Du Fu is the greatest realistic poet in China. The following are his seven representative works.
Seven poems by Du Fu: 1, from Beijing to Fengxian to recite 500 words (Du Fu), 2. The hut was broken by the autumn wind (Du Fu), 3. To Li Bai (Du Fu) at the end of the sky, 4. Moonlight Remembering Brothers (Du Fu), 5. Deng Yueyang Tower (Du Fu), 6. Hakka dialect (Du Fu), 7. Shuxiang (Du Fu) from Beijing to Fengxian. Why are you stupid? Steal Xiaomi and the deed.
I can't believe I won and lost, but I don't want to be generous. The matter of closing the coffin has already been done, and this ambition is often lost.
If you are poor, you will worry about Li Yuan, sighing for intestinal heat. It's fierce to make fun of classmates.
Without rivers and seas, you can send the sun and the moon smartly. When you give birth to Yao Shun, you can't help it any more.
Is there a lack of corridors and temples now? The fire is biased towards the sun, and the physical properties are difficult to win. Gu Wei is an ant tribe, but he seeks his own opinions.
Hu Weiwei craves whales and wants to suppress the Bohai Sea? Therefore, my understanding of physiology is wrong, and I am ashamed to do it alone. So far, I have swallowed it.
Eventually ashamed of the nest, it failed to change its festival. Drink and talk, sing and break your worries.
At the end of the year, a hundred herbs are exhausted, and the high wind Gorkon cracks. It's cloudy and eventful, and guests are sent at night.
First frost is in rags, and his fingers can't be tied straight. In the morning, I passed Mount Li, and the imperial couch was in the mountain.
Chiyou is cold and empty, and the cliffs and valleys are slippery. Yaochi qi stagnation method, feather forest phase Mojia.
The monarch and the minister stay for fun, and the music moves the Yinjiao Pavilion. Baths are all long tassels, and banquets are not short brown.
All the silks in Tongting belong to cold women. Whip her husband's family and gather in Miyagi Que.
The sage is full of grace and really wants to live in the country. I am both sudden and rational.
Did you give up this thing? Toastmasters will fill the court, and benevolent people should tremble. I heard that the gold plate is in Huo Wei's room.
There are immortals in nave, as ethereal as jade. Warm the mink and fur, pity the tube and clear the throat.
Advise customers to camel's hoof soup, and frost orange presses fragrant orange. The wine and meat in Zhumen stink, and the road has frozen bones.
Prosperity and decline are very different, melancholy and indescribable. The north is completely different, and Guandu has changed its course.
Water from the west down, eyes high. Doubt is coming, I am afraid that I will meet Tianzhu.
The river beam is unlucky and the branches rustle. Travel is climbing, Sichuan and Guangzhou can't cross.
An old lady sent her to a different county, ten doors away from the snow. Who can ignore it for long? Ordinary to * * * hungry.
The novice is wailing and the youngest son is hungry. I'd rather give up mourning? Ryan also sobbed.
Being ashamed of being a father led to come to a bad end. I don't know that the autumn harvest is rising, but poverty has a pale pawn.
Life is often tax-free, and the name is not levied. The traces are still sour and pungent, and people are solid.
Meditate on the unemployed, because they are far away. Worry stops in the south, and the hole cannot be broken.
The thatched cottage was broken by the autumn wind, and the strong wind in August roared, rolling up my three hairs. Mao Fei crossed the river and sprinkled it on the periphery of the river. The highest one hangs a long forest tip, and the lowest one floats to Shentang depression.
The children in Nancun bully me. I can stand being a thief. Openly holding the hair in the bamboo, my lips are dry and I can't breathe, and I sigh when I return.
In an instant, the wind will set the color of the clouds and ink, and the autumn will be bleak and dark. The cloth has been cold and iron for many years, and the pride is cracked.
There is no dry place in the bedside table, and the feet are numb with rain. How can you get wet all night since you are in a mess and don't get enough sleep! There are tens of millions of luxury houses in Ande, which greatly protect the poor people in the world from the spring breeze and the wind and rain! Alas, when I suddenly saw this house in front of me, my family froze to death alone! Li Bai at the end of the sky A cold wind is blowing from the distant sky. What are you thinking, old friend? ②.
