Long live, there is an eternal old meaning, and the years have become eternal existence in the passage. Withered vines like an old man, faded green branches and leaves, old stems and old branches twists and turns, the situation is strange.
Dead vines remind people of the tenacity of life. Although plants are defeated by wind, frost, rain, snow and time erosion, the flowers and leaves are withered and desolate, but the context and clank of life are more and more prominent.
Withered, more character and weather, people can not help but think of a plant with the same temperament, leaving residual lotus to listen to the rain. Although the roots are broken, they are arrogant.
Old and haggard, all correspond to time, as if with the blessing of years, everything has a good pleasure.
The people of China are ancient, beautiful, quaint, Gu Zhuo, with ancient meaning, lofty and ancient worship. Calligraphy, pen, ink, paper and inkstone are all ancient things. In Yuan Dynasty, Zhao Mengfu's thought of restoring ancient ways in calligraphy emphasized that learning calligraphy should take the ancient as a disciple, and creation should pay attention to taking the ancient as the new. In other words, calligraphy is about origin, so you should make it clear where you learned calligraphy, where you came from and where you want to go, otherwise you will become an asshole without foundation. I don't even know my own life experience, so I can't talk about innovation. Learning books should be based on honesty, inherit first, then develop, break the rules after understanding the set of rules between the lines, and then stand out from the embryo of ontology and form its own style one by one.
This aesthetic pursuit of ancient style is also reflected in all aspects. Even if you live in a small courtyard, you need a small garden with fragrant paths, towering old trees and little moss to have a sense of beauty. Ancient things, under the infiltration of time, are all static and firm, which makes people feel inexplicable.
Ancient, existing in any corner of the multidimensional world, is a brush instead of a pen, a magazine, a newspaper, not an e-book, not a vegetarian tea, not a coffee and milk tea, not a piano, chess, calligraphy and painting, not an Internet TV. This is a painted tile, not a tall building. This is a cheongsam, not a suit and tie.
It's just that these things don't change or change much. It is drifting away in our life, leaving only the back and memories. That sense of loss is like losing what our ancestors left us along the way. It is deconstructed and diluted by the so-called modern civilization in the rapidly developing society.
Those ancient things, because of the vicissitudes of the world, are covered with the veil of history and add poetry. Ancient, that is, the thing called Zong, is the positive pulse, the source and the most primitive form. Ancient people have a sense of belonging and awe. It is handed down from generation to generation, tangible and intangible, and noble.
Long live the withered vine, which is the line that people compare calligraphy with this image from nature. For calligraphy, the vivid image composed of these four words constitutes a unique aesthetic different from elegant and elegant style.
Long live the withered vine to describe the lines of calligraphy, it is easy to make people think of the vast cliff stone carvings, some things in epigraphy of the Qing Dynasty, and Yu Youren, a calligrapher, is boundless, simple, natural and innocent.
Stone carvings are different from the bookish spirit written by Chidu. Urged by the natural environment, they are mottled with Cang Sang, and the traces of time carving are incomplete, broken and rough, which has also become a part of its beauty, which is the depth of years' precipitation.
Long live the lines of context expressed by Kuteng in calligraphy, which is a kind of calligraphy beauty with simple atmosphere, old meaning and infinite power. It does not pursue the delicate and smooth lines, but the rough and simple texture.
Its lines are the embodiment of masculinity, like withered vines, like withered lotus flowers, like vicissitudes of ancient trees. Visually, generate is full of vitality and dynamic beauty.
Once upon a time, it was difficult for me to appreciate this beauty as a beginner in calligraphy. I prefer the dignified and beautiful style, but with the blessing of time, the cultivation of art, the improvement of aesthetic ability, and the guidance of calligraphy theory books and teachers, I find it more and more attractive to me.
Later, I had the opportunity to visit the Wild Great Wall. The collapsed wall tiles, bare soil and dry grass were separated, and my eyes were full of sadness. The vivid sense of history is shocking. White clouds and pale dogs, people are just a moment between heaven and earth. That kind of ancient meaning is similar to what I feel in calligraphy.
Historic sites, old houses with carved beams and painted buildings, all in all, the blessing of time has added some intriguing things to these things.
Ancient things are more interesting and interesting. Ancient things have more contents and more stories, which can arouse people's wonderful imagination.
Being ancient is a traditional thing, which makes it easier for us to have a space to wander and think, and to escape from the tranquility of the dusty atmosphere. In the twelfth lecture of calligraphy, the author said that the old trees are withered and vines, the dead pens are flying white, the erosion is broken, and the confusion is blurred, all pointing to a rough and simple beauty.
Clumsy and ancient is the standard. Speaking of clumsy, I have to mention Fu Shan, a calligrapher in Qing Dynasty. Fu Shan suggested that Ning Zhuo should not be clever, rather ugly than flattering, rather fragmented than smooth, rather straightforward than arranged. Clumsy, not clumsy, but clumsy.
In ancient times, some people thought it was pedantic and backward. Of course, I don't care much about the past and I don't care much about the present. Development is necessary. It helps us to move from barbarism to civilization, but the old things remain the same and have their reasons for existence.
Gu is a fast horse's hard rope and the thread of a kite flying in the sky. Its reaction is the power to restrain, prevent impulse, maintain stability and give you direction, and it is the power to limit blindness and prevent separation.
Ancient times are characterized by slowness, slowness, leisure, calmness and elegance, endless patience, obedience to ingenuity, and idle expressions of osmanthus people.
It's slow to send goose feathers in a thousand miles, slow to make rice paper blue printed cloth oil-paper umbrella by hand, and slow to buy ingredients for relatives by hand.
We live in a crowded era, and it is difficult for us to concentrate on one thing for a long time. I overheard a sentence before, but now the short video is getting shorter and shorter, and it will slip away in a few seconds. In their time, only in the era of radio, they could listen attentively for an hour, and the feeling was different.
I still remember Mu Xin's poem "Once upon a time, it was very slow, that kind of slow life, only enough to love one person's life in this life, which is a poem in many people's hearts."
I remember when I was a teenager, everyone was sincere/said/It was a sunny morning/train station/long street, and a dark shop selling soybean milk was steaming hot/Once upon a time, the sun was slow, horses and mail were slow enough to love someone for life, and the locks were beautiful. If you lock on to them, you will understand.
This poem always evokes people's feelings. From today's perspective, the poem we are looking for is a long-flowing past that we can't go back to. The feeling of being single-minded and single-minded is itself a thrilling beauty.
Now I can only sigh silently, only feel that it was unusual at that time! At that time, it was an extremely dull life. The passage of time and the blessing of time made her present a hazy poetry under the veil of history. We read and read, as if we had entered that slow era, reliving the gentle heart, slow meaning, slow life and slow culture of Mr. Wang.
The problem of our time is that it is fast, it is like eating dates, it is like fast food, we have no patience to wait, and our world is changing too fast, too far, too far, too fast, too fast.
We also hurried by in the train of years, too late to look back, too late to watch, too late to stare.
How many people are so relaxed, slowly reading a book, slowly making a cup of tea, slowly practicing a few pages of calligraphy, slowly eating a simple and warm breakfast, slowly writing a handwritten letter to a lover, slowly loving a person, slowly moving towards eternity with a person, and slowly re-establishing a warm and simple relationship with this incomplete world.
I remember a writer said: "Change and great change are a kind of meaning, and the same and less changes are also a kind of meaning, even containing great future value." Culture is an unchangeable thing, which means some stability and eternal orientation. I only hope that the ancient meaning will last forever and be more lush and beautiful. It reminds us of those warm times in the ancient sense.
Brief introduction of the author