Jiangshan bathed in spring, how beautiful, flowers send flowers.
Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.
2. Zhuli Pavilion (Wang Wei)
I leaned alone in the dense bamboo, playing the piano and humming a song.
It's too light for anyone to hear, except my partner, Mingyue.
3. Passing the village for the aged (Meng Haoran)
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
4. A letter from my cabin in Wangchuan to Pei Di (Wang Wei)
The mountains are cold and blue, and the autumn waters are gurgling.
At the door of my thatched cottage, leaning on my cane, I listened to the cicadas singing in the evening breeze.
Sunset lingers at the ferry, and the smoke from supper rises from the house.
Summer value meets Yu Zui, and the five willows sing wild poems? .
5. Returning to the Garden is one of them (Tao Yuanming)
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.
Land reclamation in the south and return to the countryside.
The house is surrounded by about ten acres of land, thatched cottages.
The elm tree is behind Liu Yin and in front of Luotang in Li Tao.
6. Pastoral words (Li Bai)
Jia Yi was demoted for three years in Wanli, Ban Chao.
How to lead a white calf? Drinking water is good for clean water.
7. Chai Lu (Wang Wei)
No one can be seen in the silent valley, only the voice is heard.
The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
8. An autumn night in the mountains (Wang Wei)
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
9. April in the countryside (Weng Juan)
The mountains and plains are all green, and the sound of Zigui is raining like smoke.
In April, there were few idle people in the countryside, and sericulture was planted in the fields.
10, Four Seasons Pastoral Miscellaneous (Fan Chengda)
Plum golden apricot fat, wheat white, cauliflower thin.
No one has ever crossed the fence, only dragonflies and butterflies are flying.
1 1, visit Shanxi village (land tour)
Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich.
There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.
12, Autumn Rain Pastoral (Geng Kun)
The desert is covered with dark clouds and the drizzle is falling.
For the ancient road submerged by forest, it is all wasteland.
When these five crops are harvested, several families in the isolated village cook.
Turbulent flow all over the nursery, rotten leaves write autumn branches.
New firewood wets dusk, and old fishing moves in the morning.
Last year, chrysanthemums were in full bloom in Dongli.
2. Wang Wei's pastoral poems 1. "Mountain in Autumn Night" In the Tang Dynasty, Wang Wei stood in the autumn night after the rain.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. 2. "Bird Watching Creek" In Wang Weiren in the Tang Dynasty, osmanthus flowers were idle, and the night was quiet, and Shan Ye was empty.
When the moon comes out, the birds are startled, and the sound enters the spring stream. 3. "New Sunny Wild Hope" In the Tang Dynasty, Wang Wei's "New Qingyuan Wild Kuang" was extremely inconspicuous.
The gatehouse of the outer city is close to the ferry pier, and the trees at the edge of the village connect the stream and the estuary. The silvery white river is shining in the fields, especially bright, and the green mountains stand behind the ridge.
It is the busy farming season, there are no idle people, and farmers are busy going to the fields. 4. Zhongnanshan was a paradise city near Wang Weiqi's huge height in the Tang Dynasty, connecting Qian Shan to the corner of the sea.
The white clouds merged behind, and the blue mist melted into the mountains and disappeared. The central mountain peaks separate the southwest, and the valleys are different.
Want to find a house to live in the mountains, is it convenient for the water guide to ask the woodcutter? 5. "Lacquer Garden" The ancients in the Tang Dynasty, Wang Wei was not arrogant and self-satisfied.
Send you a micro-official to dance with some trees. 6. "I stayed in Wangchuan after a long rain" In the Tang Dynasty, there was rain in Wang Weilin, and it was rewarded by steaming quinoa and boiling millet.
An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer. I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine trees.
Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? . 7. "Book Things" In the Tang Dynasty, Wang Wei was light and rainy, and the deep courtyard was opened.
Sitting watching the color of moss, I want to put on my clothes. 8. "Qingxi" The king of the Tang Dynasty entered Huanghuachuan and was carried by a green stream.
Ten thousand laps around the mountain in less than thirty miles. The rapids buzzed on the piled rocks, but the light dimmed among the dense pine trees.
The surface of an entrance swayed with nut horns, and weeds grew along the river bank. In my heart, I have always been as pure as this clear water.
Please stay on the rock and cast the fishing line forever! . 9. "My retreat in Zhongnanshan" In the Tang Dynasty, Wang Wei, my middle-aged heart found a way, and I came to live at the foot of this mountain.
Interest concentration is often unique to play and have a happy thing to enjoy self-appreciation. Sometimes go to the end of the water to seek the source, or sit and watch the ever-changing clouds rise.
Occasionally I met a village elder in the Woods, and I chatted with him until I often forgot to go home. 10. "Spring Pastoral Work" In the Tang Dynasty, the king sang songs in spring, and the apricot blossoms were white at the village edge.
Hold an axe to cut far and wide, and hoe the spring pulse. Yan knows his lair, so he looks at the new calendar.