The geese never answered me, and the rivers, lakes and seas were flooded by rain. A poet should be careful to prosper, but the devil will trouble a wanderer.
It should be * * * ghosts, and poetry should be gurgling. [Note] ① The end of the day: that is, in the distance.
Gentleman: refers to Li Bai. ③ ChρmèI: generally refers to ghosts, meaning villains.
(4) "English * * *" sentence: Qu Yuan was wronged and threw himself into the river, while Li Bai was wronged and demoted. They have something in common, so this is a proverb. [Appreciation] This poem was written in the autumn of 759, the second year of Gan Yuan.
Du Fu lived in Qin Zhou at that time. In the second year of Zhide (757), Li Bai was arrested and imprisoned. In the first year of Gan Yuan (758), Yelang was exiled (now Tongzi County, Guizhou Province) and released in the middle of the following year.
But Du Fu didn't know that Li Bai was forgiven, so he wrote this poem. This poem was written in the cool breeze, expressing his concern for Li Bai and his indignation at his tragic experience. Du Fu compared Li Bai and Qu Yuan, treated Li Bai and appreciated each other.
The profound friendship between Du Li and his wife can be clearly seen from this poem. Wanderers listen to war drums, remember brothers on a moonlit night, and autumn geese sing.
The dew turns to frost tonight, and the moonlight at home is bright! Oh, my brothers, lost and scattered, what is my life without you? (2).
Letters sent to Luoyang city are often not delivered, and wars often do not stop. [Note] ① Garrison drums: Most of the drums upstairs are drums.
Garrison: Garrison Autumn at the frontier: autumn at the frontier.
(2) Homelessness: refers to the separation of brothers, and the family is not a family. [Appreciation] This poem was written after Du Fu was relegated to Huazhou.
When there was a local famine, Du Fu abandoned his official position and went to Qin Zhou (now Tianshui County, Gansu Province) to write this poem in memory of his younger brother. In the poem, the two brothers were separated by the war and never heard from each other.
Watching the autumn night and the moon dew in a foreign land with drums and lonely geese can only double the feeling of homesickness and missing my brother. Du Fu, an exiled poet, not only misses his elder brother, but also expresses his deep affection for national subjugation in his poems.
He knows that the dew will be frost tonight, and how bright the moonlight is at home! With plain meaning and deep feelings, it has become a famous sentence that has been circulated for many years. Climbing Yueyang Tower, I've heard about Dongting Lake for a long time, and now I'm climbing this building.
There is the Kingdom of Wu in the east and the State of Chu in the south, and you can see the endless drifting of heaven and earth. There is no news from my friends or relatives. I am old and sick, drifting in a boat.
There are wars and mountains to the north of this wall, and how can I not cry by the railing here? (2). [Note] ①: Two ancient country names, about Wu to the east of Dongting and Chu to the west.
Teal: Split. Wu Chu is separated by Dongting Lake.
Gan Kun: the universe, heaven and earth. 2 charger: Warhorse, which refers to fighting life here.
Pingxuan: Leaning against the window. [Appreciation] In the winter of the third year of Dali (768), Du Fu made this excellent lyric poem on the spot after he went to Yueyang from the police and boarded Yueyang Tower.
At this time, Du Fu was 58 years old, sick, extremely poor and depressed. The poet does not stop at personal misfortune, but cares about the fate of the country and sighs for the difficulties of the country.
At first, the poem expresses the happy mood when climbing the building with extremely natural antitheses, and then writes down what you saw and heard when climbing the building. In just ten words, Dongting Lake is magnificent, cheerful and magnificent. Facing the vast lake, the poet forgot his personal poverty and was deeply moved when he was worried about the country and the people and hurt the country.
This poem has similar emotional ups and downs with "The Hut is Blown by Autumn Wind". Hakka ① I'm in the north, I'm in the south, and spring water is flooding. Day after day, I only see seagulls ②.
