Streets in the sky
Guo Moruo
Distant/street lamp/sunny,
Like/twinkle/countless/stars.
A star in the sky/now,
Like/burn/countless/street lamps.
I think/ethereal/air,
There must be a/America/city.
In the market/on display/on something/something,
It must be/the world/no/exotic.
You see,/that shallow/Tianhe,
It must be/not very/extensive.
The cowherd/weaver girl across the river,
I'm sure I can/ride an ox/come and go.
I think/they/at present,
I'm sure/I'm/I'm/I'm wandering around the street.
Don't believe,/look/that meteor,
It's them/carrying lanterns/walking.
Edit the writing background of this paragraph.
192 1~ 1922, China was in the chaotic period of the northern warlords. Facing the dark reality of semi-colonial and semi-feudal society, the author felt great anger. Street lamps on the ground are associated with the stars in the sky, and street lamps are also associated with describing the streets in the sky, which makes people spread their imagination wings and are dissatisfied with the reality on the ground, thus imagining the reunion life of the cowherd and the weaver girl. They live a wonderful life. Stars and street lamps are metaphors for each other this time, creating an artistic conception full of fantasy and poetry, and expressing the author's yearning for a better life.
Edit the introduction of the author of this paragraph.
Guo Moruo was born in1892 165438+1October16, and died in1June 1978 12. Formerly known as Guo Kaizhen, China is a famous modern writer, scientist, writer, archaeologist, thinker, revolutionary activist, ancient philologist and poet. Born in Shawan, Leshan, Sichuan, he went to school since childhood, attended Jiading College from 65438 to 0906, and began to accept democratic ideas. 1965438+In the spring of 2004, I went to Japan to study abroad, first studying medicine and then literature. During this period, I came into contact with the works of foreign writers such as Tagore, Goethe, Shakespeare and Whitman. The Sorrow of Sheep is his first novel. 1965438+ The Temptation of Death, written in the early summer of 2008, is his earliest new poem. 19 19 When the May 4th Movement broke out, he initiated the organization of the Summer Society, a national salvation group, in Fukuoka, Japan, and devoted himself to the New Culture Movement. He wrote poems such as Phoenix Nirvana, The Earth, My Mother and Coal in the Furnace. 192 1 In June, he and Cheng, Yu Dafu and others organized a creative society and edited the Creative Quarterly. 65438-0923, graduated from Imperial University of Japan, and continued to edit Creation Weekly and Creation Day after returning to China. From 1924 to 1927, he created historical dramas such as Wang Zhaojun, Nie Ying and Zhuo Wenjun. 1928 Exiled in Japan. 1930 joined the Chinese Left-wing Writers' League and participated in the activities of the Tokyo branch of the "Left-wing League". 1938 director of Ren Zhonghua national anti-enemy association of literary and art circles. During this period, six historical dramas represented by Qu Yuan were created. He also wrote ten critical books, The Bronze Age, and a large number of essays, essays and poems. After the founding of New China, he served as a member of the Central People's Government, Vice Premier the State Council and director of the Culture and Education Committee, president of the China Academy of Sciences, the first, second and third presidents of the All-China Federation of Literary and Art Circles, the ninth, tenth and eleventh central committee members of the China Production Party, the first to fifth vice-chairmen of the National People's Congress Standing Committee (NPCSC), and the member, standing committee member and vice-chairman of the Chinese People's Political Consultative Conference. His works include Ode to Xinhua, Dongfeng Ji, Cai Wenji, Wu Zetian, Li Bai and Du Fu. Goddess is a representative collection of poems engaged in the New Literature Movement in this period. It got rid of the shackles of China's traditional poetry, fully embodied the spirit of the May 4th Movement, and created a poetic style in the history of China literature. It is the best revolutionary romantic poem in contemporary times. 1923, systematically study Marxist theory and advocate proletarian literature. 1926 participated in the northern expedition and served as deputy director of the political department of the national revolutionary army. 1927 After Chiang Kai-shek cleared the Party, he participated in the Nanchang Uprising led by China's * * * production party. 1February, 928, wanted by the Kuomintang government, he went into exile in Japan, devoted himself to studying the ancient society of China, and wrote important academic works such as Studies on Ancient Society in China and Studies on Oracle Bone Inscriptions. 1937 After the outbreak of War of Resistance against Japanese Aggression, he returned to China as the director of the Third Hall of the Political Department of the Military Commission, and later as the director of the Cultural Work Committee, uniting progressive cultural circles to engage in the anti-Japanese national salvation movement. After 1946, it stood at the forefront of the democratic movement and became the revolutionary banner of the cultural circles in the Kuomintang-ruled areas. After the founding of People's Republic of China (PRC), he was elected as the chairman of the All-China Federation of Literary and Art Circles, successively served as Vice Premier of the State Council and Director of the Cultural and Educational Committee, President of the China Academy of Sciences and Vice Chairman of the NPC Standing Committee, and was elected as a member of the 9th, 10th and 11th Central Committee of the Chinese Production Party. Editor-in-chief of China's Historical Manuscripts and Oracle Bone Inscriptions's Collected Works, all works are compiled into 38 volumes of Guo Moruo's Complete Works. Guo Moruo is one of the main founders of the University of Science and Technology of China. 1958 In May, in order to realize the modernization of science and technology and speed up the training of professionals urgently needed for national defense construction and cutting-edge science and technology, Guo Moruo, then president of China Academy of Sciences, joined some famous scientists to propose to the CPC Central Committee that China Academy of Sciences establish a new university. This proposal was supported by party and state leaders, and Nie, and was approved by the meeting of the Central Secretariat. In September of the same year, China University of Science and Technology was formally established in Beijing, and the State Council appointed Guo Moruo as the president. Since then, Guo Moruo has served as the president of the Chinese University of Science and Technology for 20 years, showing profound knowledge and profound educational thoughts. Under his leadership, the Academy of Sciences carried out the policy of "running a school in the whole hospital and combining departments with departments", and implemented the policy of combining scientific research with education, giving full play to the advantages of strong teachers and excellent scientific research equipment in various research institutes of the Academy of Sciences, and fully supporting the construction of HKUST; It has established the principle of combining teaching with scientific research, combining science with technology and combining theory with practice, advocated the excellent school spirit of "diligent study, advancing science with specialty, blending theory with practice", established a new education system for cultivating emerging, marginal and cutting-edge scientific and technological talents, and formed a democratic academic atmosphere that is open, open and compatible with different schools. All these have shown great vitality in the future practice of running a school of Chinese University of Science and Technology, and laid a solid foundation for the long-term development of the school. On the 30th anniversary of the founding of the Chinese University of Science and Technology, a bronze statue of Guo Moruo was erected in the East Campus.
