The appearance of writers and works in batches is one of the symbols of the prosperity of novels in this period.
Due to the establishment of many literary societies and literary periodicals, writers in the 1930s moved from dispersion to gathering, and reached the literary world as a group of literary colleagues, with hundreds of well-known writers. They may take the literary society as the center and gather under the banner of Taiwan Province Literature Writers Association, Nanyin Society and Taiwan Province Art Research Association. Or take the region as the camp to form a group of writers, such as Lai He, Chen Xugu, Yang Shouyu, Huang Chaodong, Lai Tongliang, Lai Cangyi, Zhou Dingshan, Ye Rongzhong, Liao, Lin, Zhu Dianren, Wang, Guo Qiusheng, Xu Qionger, Yang Chaozhi, etc. Or different types of writers are formed by different language expression tools, such as Lai He, Yang Shouyu, Guo Qiusheng, Zhang Shenshen, Zhu Dianren, Liao Yuwen, Cai Choudong, Zhou Dingshan, Zhao Yima, Xu Yushu, Lin,, Huang Deshi and Huang. Japanese writers include Yang Kui, Lai Minghong, Zhang, Lu Heruo, Weng Nao, Wu Xisheng, Lai Qing, Wu Yongfu, Guo Shuitan, Wu Xinrong, Long Yingzong, Wu, Wang Baiyuan, Wu, Liu Jie, Su and Xu Qionger. The aggregation of such a huge literary team provides a strong foundation for the prosperity of novel creation in a literary town.