My road is covered with petals-I haven't cleaned it for others, and my thatched cottage door has been closed-but it's open for you now. It's a long way to the market. I can't give you much, but in my hut, we have old wine in our cups.
Shall we ask my old neighbor to join us and get the rest of the cups through the fence? (1) Hakka: Hakka refers to Cui Mingfu, and Du Fu notes "Happy Cui Mingfu" after the title.
2. Poetry in the prosperous Tang Dynasty refers to the Kaiyuan and Tianbao periods, which lasted for more than 50 years.
During this period, the national strength of the Tang Dynasty was strong, the economy was prosperous, and the literati were full of hope, optimistic and extremely active. The infinite richness and vastness of real life have broadened the poet's horizons and mind.
Many famous poets appeared at the same time, which made poetry creation shine brilliantly and formed the heyday of Tang poetry. Poetry in the prosperous Tang Dynasty is extremely rich in content, among which frontier wars and pastoral landscapes account for a considerable proportion.
Many poets often have a life experience of frontier fortress joining the army. They describe the magnificent scene of the frontier fortress, express the ideal of making contributions, express the lofty sentiments of patriotism, reflect the hardships of fighting life, expose the arrogance and extravagance of rulers, open up the field of poetry themes and strengthen the reality. Among these poets, Gao Shi, Cen Can, Li Jie, Wang Changling, Cui Hao and Wang Zhihuan are the most famous. Their works are full of atmosphere and tragic artistic conception, and most of them take the form of seven-character songs or seven-character quatrains.
Gao Shi and Cen Can have the highest achievements in frontier poems, and the frontier poetry school in Tang Dynasty is also called "Gao Cen Poetry School". Gao Shi's representative works include Ge Yanxing, Chicken Menxing, Cezanne, Xia Sai Qu, Chicken in the Work, etc. Representative works include Song of Farewell to General Feng of the Western Expedition, Song of Farewell to General Feng of the Western Expedition, Song of Farewell to the Wheel Tower of the Western Expedition, and Song of Farewell to the Military Commander's Return to His Hometown.
Both Gao Shi's and Cen Can's poems are based on the theme of "tragic", but due to the differences in life experience, personality, literary thoughts and origins, their poems are obviously different: "tragic, tragic, but profound" (Wang Shizhen's Continued Biography of Teachers and Friends). Gao Shi is good at reflecting the sufferings of the military and civilians, exposing the reality, writing rigorously, expressing his feelings directly, and touching people with popular language; Cen Can is good at eulogizing victory, describing wonderland, expressing lofty sentiments, expressing affection with scenery and moving with strange words.
At that time, Wang Changling was known as "the poet's son of heaven". In addition to frontier fortress poems, he also wrote palace resentment poems and farewell poems. He is also a master of seven paragraphs, and can express rich thoughts and feelings in incisive language, which is meaningful.
During the prosperous Tang Dynasty, there were many poets who were famous for their pastoral poems, mainly including Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian and Zuyong, among whom Wang Wei and Meng Haoran had the highest achievements. Wang Wei's representative works include Wei Shui Farmhouse, My Retreat in Zhongnanshan, Chai Lu, Zhuliguan, Wei Cheng Qu, Autumn Night in the Deep Mountains, etc. These are landscape poems with pictures in them, which shows the great development of this school of poetry in the Tang Dynasty.
It is not comprehensive to describe Wang Wei as a landscape poet. There are many other chapters on his theme, such as the urgency of frontier defense in the form of Longxi, the generosity and patriotism of the old general, the spectacular frontier fortress and the excitement of the general in Hunting Watch, and the farewell and affection of acacia in Acacia, all of which are famous works in art. Meng Haoran and Wang Wei also said his pastoral poems, such as Autumn Mount Zhang and Passing the Old People's Village.
