Representative writers of new generation poetry

There are three schools of poetry in the new generation: "written language writing", "spoken language writing" and "written language and spoken language composite writing". The so-called "written language writing" poets pursue the elegant temperament of language, pay attention to rhetorical effects and emphasize the imagination of words. There are many poets who hold this writing tendency, among them are surprisingly, Tibet, Xi Du and David. The so-called "oral writing" poets emphasize daily life language and folk language as their own poetic language resources, and oppose and abandon rhetorical devices. Since the late 1990s, they have formed a noticeable trend and fashion, with Issa, Shen Haobo and Yi Lichuan as the representative poets. The so-called "composite writing" is the product of the infiltration of the first two schools. Its representative figures are Xu Jiang, Ji Damo, Houma, Jin Haishu and so on. The "new generation" poetry tide is an extremely significant change of China's new poetry after the "misty poetry" movement.

The new generation of poets inherited the basic idea of subject awakening in the new poetry tide, and took a step towards the exploration and examination of subject consciousness from the perspective of culture and life, and launched it at the deep level of personal consciousness.

In the transformation of personal experience, they deeply experience the inner world of modern people with a unique attitude, and consider people's psychological world and inner instinct consciousness from the perspective of people's living conditions, thus expanding their territory indefinitely. This subjective consciousness is embodied in their poems as an anti-hero commoner, who examines daily life and turns language into spoken language, thus completing the experience of life in this unique way. It can also be said that a central theme of "new generation" poetry is: life.

If there is no dust, the only person who insists on pure poetry writing. If there is no autumn wind, the dust at the entrance of Qiu Lai village will get cold, and insects will not be angered. Occasionally, three or two times will not disturb anyone's dreams. Where do women who don't come to wash clothes go by the clear water? Clouds are rolling and the sky is blue. Liu's bun, which can't be stopped by the wind, and the fruit on the hawthorn tree are in a mess, but they can't hear shouting, and the sun is not strong, stopping in the mountains. The village in the wheat field, the bearded old man, the quiet street and the courtyard wall suddenly became lively. After a group of children panicked, they kept barking with the dog. When the wind hits the water, everyone looks wrinkled, sometimes tight, sometimes slow. At Xikou, there, the fishermen sitting silently only caught a little leisure, a crooked tree and autumn colors. There are three schools of poetry in the new generation: "written language writing", "spoken language writing" and "written language and spoken language composite writing".