Edit the appreciation of this masterpiece
Guo Moruo's poems have always been famous for their strong emotional catharsis, and his "Phoenix Nirvana" is passionate and vigorous. His "Tiangou" has the momentum of destroying everything; His "Good Morning" and "There is Coal in the Furnace" once made our hearts beat. But this poem is quiet and peaceful, with beautiful artistic conception, fresh and simple. When the poet wrote this poem, he was studying in Japan. Like many overseas students in China at that time, he missed his motherland and was confused about his ideal future. Poets have to think about this with the help of nature and often wander by the sea. One night, the poet walked by the sea, looking up at the beautiful sky and twinkling stars, and his mood became cheerful. The poet seems to have found his ideal, so he wrote it down in his poem-as if it were a scene in heaven. The poet compared the stars to street lamps. Stars are scattered in the sky, and the distant world arouses people's infinite reverie. Street lamps are a common sight, close to us and can be seen almost everywhere. The poet compared the street lamps in the distance to the stars in the sky, and also compared the stars in the sky to the street lamps on the ground. Is it the poet's illusion, or does the poet want to lead us into the "ethereal realm"? In the poet's mind, heaven and earth are one. There is a market in the ethereal sky, a prosperous and beautiful market. There are many items on display, all of which are treasures of the world. The poet didn't write these anecdotes specifically, which left us a lot of room for imagination. We can regard them as what we need and bring us peace and comfort of mind. It is not only a market, but also a life scene. Across the shallow Tianhe River, what is the life of the Cowherd and the Weaver Girl who are unswerving in love? Still guarding the Milky Way, can we only face each other from a distance? "You must ride a cow," said the poet. On that beautiful night, they must have wandered in the colorful market. Meteors are lanterns they are holding. A few simple words have subverted the myth that has been circulated for thousands of years and resolved the tragedy of sighing for thousands of years and people's yearning and sorrow. The style of this poem is desolate, expressing the poet's pure ideal with natural and fresh language, neat short sentences and harmonious and beautiful rhythm. The artistic conception is general and the rhythm is slow, such as a trickle and ripples. But it is this simple artistic conception that brings us rich imagination and makes our hearts wander in the distant sky with poetry and enjoy their beautiful dreams.
Edit the full text of this summary:
This poem is linked with nature, with rich imagination and beautiful artistic conception. Poets are connected with countless stars through bright street lamps, and with street lamps through the stars in the sky. Since there are street lamps in the sky, there must be a market, so the poet imagined the beauty of the market in the sky and the scarcity of goods in the market. The poet's eyes focused on Tianhe, and when he saw Tianhe, the author further imagined how the Cowherd and the Weaver Girl lived a free and beautiful life. In this way, the author writes from the world to the sky through association and imagination, creates a wonderful artistic conception full of fantasy and poetry, and expresses his pursuit and yearning for a free and happy life. This poem expresses the poet's beautiful yearning and pursuit for a bright, free and happy life.
Guo Moruo's Market in the Sky
1, the thoughts and feelings expressed in this poem.
The poet imagined the starry night sky as a sky market with countless street lamps, and also transformed the legend of the Cowherd and the Weaver Maid, imagining the meteor in the air as the Cowherd and the Weaver Maid wandering in the street with lanterns, symbolizing the happiness and beauty of their lives and reflecting the pain and injustice of human society.
This poem not only implies the poet's dissatisfaction, anger and disillusionment with the real world, but also entrusts the author's eager yearning for bright happiness and ideal society, showing the poet's childlike mind and character in the predicament.
2. The romanticism of this poem.
This poem has a strange imagination and unique images. The stars in the sky have become countless street lamps, even lanterns for cowherd and weaver girl. The poet created a more perfect and vivid fantasy world than nature, which made his poems show a strong romantic atmosphere. The metaphor is vivid and creative.