If you are in a hurry, you will not be royal, and if you are far away, you will travel far. 1 1. "Living in the mountains is a thing" In the Tang Dynasty, Wang Wei was lonely and covered with firewood, and there was no limit to the sunset.
Crane perches on the surrounding pine trees, and tourists are left in cold and sparse places. The bamboo knot has added a new layer of powder, and the old lotus leaf is red and red.
Fishing boats on the ferry are shuttling little by little, and there are people coming and going everywhere. 12. Taoyuan Star Wang Wei's fisherman drifted in the Tang Dynasty and enjoyed the Spring Mountain. Peach trees on both sides led him to an ancient source.
Looking at the brightly colored trees, he never considered the distance until he came to the end of the blue stream, and suddenly-strange people! . This is a cave. The hole is so narrow that he can only climb in, but then it opens up on a wide and flat path.
Looking from a distance, the clouds are filled with trees, and thousands of houses are hidden between flowers and bamboo. Ke Qiao 1 was originally a China name. These people all wore clothes from the Qin Dynasty.
13. "Baishitan" is a plain stone beach in Wang Weiqing in the Tang Dynasty, which is comparable to Qingpu. Living in water, under the bright moon.
3. Wang Wei's pastoral poem "Chai Lu"
No one can be seen in the silent valley, only the voice is heard. The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
Wu Xinyi of Wang Wei
The branches of the topmost hibiscus flowers are full of scarlet calyx in the mountains. There is no one in the stream, and it has begun to fall.
Wang Wei's "Autumn in the Mountain"
The empty mountains are bathed in a new rain, and feel the early autumn at night. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
Wangwei's Bird Watching Creek
People are idle, osmanthus flowers fall, and the night is quiet and empty. When the moon comes out, the birds are startled, and the sound enters the spring stream.
Wang Wei's "Farmhouse on the Wei River"
In the countryside where the sun is setting, cattle and sheep go home along the path. A rugged old man in a thatched door leaned against a cane and thought about his son, the shepherd boy. There are whistling pheasants? Full ears of wheat, sleeping silkworms and peeled mulberry leaves. Jojo and Fu Tian greet each other cordially. No wonder I long for a simple life, and the disappointed songs are fading.
4. Seek Wang Wei's poems describing landscapes and pastoral areas in his later period. The Hanjiang River is near Wang Wei.
With its three southern branches reaching the Chu border, nine schools in Jingmen.
The river crosses heaven and earth, where the colors of the mountains are yes and no.
People's houses seem to be floating, and the waves know that the waves are moving far away.
These beautiful days in Xiangyang have fascinated my old mountain! 4. understand; understand
Wang Wei (70 1—76 1), born in Zhou Pu (now Yongji), was a poet in the Tang Dynasty. Poetry is as famous as Meng Haoran and is called "Wang Meng". It is one of the representative humanitarian objects of the pastoral poetry school in the prosperous Tang Dynasty, and its poetry is known as "painting in poetry".
translate
Hanshui River flows through Chusai and then folds into Sanxiang one by one. Jingmen joins nine tributaries and connects with the Yangtze River.
The Han river is vast, as if flowing out of heaven and earth; The mountains are hazy and far away in nothingness.
The county town along the river is like floating on the water; On the edge of the water and sky, the waves rolled and rolled.
The scenery in Xiangyang is really intoxicating and amazing; I want to stay here with Shan Weng, who is often drunk.
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This poem shows us an ink and wash landscape painting with elegant color, fresh style and beautiful artistic conception. In the layout of the picture, the distance sets each other off, and the density is alternating. In addition, simple control of complexity, freehand brushwork in form, light pen and light ink, and emotional optimism give people beautiful enjoyment. Yin Kun, a contemporary of Wang Wei, said in "He Yue Ling Photo Collection": "Uygur poetry is elegant and elegant, with new ideas. It is a pearl in spring and painted on the wall." This poem can embody this feature very well.
5. Wang Wei and Meng Haoran's rural poems 10, such as Poem Flute for Pei, Pastoral in Spring, Yewang in Xinyang, Peasant in Weishui, Tianjia, Pastoral Tales of Shang Qi and Pastoral Music, depict ordinary and beautiful everyday rural scenery.
Wang Wei wrote a very peaceful and quiet life in the farmhouse. As a leisurely hermit, Tian Ye used these poems to express his love for leisure life. In the countryside where the sun is setting, cattle and sheep go home along the path.
A rugged old man in a thatched door leaned against a cane and thought about his son, the shepherd boy. There are whistling pheasants? Full ears of wheat, sleeping silkworms and peeled mulberry leaves.
The farmers who came back with hoes greeted each other cordially. No wonder I long for a simple life and sigh the old song, oh, back to the past! .
This poem is about the leisure of the Tian family. When the poet faced the sunset, the night fell, and the complacent Tian Jia came back to see the scenery late, he suddenly felt envious.
