Blood is red!
Blood is red!
The madman is running,
The sun is shaking!
Blood is hot!
Blood is hot!
Iron in the furnace,
The volcano erupted!
The blood keeps flowing!
The blood keeps flowing!
The long Yangtze River,
The vast Yellow Sea!
Bloody hands!
Red blood hand
Pointing at it,
Point to him, R, me, you!
Bloody eyes!
Blood eye r!
A fire,
Shoot him, you and me!
Blood!
Blood r's mouth!
Shenshen,
Spit on him, me and you!
China's blood!
China's blood!
All brothers,
All good brothers!
Broken crown!
Broken belly!
Or brother,
Still good brothers!
Our heads are still around our necks!
Our hearts are still in the cavity!
Where's our blood?
Where's our blood?
"ah!
Get up! "
1925 June 10
In the 1920s, Zhu Ziqing, who was inspired by the May 4th Movement, decided to express his impressions of society, express the new voice of the times, oppose the feudal tradition, sympathize with the oppressed people, and "care about life, nature and the injured" (Nothing to say). Therefore, his poems in this period have ardent yearning for the bright future of the motherland, sincere praise of the October Revolution, vivid description of progressive intellectuals, enthusiastic praise of the anti-imperialist struggle of students and workers, exposure of bloody life, and fierce criticism of feudal ruling forces and the dark world. These poems full of positive and enterprising spirit fully show the poet's awakening, his feelings and the rhythm of the times. The Song of Blood is a poem that cries out angrily for the May 30th tragedy and conveys a tragic and generous tone.
1On May 30th, 925, more than 10,000 workers and students in Shanghai staged a demonstration to demand the recovery of the concession. British imperialism brazenly shot at unarmed people and bloodbath Nanjing Road, which caused the "30" tragedy that shocked China and foreign countries. The author flew into a rage. Through this poem, he expressed his uncontrollable grief and anger and accused the imperialist robbers of their barbaric acts. The author adopts the lyrical way of generate, and brings us into a bloody situation in a sad and angry tone at the beginning: "Blood is red! /Blood is red! /The madman is scurrying,/The sun is shaking! /Blood is hot! /Blood is hot! /iron in the furnace,/the collapse of the volcano! " The author uses passionate love words and compact short sentences to pour out his anger and unrestrained feelings, such as volcanic eruption and river burst its banks, which have a strong emotional impact. It not only describes the spirit of China people who dare to shed blood and are not afraid of violence, but also outlines the fierce, cruel and shocking bloody scene. However, the Chinese nation is indestructible, and the blood of China people will not flow in vain. The long Yangtze River is running endlessly; The vast Yellow Sea is choppy. China People's Association will "remember all the profound and long-term pain, face up to all the overlapping and accumulated blood clots, and know that everything is dead, it will be born, and it will be born without being born" (Lu Xun's "In Faint Blood") to stand up, punish the villain and repay the blood debt.
This kind of generative lyric in the poem is gloomy, swift and fiery, which runs through the whole article, like burning in a fire and rolling in lava. Next, the poet used three figurative parallelism phrases, namely "blood hand", "blood eye" and "blood mouth", to attack the evil acts of British imperialism, such as killing people and brutal plunder, which was full of strong agitation and militancy, and gave birth to a powerful rhythm and irresistible momentum. The flames of hatred flashed between the lines, emitting bright red lotus flowers, as if. The poet's anger towards imperialism is getting stronger and stronger, and he expresses it incisively and vividly. Especially in the end, the three progressive phrases "all are", "still there" and "still there" are used together, which makes the emotional waves wave after wave and push them to the peak. Here, the poet calls on "good brothers" to rise up and make human Su Sheng, or make mankind extinct, fight with their heads still on their necks, pay back their blood debts to imperialism, and completely destroy the dark and cruel old world. Today, imperialism is rampant and regards China as a paradise for them to enjoy themselves. Tomorrow, we will turn it into a "hell" for burying the invaders. Today, imperialism has done many evils in China, resulting in appalling bloody cases. Tomorrow, we will let them crawl in this pool of blood. The blood of the people of China cannot be shed in vain. These short poems contain quite rich emotional content, and their artistic concentration can be said to have reached a saturated level.
Song of Blood is a political lyric poem. The poet used the specific word "May 30th" to express the concept of time instead of "blood song", saying that it was written in blood, which artistically showed the bloody smell of the May 30th tragedy and made the words expressing time obtain vivid and sensible effects. In the whole work, the poet expresses his feelings with the word "blood" as the axis, which seems to be denouncing the imperialist aggressors and also seems to be a mobilization order for the anti-imperialist and anti-feudal struggle. That kind of passionate and passionate call sign has a strong artistic impact and appeal. In particular, it is worth noting that the language of this poem is all colloquial phrases, which seems unremarkable, but it is powerful and rhythmic in close reading, with a strong emotional rhythm and inner beauty, with inspiring and inspiring power. Perhaps some readers will say that Zhu Ziqing's poem is different from his other poems in style. It is a simple and straightforward "cry" and its artistic charm is not strong enough. But when we savor it carefully, we will realize that this view is biased. Because the poet's "cry" has a solid realistic foundation and deep cordial feelings, it is not enough to express the poet's full of resentment, and the implicit and meaningful feelings can not well express his feelings like rivers burst their banks and volcanic eruptions. In fact, this kind of generative cry, which expresses one's heart directly in the poem, makes people cry, makes people feel heart-wrenching, sings the strongest voice of the times and can inspire millions of people to roar forward. We know that the essential feature of poetry is lyricism. As long as the true feelings are revealed, all kinds of poems with different charms are worth appreciating. Charming serenades, fresh pastoral songs and lingering love poems can give people beautiful enjoyment, while rough and bold, vigorous and powerful hit the floor's political poems can also give people a unique aesthetic accomplishment. It is biased to demand poems with different strengths with one aesthetic taste.