1, Mountain Tour-Qing Fan Yao
The forest view is forbidden on the passenger road, and the mountains are exhausted.
The red maple flies into the hole and the yellow leaves fall into the autumn stream.
The stone path is soaked through the clouds and the forest is deep.
It's not too late to return, and the white clouds on the moon are low.
2. Looking at Dongting-Don Liu Yuxi
The lake and the moon set each other off, and there is no wind mirror on the pool surface.
Looking at Dongting from a distance, there is a green snail in the silver plate.
3. Autumn Night-Don Tu Mu
In the autumn night, candlelight reflected the screen, and Fan slapped the fireflies with his hand.
Day and night are as cool as water. Sit and watch the morning glory and Vega.
4. Sleeping in Jiande River at night —— Reading Meng Haoran
Stop the boat in a foggy small state, when new worries come to the guest's heart.
The vastness of the wilderness is deeper than trees, and the moon is very close to the moon.
5, "Autumn night will dawn out of the hedge door to meet the cold, two thoughts"-Song Luyou
3. East of Wan Li River flows into the sea, reaching a height of 5,000 meters.
The adherents wept in the dust and looked south to Julian Waghann for another year.
Characteristics of sentence patterns in ancient poetry;
1, number of words: There are strict restrictions on the number of words in ancient poetry. Generally speaking, five-character quatrains, five-character rhymes, seven-character quatrains and seven-character rhymes are common forms. For example, five-character quatrains have five words each, and seven-character quatrains have seven words each.
2. Rhythm: The rhythm of ancient poetry is usually very regular. For example, the rhythm of five-character poems is generally 22 1 or 22 12, and that of seven-character poems is generally 222 1 or 22 12.
3. Pingping: In ancient poetry, the tone of words has strict requirements, and Pingping is one of them. Pingsheng is the first and second sound of modern Chinese Pinyin, and Cuo is the third and fourth sound of modern Chinese Pinyin. In ancient poetry, flat tones were used alternately to form beautiful rhythm and melody.
4. Duality: The sentence patterns of ancient poems often need to appear in pairs. This rhetorical device is antagonistic. For example, the mountains cover the day, the sea drains the golden river, the sky goes against the Yellow River, the mountains go against the sea, and the flow goes against the Yellow River. This can enhance the visual beauty and symmetry of poetry, and also enhance the depth and significance of poetry.
5. Rhythm: The sentence patterns of ancient poems often need to rhyme, that is, the initials and finals of the ending words or words of each poem should be the same or similar, which can increase the musicality and beauty of the poem. For example, the mountains covered the white sun, and the ocean drained the golden river of the heron hostel. But if you expand your vision to 300 miles and go up a flight of stairs, you are betting on the rhyme of Liu Helou.