What is the fundamental difference between modern poetry style and prose style?

Poetry from May 4th to before the founding of the People's Republic of China. The main body of China's modern poetry, New Poetry, was born in the May 4th New Culture Movement (see the May 4th Literary Revolution). It is a new style poem that adapts to the requirements of the times, reflects real life with vernacular language close to the masses, expresses the revolutionary content of science and democracy, and breaks the shackles of the old poetic form as the main symbol. The advocacy and initial creation of new poetry China's classical poetry developed to the late Qing Dynasty, but its form could not meet the requirements of social progress. 1At the end of the 9th century and the beginning of the 20th century, Liang Qichao, Tan Sitong, Xia Cengyou and others called for a "revolution in poetry", and Huang Zunxian initiated a "new poetry school", all of which played a leading role in the later "May 4th" new poetry movement. The magazine that first tried and advocated new poetry was New Youth. Following the publication of Hu Shi's My Humble Opinion on Literary Improvement, this magazine published eight poems of Hu Shi's vernacular in Volume 2, No.6, on February 19 17, 2007. This is the first batch of vernacular poems in China poetry movement. Nine vernacular poems by Hu Shi, Liu Bannong and Shen were published in four volumes (1). Liu Bannong's Separated by a Layer of Paper is the earliest work in new poetry that sympathizes with the life of the bottom people and reveals the humanitarian theme. Shen's "Three Strings" began to express life in a new language and way, paying attention to the beauty and harmony of phonology. Liu Bannong is closely related to Liu Dabai, who writes old dreams and kisses by email, mostly expressing people's sufferings, while Red New Year and Song of Labor Day express his yearning for the new world. He pays great attention to drawing lessons from folk songs. 1920 In March, Hu Shi's Trial Collection was published, which was the first vernacular new poetry collection during the May 4th New Culture Movement. Hu Shi believes that the revolutionary movement of ancient and modern literature always begins with the great liberation of style, so he puts forward: "To have new content and new spirit, we must first break the shackles of the spirit" (on new poetry). As the first person who advocated writing poems in vernacular Chinese, he advocated that the style of new poetry was free and informal, which was of positive significance to the creation of new poetry and directly led to the formation of the original free poetry school of "May 4th" new poetry. In addition to Hu Shi, Liu Bannong and Shen, Chen Duxiu, Lu Xun, Zhou Zuoren, Li Dazhao and others were the first people who tried new poetry based on New Youth. They devoted themselves to the creation of free verse. Among them, it marks that Zhou Zuoren's River completely got rid of the influence of old poems and stood on its own feet. This poem constitutes a metaphor with plain and quiet spoken language, which implies the tragic conflict caused by violating the laws of nature and expresses the thoughts and demands of individual liberation. Later, New Youth, New Trends, Weekly Review and other publications also United a group of pioneers of new poetry. Such as Yu Pingbo in Winter Night, Kang in Weeds, Zhu Ziqing in Traces, Tong Xin and Liang in Evening Prayer. Poets of the Literature Research Association demonstrated their creative strength with the poem Snow Dynasty by Zheng Zhenduo, Zhou Zuoren, Yu Pingbo, Xu Yunuo, Ye, Zhu Ziqing. The riffraff take "art for life" as their aim, pursue "nature" and "frankness", and pour realistic scenes into simple and fresh poems, thus strengthening the realistic power in freestyle vernacular poems. Due to the active practice of poets in the Literature Research Association, the early new poetry opened a realistic tendency of paying attention to social life, facing life, exposing darkness and intervening in life by means of new poetry. Zhu Ziqing is one of the outstanding poets. His "Destruction" describes the ambivalence of young people "struggling for temptation and longing for destruction" after the ebb tide of the May 4th Movement in a long lyrical way, leaving a "distinct step". His "Trace" poem transcends attempts and matures, showing the poet's spirit of actively facing up to reality. Wang Tongzhao also published The Times, and the poems in the collection of poems conveyed the bitterness of the world through hazy images. Bing Xin is also one of the authors who started writing activities earlier in the literary research society. In addition to novels and essays, he is also good at writing some fragments of sudden philosophical thinking in the form of small poems. Her representative works "Stars" and "Springs" are deeply influenced by Tagore, glittering and translucent and beautiful, and are saturated with maternal love and childlike innocence under the theme of human nature. These short poems of life experience, which are composed of pearls of wisdom and emotion, are free and lively in content and eclectic in form, conveying the free atmosphere of open mind in the May 4th era. After the new poetry was separated from the old poetry, it sought to abandon the stereotyped lyricism and attach importance to the rational interpretation. At one time, there were many writers, which formed the small poem movement in the history of new poetry. Among them, Zong Baihua's Cloud Poetry is more influential than prose (prose; Prose is a kind of literary genre, also known as poetry, novel and drama. Prose that does not pay attention to rhythm, including essays, essays and travel notes. It is the freest style, without paying attention to phonemes, parallelism and any restrictions. It is also the earliest style of writing in China. Usually, an article has one or more central ideas, which are expressed by lyric, narrative and logical means. The form is scattered but the spirit is not scattered. The article is written casually, but the words, sentences and sentences are all related to the theme center. Short and pithy, lively and interesting. Chinese traditional prose can be traced back to Oracle Bone Inscriptions. It is all essays except poetry, drama, novels and ci fu, including political essays, historical reviews, biographies, travel notes, letters, diaries, plays, essays, tables, prefaces and other essays. Because these articles are not only carriers of beautiful thoughts and feelings, but also models of language art and have high aesthetic value. In the long-term spreading process, they have watered the literary gardens of all ages and touched the literati of all ages, and are still benefiting people today.