Li Bai and Du Fu marked the highest achievement of poetry in the prosperous Tang Dynasty. Li Bai is a great scarecrow poet and Du Fu is a great realistic poet. Their creation is not only the peak of Tang poetry, but also the peak of China's classical poetry. There are more than 900 existing poems by Li Bai, which are rich in content. Most of his famous works were written before the Anshi Rebellion, and some were written after the Anshi Rebellion. Among them, there are profound expositions of dark politics, severe reprimands of resistance forces, real reflections on the sufferings of people's livelihood, descriptions of the grand plan of saving the world, the pursuit of individual freedom and liberation, the eulogy of love and friendship, and the praise of the great rivers and mountains of the motherland.
The representative works before the Anshi Rebellion include Long March, Difficult Road to Shu, Midnight Wu Ge, it is hard to go, Climbing Mount Tianmu in a Dream, Fighting in the North, Going to Wine, Farewell, Popular in the North, and Farewell to Secretary Shu Yun at Xie Tiao Village in Xuanzhou. The representative works after the Anshi Rebellion include Antique and Westbound Lotus Mountain. Li Bai's poems and songs are profound and profound, and his feelings pour into thousands of miles. Idealism, rebellious spirit and heroism constitute the ideological basis of romanticism.
He is good at using bold, enthusiastic and exaggerated language, galloping fantasy with myths and legends, creating magnificent artistic conception and huge artistic image, and forming a unique unrestrained artistic style. In a word, Li Bai greatly broadened the aesthetic realm of poetry, developed the romantic tradition of classical poetry and its expressive art, and reached the glorious peak of romanticism in China's classical poetry.
Du Fu, a great realistic poet who is as famous as Li Bai, reflects the social reality in the transition period from the prosperous Tang Dynasty to the middle Tang Dynasty. Li Bai's poems and songs are mainly the portrayal of the brewing period of An Shi Rebellion, while Du Fu's works are the "history of poetry" in turbulent times.
Before the Anshi Rebellion, Du Fu wrote such famous articles as Car Shop, Second Way, Five Hundred Words of Love from Beijing to Fengxian, which exposed the profligacy, political corruption, exploitation and oppression of the upper ruling group and profoundly revealed his hidden worries about the current situation. After the Anshi Rebellion, he suffered from desertion, and wrote such famous works as Moonlit Night, Spring Hope, Aijiangtou, Sad Chen Tao, Qiang Village, Northern Expedition, Three Officials and Three Farewells.
Later, in the process of escaping and wandering, he wrote some excellent works, such as "The Hut was Blown by Autumn Wind", "The banks of the Yellow River were recaptured by the imperial army", "Wu Lang again" and "Sui Yanxing". Du Fu's poems faithfully recorded the turmoil of the country and the sufferings of the people, and expressed deep sympathy for the persecuted people, which became the first voice of Bai Juyi and others advocating the new Yuefu movement.
He is good at combining current affairs and politics with personal experience. He has a typical summary of life scenes and a strong expression of subjective feelings. He combines reason, things and feelings in one furnace, and is deeply pregnant, forming a unique depressed and frustrated style. In the development of China's realistic poetry, Du Fu plays an important role in connecting the past with the future.
The realistic tradition of China's poetry began with the folk songs of the Zhou Dynasty, which was inherited and developed by Yuefu folk songs and Jian 'an poems in the two Han Dynasties, but it was not until Chen Ziang swept the poetic style of Qi and Liang Dynasties in the early Tang Dynasty that this tradition was further developed.
3. In Du Fu's poems, which poems of Tang Dynasty poets are mentioned? Among Du Fu's poems, Li Bai is the most frequently written, so I won't go into details here. Let me give you a few more examples:
1, recalling a generation of Koryo, on wine making. (Korea refers to Gao Shi and Li Bai respectively)
2. It's sad not to see Li Shengjiu. (Li Sheng refers to Li Bai)
It is common to see the house of the King of Qi, and Cui has heard of it several times before. (Li Guinian)
Wan didn't starve to death, but the Confucian crown made a mistake. ("Wei Zuocheng's Twenty-two Rhymes" Wei Zuocheng refers to Wei Ji)
5. There are many famous people in Jinan. ("Accompany Li Beihai to the Lixia Pavilion Banquet", Li Beihai refers to Li Yong)
6. See clear lake Yin for the structure of the new pavilion. (Going to the Ancient City with Li Taishou, Li Yong)
Du Fu was a poet in that period (early Tang, prosperous Tang, middle Tang and late Tang), from prosperous Tang to late Tang.
Du Fu was born in the prosperous Tang Dynasty. As a teenager, he traveled to wuyue and Zhao Qi successively, and went to Luoyang during this period. After thirty-five, I came first and last in Chang 'an. Later, he presented gifts to the emperor and presented them to the nobles. The frustration of officialdom witnessed the extravagance and social crisis of the upper class in the Tang Dynasty.
In the 14th year of Tianbao (755), the Anshi Rebellion broke out, the Tang Dynasty was transferred to the middle Tang Dynasty, Tongguan fell, and Du Fu moved to many places. In the second year of Gan Yuan (759), Du Fu abandoned his official position and went to Sichuan. Although he fled the war and lived a relatively stable life, he still cared about the whole life and the affairs of the country.
Du Fu (7 12-770), with beautiful words, is a great realistic poet in the Tang Dynasty, and is also called "Du Li" with Li Bai. Originally from Xiangyang, Hubei Province, he moved to Gongxian County, Henan Province. In order to distinguish Li Shangyin, Du Mu and Xiao Du Li, Du Fu and Li Bai are also called Da Du Li, and Du Fu is often called Lao Du.
The core of Du Fu's thought is the Confucian thought of benevolent government, and he has the great wish of "making the monarch Yao and Shun superior, and then making the customs pure". Although Du Fu was not famous during his lifetime, his fame spread far and wide, which had a far-reaching impact on China literature and Japanese literature. About 65,438+0,500 poems of Du Fu have been preserved, most of which are collected by Du Gongbu.
In the winter of the fifth year of Dali (770), Du Fu died at the age of 59. Du Fu's influence on China's classical poetry is far-reaching, and he is called "the sage of poetry" by later generations, and his poems are called "the history of poetry". Later generations called him Du Shiyi and Du Gongbu, and also called him Du Shaoling and Du Caotang.
Extended data:
Anecdotal allusions
Angry at the royal family
During the reign of Emperor Xuanzong of the Tang Dynasty, it was a great country in the world at that time. However, in this seemingly powerful country, signs of collapse have been breeding for many reasons, such as collusion. Finally, the Tang Dynasty quickly turned to the turning point of reversing the verdict-"An Shi Rebellion".
When Du Fu learned of this situation, he felt that those in power only cared about their own enjoyment and ignored people's livelihood, which would definitely lead to the demise of the country. So he wrote a poem that was later selected into the famous anthology "300 Tang Poems" with indignation, that is, a seven-character long poem named "The Second Way".
This poem has become a veritable "epic" because of its bold satire and profound exposure of the Yang family's extravagant life. Moreover, people have also summed up an idiom "spicy" from it, which is used to indicate that the first-class goods are arrogant and powerful.
Baidu Encyclopedia-Du Fu
5. Who were the poets in the prosperous Tang Dynasty? 1. Poets in the Tang Dynasty: Li Bai, Du Fu, Zhang Jiuling, Wang Wei, Meng Haoran, Huang Furan, Wang Changling, He, Wang Zhihuan, Gu Kuang, Yuan Zhen, Liu Changqing,,, Gao Shi, Huang Furan, Zuyong, Wang Han and Qian Qi.
Second, the poet profile (excerpt):
1, Li Bai:
Li Bai (70 1 -762), whose real name is Taibai, also known as "purple laity" and "fallen fairy", was a great romantic poet in the Tang Dynasty, and was praised as "poetic fairy" by later generations, and was also called "Du Li" with Du Fu. In order to distinguish himself from two other poets, Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai merged again. He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, First Sending Baidicheng, etc.