The first four sentences describe the leisure scene of Tian family at sunset. Write five or six sentences about agriculture.
Seven or eight sentences about farmers' leisure. The last two sentences were written out of leisure and envy.
The whole poem depicts the dusk scenery of villages in the early summer of Weihe River basin by line drawing, which is fresh, natural and poetic. The village is full of the afterglow of the sunset, and cattle and sheep are returning along the deep alleys.
The old man was thinking about his grandchildren who were eating grass. He waited in his firewood with a crutch. Pheasants are chirping, wheat is heading, silkworms are asleep, and mulberry leaves are sparse.
The farmers returned to the village with hoes, smiling and reluctant to part. How can I not envy being so comfortable? I couldn't help singing "Decline" in frustration.
Pigeons sing on the house in spring. Apricot flowers are white at the edge of the village.
Take an axe and cut it far and wide. Lotus hoes spring veins.
Go home (be new) and know the old (be old) and look at the new calendar.
When you are in danger, you disobey. A glum traveler.
The poem explains that there is a happy pigeon chirping on the house, and there are large white apricot flowers on the edge of the village. Holding an axe to sort out the long branches of mulberry trees and carrying a hoe to watch the passage of spring water.
The swallow flew back last year, as if he knew its lair. The old owner of the house is looking through the New Year calendar.
I raised my glass to drink, and then stopped. I can't help but feel disappointed when I think of people who have left their homes to be guests. Meng Haoran's pastoral poems are few in number, but they have a strong flavor of life, such as Passing by the Old People's Village, Wandering and Thinking Back, After Wang Baiyun Came, etc. The simplicity of farm life, the deep friendship between the old people and the harmonious rural atmosphere all leave an unforgettable impression on people.
Pass by my old friend Zhuang Menghaoran, prepare chicken rice for me, old friend, you entertain me on your farm. Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops. Please come here to see chrysanthemums when the ninth festival comes.
This is an idyllic poem, which describes the quiet and leisurely life scene of farmers and the friendship of old friends. Poetry is written down from "invitation" to "arrival" to "hope" and "appointment", which is naturally smooth.
The language is unpretentious and the artistic conception is fresh and meaningful. My old friend prepared yellow rice and roast chicken and invited me to his simple home.
Outside the village is surrounded by a circle of green trees, and the suburbs are covered with green hills. Pushing open the window, we faced the fields and nurseries, drinking wine and talking about farming, mulberry and horses.
Wait until the Double Ninth Festival in September, and then try chrysanthemum wine! "Wang Baiyun was behind when you were wandering." Meng Haoran went out of the valley non-stop at noon, and it was very late when he got home. Looking back along the mountain road, I saw cattle and sheep.
The woodcutter is obsessed with darkness, and the grass is cold. The gate of Hengmen was still open, and I stood there looking at my husband.
Poetry translation: The poem was written with my friend Wang Jiong. We traveled and meditated together, only to find that we had lost the other half when we came back, showing the feeling of waiting and expectation. The first couplet, from "the afternoon is not over" to "the day is over", shows that the tour time is very long and the scenery is charming, which lays the foundation for wandering around and getting lost.
Zhuan Xu wrote that he had found his lost companion, and when he looked back, he saw only cattle and sheep, indicating that he had not seen Wang Jiong and was already looking forward to it. Neck couplets are stories about the old age, and the loss of people's shadows and insects' voices are all metaphors of lost feelings.
Tailian feels the scenic environment through the unexpected loss of company, and shoots the scenery with a unique mood. The expression is natural and the scenery follows.
6. Write a poem about the countryside. Fan Chengda's Four Seasons Pastoral Miscellany (1): Plums are golden and apricots are fat, cauliflower is white, and wheat is thin. No one has ever landed on the long fence, only dragonflies and butterflies are flying. April in rural Weng Juan >; The mountains and plains are all green and the rain is like smoke. There are few idle people in the countryside in April, and sericulture is planted in the fields. Yang Wanli's Suxin Xugong Store: The hedge is sparse all the way, and the flowers on the top of the tree are not shaded. The children scrambled to chase Huang Die and flew into the cauliflower, but there was nowhere to be found. Six of the seven pastoral songs, Wang Wei's peach is full of rain, and the willow green is more smoky.
The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping. Four-season rural hybrid Fan Song becomes a big Li Jinxing fat, and wheat flowers are white and cauliflower is thin.
No one has ever crossed the fence, only dragonflies and butterflies are flying. The four seasons are idyllic, and in the Song Dynasty, Fan became a big black bird and threw himself into the forest. The tourists were sparse, and the mountains in front of him went to Chai Fei.
The child paddled like a leaf, weaving a duck array and returning alone. The newly-built farm in Fan Chengda in the Song Dynasty has a flat mud mirror, and every household grows rice while first frost.
Laughter thundered and flail rang all night. Four Seasons Pastoral Miscellaneous Prosperity Song Fan Chengda Ritian Yunye Ji Ma, each village takes charge.
Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees.