First, the Yellow Crane Tower in Cui Hao.
The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years.
Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.
Appreciation: The Yellow Crane Tower is a seven-character poem written by Cui Hao, a poet in the Tang Dynasty. This poem describes the beautiful scenery overlooking the Yellow Crane Tower and is a masterpiece of nostalgia. The first section of this poem skillfully uses allusions to lead immortals to the Yellow Crane Tower by crane. Zhuan Xu followed the first couplet, saying that the Yellow Crane Tower has gone through thousands of years since the immortal left.
With the poetic turn of the neckline, I entered the description of the scenery and wrote down what I saw in the Yellow Crane Tower on a sunny day. The end of the couplet is to write about the feeling of returning home at sunset along the Yanbo River, which makes the poem return to the intangible realm at the beginning. Although the whole poem is not harmonious, its syllables are loud and clear. Scenes blend and artistic conception is profound.
Second, Du Fu's "Ascending the Mountain"
The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand.
The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.
After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.
Appreciation: Ascending the Height is a poem by Du Fu, a poet in the Tang Dynasty. This poem was written in the second year of Dali (767), and the author was in Kuizhou. The first four sentences describe the scenery, describe the experience of climbing mountains, closely follow the seasonal characteristics of autumn and describe the empty and lonely scenery by the river. The first couplet is a partial close-up, and the couplet is an overall vision.
The last four sentences are lyrical, describing the feelings of climbing mountains. Around the author's own life experience, they express the sadness of being poor, old and sick, and living in another country. The neckband hurts their life experience and reveals the meaning of metaphor, symbol and suggestion contained in the first four sentences of landscape writing. Tailian complained again, shutting down with the self-image of depression and disease.
Third, Li Shangyin's "Jinse"
I want to know why my Jinse has fifty strings, and each string has a youthful interval.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it.
Appreciation: Jinse is a poem by Li Shangyin, a poet in the Tang Dynasty. The title of the poem "Jinse" is just an untitled poem with the first word as the title according to the convention of ancient poetry, but it is actually an untitled poem with a hidden title. This poem is one of Li Shangyin's most difficult works, and the poet has always lamented that "a Jin Se is difficult to understand". In the poem, the author recalls his youth and feels sad about his unfortunate experience.
Entrust grief and indignation, borrow allusions such as Zhuang Sheng's dream butterfly, cuckoo's crying blood, tears in the sea, jade like smoke, etc., use metaphor and imagination to transform auditory feelings into visual images, create a hazy realm with the combination of fragments of images, and convey their sincere, strong and profound feelings with the help of visually sensible poetic images.