2. Du Fu:
Du Fu (A.D. 7 12- A.D. 770) was born in Xiangyang, Han nationality, and then moved to Gong County, Henan Province. A great realistic poet in the Tang Dynasty, who claimed to be a young man at night, was called "Du Li" together with Li Bai. In order to distinguish Li Shangyin, Du Mu and Xiao Du Li, Du Fu and Li Bai are also called Da Du Li, and Du Fu is often called Lao Du.
Du Fu's influence on China's classical poetry is far-reaching, and he is called "the sage of poetry" by later generations, and his poems are called "the history of poetry". Later generations called him Du Shiyi and Du Gongbu, and also called him Du Shaoling and Du Caotang.
Du Fu wrote such famous works as Spring Hope, Northern Expedition, Three Officials and Three Farewells. In 759, Du Fu abandoned his official position and went to Sichuan. Although he fled the war and lived a relatively stable life, he still cared about his life and managed state affairs. Although Du Fu is a realistic poet, he also has a wild and unruly side. It is not difficult to see Du Fu's heroism and dry clouds from his masterpiece Song of Drinking Eight Immortals.
3. Wang Wei:
Wang Wei (70 1 -76 1, 699-76 1) was born in Zhou Pu, Hedong (now Yuncheng, Shanxi), and his ancestral home was Qixian, Shanxi. A famous poet and painter in the Tang Dynasty, the word "Mo Mo" was named "Mo Mo Ju Shi".
Wang Wei was born in the royal family of Hedong, and was the number one scholar in the 19th year of Kaiyuan (73 1). Li Guan right gleaned, supervised the remonstrance, and made our time in Hexi. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei worshipped the official department as a doctor and servant. When An Lushan captured Chang 'an, Wang Wei was forced to take a false post. After Chang 'an was recovered, he was accused of granting Prince Zhongyun. In the first year of Tang Suzong's rule, he was appointed as a senior minister, so he was called "Wang Youcheng".
Wang Wei is proficient in poetry, calligraphy, painting and music. He is famous for his poems, especially his five words, which praise the landscape and countryside. Together with Meng Haoran, he was called "Wang Meng" and "Shi Fo". Calligraphy and painting are particularly wonderful, and later generations promoted it to the ancestor of Nanzong landscape painting. Su Shi commented: "Poetry is full of paintings; Look at the picture, there are poems in the picture. " There are more than 400 poems, including Acacia and Autumn Night in the Mountain. His works include The Collection of Wang Youcheng's Works and The Secret of Painting.
6. In "Facing the River", Du Fu's poems about the prosperous Tang Dynasty before the Anshi Rebellion were very common in Qi Wang's family, but they were heard several times before Cui.
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Appreciation of Du Fu's Random Encounter with Li Guinian
Meet Li Guinian at the lower reaches of the river
In the Qi family, I often see your performances; Before urging the wine hall, I praised your art many times.
Never thought, in this Jiangnan scenic area; It is the season of falling flowers, and I can meet you, an old acquaintance.
Notes on the title or background of a book.
This poem was written in the fifth year of Tang Daizong Dali (770), that is, the year when Du Fu died. Li Guinian was a famous musician in the prosperous Tang Dynasty, but his birth and death year, birthplace and life experience are unknown. We only know that he lived in the Tang Dynasty from Kaiyuan to Daizong, was good at singing and composing music, and was quite familiar with local music. On one occasion, he heard someone playing the piano in the palace of Qi, and said, "This is a tune of Qin." After a while, he added, "This is the music of the State of Chu." Wang Qi was surprised and asked behind the curtain. It happened. Li Guinian had extraordinary musical talent and was appreciated by Tang Xuanzong, who loved music. "He takes special care of himself and grew up in Du Dong, which is more luxurious than public officials." After the Anshi Rebellion, Li Guinian lived in Jiangxiang. Every time he met the beautiful scenery, he sang a lot of songs and listened to them from his seat, but he didn't cry or drink (Miscellanies of Ming Taizu).
