poetic sentiment
, is the brightest pearl in China literature treasure house. It is concise, subtle and beautiful, and it shines with great humanistic spirit, which plays an important role in improving people's language literacy, cultural taste and shaping people's hearts.
Poetry is characterized by gorgeous and vivid images, rich and strong feelings, concise language and distinct rhythm. Compared with modern poetry, the language of ancient poetry is more concise and the rhythm is more distinct. Every capital contains a beautiful world, which contains the author's thoughts or sighs about life and life. To read and appreciate ancient poetry, we should start with the above characteristics of poetry and pay attention to certain methods.
First, beautiful reading.
There is a saying, "Read it a hundred times and you will understand what you mean." This statement is not unreasonable. The rich feelings and profound connotations of ancient poetry are contained in concise language. How to understand without reciting repeatedly? Only by reciting repeatedly can we gradually grasp the emotional pulse of poetry, find the "poetic eye" and understand the artistic conception in poetry. "Beautiful reading" means reading with aesthetic appreciation, that is, reading with distinct rhythm and rhythm, putting yourself in the other's shoes and enjoying the sound and emotion-when reading How the Yellow River Water Moves Out of the Sky, you are Li Bai; When you read "Zhumen wine stinks and frozen bones", you are Du Fu; You were Su Dongpo when you read "River of No Return, Romantic Figures through the ages"; You are Li Qingzhao when reading "the curtain rolls west wind, and people are thinner than yellow flowers"-"Give him a warm feeling when you are enthusiastic, and give him a euphemism when you are euphemistic", and read the cadence, the charm of the poem and the author's joys and sorrows.
Ancient poetry has a distinct rhythm and pays attention to rhyme. Many ancient poems can be sung by music, which provides conditions for our beautiful reading. The principle of grasping the rhythm of ancient poetry is not to read poems. For example, "Chao Ci/Bai Di/Cai" can't be read as "Chao Ci/Bai Di/Cai", can't be read as "I wish you a long time, a thousand miles/* * * Chanjuan" can't be read as "I wish you a long time, a thousand miles * * */Chanjuan".
Second, taste the language.
Poets' thoughts and feelings are conveyed through vivid descriptions, while ancient poems pay attention to "refining words" and express profound contents in refined language. At the same time, many rhetorical devices are often used in ancient poems, such as metaphor, personification, duality, repetition, contrast, metonymy and parallelism. Therefore, we should ponder carefully when reading poems; Through the wonderful words in the poem, especially the beautiful sentences that describe vivid and shocking feelings, we can observe the joys and sorrows entrusted by the poet and enhance our language perception.
Third, association and imagination.
The artistic conception created in ancient poetry often leaves readers room for imagination, sometimes even "there is something to say here" and "there is intention there"; If reading poetry only stays at the superficial meaning of words, it is impossible to appreciate its "meaning". This requires us to combine our own life experience and knowledge background, give full play to our association and imagination, understand the artistic conception of the poem literally, reproduce the picture depicted in the poem in our minds, feel and taste it personally, and get close to the author's deep meaning.
Please read Ma Zhiyuan's Sanqu "Clear Sand?" Qiu Si:
Old vines are faint crows, small bridges are flowing, and old roads are thin horses. When the sun sets, heartbroken people are at the end of the world.
There are two different views on the sentence "dead vine" and the sentence "small bridge": some people think that both sentences describe a desolate scene; However, some people think that the first sentence renders a bleak and desolate artistic conception, and the second sentence presents an elegant and quiet picture, which is in sharp contrast with the previous sentence and even causes the wanderer's homesickness. So which view do you think is more reasonable? Why?
Comparatively speaking, the second view is more reasonable. Because the artistic conception of poetry pays attention to harmony, it is inseparable from the image depicted in the poem itself and the author's original intention to taste the artistic conception of poetry. In ancient times, when the traffic was inconvenient, there would be bridges where there were people; It is precisely because of the "home" and "small bridge" that running water is no longer lonely. "Bridge Flowing Water" is not a simple addition of three terms, but allows readers to add "smoke", "light", "hot tea" and "relatives" to the space of association and imagination. This should be a warm and peaceful scene, which is in sharp contrast with the previous picture. Only in this way can a wanderer feel homesick, which is exactly what the author Ma Zhiyuan wants to achieve.
Fourth, meet people and talk about poetry.
The ancients said that "poetry expresses ambition", and ancient poems with vitality are all poems written by poets. These "feelings" are all related to the author's life experience, encounter, education, personality and social life in his time. When reading and appreciating ancient poems, we can understand the above problems by consulting materials, which can make us put ourselves in the shoes and make a reasonable evaluation of the feelings and ideals expressed by the poet in his poems.