage of secular desires and prejudices, make the mind in an ethereal and quiet state, and then enhance the spiritual realm.
Aesthetic characteristics and influence of Twenty-four Poems. Si Kongtu's poetic theory mainly emphasizes "thinking and environment", "image outside the image", "scenery outside the scene", "meaning outside the rhyme" and "meaning outside the taste". Each capital of Twenty-four Poems is exquisite and profound, full of images, speculation and philosophy. It contains the aesthetic significance of mutual existence, the same phase of reality and reality, the communication between subject and object, and poetic harmony. It contains extremely rich possibilities, such as "image beyond image", "meaning beyond rhyme" and "meaning beyond taste". Twenty-four Poems, with delicate and simple words, constructs a magnificent poetic universe and shows a widely celebrated artistic time and space. It is a theory about poetry, especially poetry, and it is a philosophical and artistic work with high attention all week. Twenty-four Poems produced a far-reaching influence in the history of China literature. In the literary history of later generations, important schools that flaunt "verve" and "spirit" can find theoretical basis in them.