In the late spring of the fifth year of Dali, Du Fu, who lived far away in the south of the Yangtze River, met Li Guinian, who also lived far away in a foreign land, in Tanzhou (now Changsha, Hunan). At this time, due to the eight-year Anshi Rebellion in the Tang Dynasty, the whole society declined rapidly from the prosperity of Kaiyuan Shi Sheng. In the face of bitter reality and bleak dusk, Du Fu, once a brilliant old friend, wrote this seven-character quatrain with mixed feelings, expressing the deep pain of reunion of old friends who had extraordinary experiences in troubled times, which implied infinite nostalgia for the past, deep lament for reality, and myriad feelings for the ups and downs of the past and the gathering and dispersion of human feelings.
Sentence solution
In the Qi family, I often see your performances; Before urging the wine hall, I praised your art many times.
I often watch your performances in the Qi Palace. In front of Cui, I have also appreciated your art many times. Although the first two sentences are reminiscing about past contacts with Li Guinian, they reveal deep nostalgia for the flourishing age of Kaiyuan. The following language seems light, but it contains heavy emotions. "King of Qi", the younger brother of Emperor Xuanzong of the Tang Dynasty, and Li Fan, the son of Tang Ruizong (Li Dan), was named King of Qi, who was famous for his love of learning and talents and elegant temperament. "Cui Jiu" named Di is the younger brother of the secretary of China Academy of Sciences. He frequented the palace, was a favorite of Emperor Xuanzong of the Tang Dynasty, and served as a secretary supervisor. He ranks ninth among his brothers, so he is called Cui Jiu. "Qi Wangzhai" and "Cui" seem to blurt out, but in the eyes of the parties, the names of these two literary celebrities in the heyday of Kaiyuan are enough to evoke good memories of the past. In those days, it was common to meet an art star like Li Guinian, but in retrospect, it was an impossible dream. When two poems are repeated, it seems that they want to prolong the aftertaste. The feelings of heaven and earth contained here need to be combined with the following two sentences to taste.
Never thought, in this Jiangnan scenic area; It is the season of falling flowers, and I can meet you, an old acquaintance.
This is the beautiful scenery of Jiangnan in late spring. I didn't expect to meet your old acquaintance at the time of falling flowers. The past is the past. Dreamlike memories can't change the helplessness in front of you. The last two sentences' feelings about the decline of state affairs and the wandering artists summed up the vicissitudes of the whole Kaiyuan period. Jiangnan, with beautiful scenery, was originally a place where poets yearned for a visit in peacetime. Now, I'm really in it, but what I'm facing is a wandering artist covered in withered flowers and hoary heads. Autumn is not only an impromptu work, but also a kind of intentional or unintentional interest. Readers who are familiar with the times and Du Fu's life experience will definitely think of the declining world, social unrest and the poet's decline and illness, and will not think that the poet is deliberately making metaphors. Therefore, this writing seems a bit muddy. The two function words "exactly" and "you" have ups and downs, but also between the lines, which contain infinite feelings.
Comments and explanations
This seven-character quatrain is well-known and is the swan song of Du Fu's later creative career. It has received a lot of praise in past dynasties. For example, Shao commented in the Qing Dynasty: "The beauty of the child is seven unique, which is the pressure roll." Poetry in Tang and Song Dynasties also said that this poem is "lyrical beyond pen and ink, quietly counting words, which can be equivalent to Bai Juyi's Pipa Travel". ..... this will never change. "
The past, the chaos of the world, the ups and downs of years, the gathering and scattering of human feelings and the desolation of each other are all concentrated in these short 28 words. Language is extremely simple and profound, which contains very rich social life content, condensing the vicissitudes of the times and great changes in life for more than 40 years. The ups and downs of the past constitute a sharp contrast, which makes people feel deep and dignified in their poems. In the Qing Dynasty, Huang Sheng commented on Du Shi Shuo: "The feeling of ups and downs in the past and present is beyond words. See the charm between the lines, the touch between the lines. Even if written by Long Biao (Wang Changling) and Sacrifice (Li Bai), there is nothing wrong with it. Is to know that the public in this body, must be incorrect, never heard. It is also ridiculous to have seven quatrains. "