The Diversified Choice of China's Poetry in 1930s

After Wen Yiduo put forward the "three beauties" of poetry in the middle and late 1920s, the musicality of poetry attracted the attention of many poets and scholars. In 1930s, with the drastic social and political changes in China, there were different opinions on poetry theory and criticism. Left-wing realistic poetics, modernist symbolism poetics and crescent poetics have formed significant differences in the musicality of poetry.

China's Poetry in 1930s

the poetry institute of china

1 1932 September-1937 April

Orientation: As a part of left-wing literature, the follow-up of red poetry has revolutionary consciousness. A group of famous poets, including Jiang Guangci and Yin Fu, advocated the "New Poetry Movement" and published the publication "New Poetry".

3 "We will not cling to the remains of history, because that has become the past. We should grasp the reality ... and sing the consciousness of the new century. "

Grasp the reality: realism

Popularization of Poetry: As a top priority, * * * has promoted the popularization of realistic poetry.

1 "Modernism"-Modernism/Modern Magazine 2 is more loosely organized and dilutes organizational relations 3 1932 Modern Shanghai (south) Shi Zhecun 1934 Mercury Beiping (north) side 1936 New poetry is published. 4 significance in the history of literature:

A personnel perspective (pedigree): symbolism has nothing to do with modernism. Where did the modernists come from?

The school headed by Bian in the north is the Late Crescent School. (P2 15)

/kloc-stopped writing around 0/925, and Mu and others collectively turned left, from the initial symbolist to a revolutionary, left-wing and red poet.

B Shi Zhecun's poems about this journal: modern feelings felt by modern people in modern society, and modern poems are arranged in modern words. Judge the modernity of poetry;

Modern life: jazz, skyscrapers, racetracks, etc.

Modern words: As long as it is suitable to express a meaning, an emotion or even a syllable, you can use classical Chinese words, which is a departure from Hu Shi.

Modern poetry line: "The researchers of new poetry who started from Mr. Hu Shizhi joined the tradition of western old-style poetry." Most "modern" poems have perfect texture. They are modern verses and poems.

5 Dai Wangshu (P2 16)

Dai Wangshu adored Shi Zhecun's sister, but Shi Zhecun was snobbish and made financial demands on Dai. Dai later studied in France and got a degree. 1932. Then I went to Spain. 1935 returned home and found that my sister had a new lover. Later, Dai Wangshu met Mu Shiying's sister, and later divorced, and the children belonged to Dai Wangshu. Later, Dai Wangshu went to Hong Kong and met a beautiful woman. But life in Hong Kong is hard, four necklaces. Later, she divorced and the children belonged to Dai Wangshu.

Dai Wangshu is alone with two children, living in difficulties and relying on friends for relief. He suffers from asthma. 1950 returned to the mainland and gave himself an injection. Overdose to death.

Dai Wangshu's My Memory and Rain Lane are more free in form, and Rain Lane is very musical, while the former is more loose in form. This was done by Dai Wangshu on purpose.

On the contrary, Wen Yiduo's "Beauty of Music", "Beauty of Painting" and "Beauty of Architecture" (three beauties) Dai Wangshu sharply refuted the literary ideas of the new metrical poems of the Crescent Poetry School, and held the same literary views as Shi Zhecun.

6. My memory is very different from my inner emotion of using a broken palm. With the background of War of Resistance against Japanese Aggression, the arrest and imprisonment of individuals-the life and death of a nation and a country-has a great influence.

Du Heng: "Writing poetry is definitely a hesitant thing. The motivation for writing poetry is the act of presenting/hiding. " Li Jinfa, Mu and other symbolist poets also advocate that the content expressed through intermediary and non-directness should be in tune with symbolist poetry.

My memory is very different from my inner emotion of using a broken palm. The background of War of Resistance against Japanese Aggression and the arrest and imprisonment of an individual have a great influence on the life and death of a nation and a country.

Du Heng: "Writing poetry is definitely a hesitant thing. The motivation for writing poetry is the act of presenting/hiding. " Li Jinfa, Mu and other symbolist poets also advocate that the content expressed through intermediary and non-directness should be in tune with symbolist poetry.