The leveling rules of modern poetry are roughly as follows:
1. Right: Every two sentences in a poem are called a couplet, the first sentence is a antithesis, and the second sentence is a antithesis. Sentences and the words corresponding to sentences should be flat, right, this is called right. But relatively speaking, it is difficult to be strict with each other, so there is another sentence, 135 doesn't matter, 246 is clear.
2. Sticking: The second word of the previous sentence should be flush with the second word of the next sentence. This is called sticking. This is what modern poetry must abide by.
3. In each sentence, follow the following rules: 24 is different, 26 is the same, and avoid loneliness, loneliness and three tones. The difference between 24 and 26 is that the second word and the fourth word have different levels, which are the same as the sixth word. Solitude means that there is a flat sound in a sentence and it is surrounded by a flat sound. Loneliness, on the other hand, has a flat voice in a sentence, and there are flat voices all around. Three tones are at the end of the sentence, and all three words are flat. Among them, isolated sounds and tertiary sounds are taboo.
Obeying the above rules can basically meet the needs of writing modern poems. But the above-mentioned flat tone is based on the phonology of ancient Chinese, not the flat tone of modern Chinese.