Every green leaf tells the story of spring. There are as many green leaves as there are spring stories. In Zhang Xiaofeng's works, spring is spiritually, poetically and personally rendered, and according to its own unique way of existence, it is brewing its own story and planning its own beauty.
In order to reveal the arrival of spring, Zhang Xiaofeng skillfully used anthropomorphic techniques, taking Spring Must Be Like This, Spring Must Be Like This and There Must Have been Such a Story about the Name of Spring as a series, writing the charm and warmth of spring from multiple angles, colors and levels, and repeatedly reminding readers not to ignore the subtext of "once".
Throughout the ages, there are countless poems about spring. Zhang Xiaofeng's writing about spring still gives people a strong sense of strangeness. For example, spring is "like Julian Waghann with bright flags, beautiful because of long-term pious prayers". As for the origin of the name spring, the author is even more whimsical, saying that a long time ago, "a lamb suddenly felt juicy when eating grass, and a child suddenly felt soaring when flying a kite …". They rushed to tell each other and shouted the voice of "spring": the name of spring was born! What a fresh description! Even for readers who have read too many poems about spring, this description still has enough attraction and impact, as if a fresh spring breeze blew into their minds and suddenly turned green.
Reading Zhang Xiaofeng's Nostalgia in Spring reminds people of Zhu Ziqing's Moonlight on the Lotus Pond. The first sentence of Zhu Ziqing's famous article is "I feel quite uneasy these days", and the scenery is all behind it. In fact, the most crucial thing in the article is probably the first sentence. On the other hand, Zhang Xiaofeng's article is completely different. At the beginning, he wrote about spring magnificently, and finally, he made a special point-"Through the black forest of chimneys, I want to visit the spring that lingers in the distant years".
This is the title eye of this article. Zhang Xiaofeng looked back on "ancient times" for a long time, but it turned out to be a contrast to "now", that is, an accusation that chimneys like forests pollute the environment! Suffering from modern environmental pollution, the author thinks of the ancient spring that is gone forever-the pure, warm and graceful spring. In this way, a landscape prose with rich text and emotion has sociological significance and touches the readers' heartstrings heavily.