1. Edited version of the original part of "Pipa Preface", the eighth lesson of Chinese in the first volume of senior one.
Bai Juyi's Preface to Pipa Parallel Prose
In the evening, I bid farewell to a guest on Xunyang River. Maple leaves and mature rushes rustle in autumn.
I, the host, have dismounted, my guest has boarded his boat, and we raise our cups, hoping to drink-but, alas, there is no music.
Although we drank a lot of wine, we were not happy. When we were leaving each other, the river mysteriously widened in the direction of the full moon.
We heard a sudden sound, a guitar crossed the water, the host forgot to go home and the guests left.
We followed the melody, asked the player's name, and the voice was interrupted ... and then she reluctantly answered.
We moved the boat closer to hers, invited her to join us, and summoned more wine and lanterns to start our party again.
I've made 1000 phone calls, and half of her face is hidden behind her guitar.
... she turned the tuning pin and tested several strings, and even before she played, we could feel her feelings.
Every string is a kind of meditation, and every note is a kind of deep thinking, as if she were telling us the pain of her life.
She frowned, bent her fingers, and then started her music, letting her heart share everything with us bit by bit.
She brushed the strings, slowly twisted, swept and plucked, first the air in the rainbow skirt, then the six small ones.
Big strings hum like rain, and small strings whisper like secrets.
Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade.
Guan Yingying's ass was slippery when she spoke, and we heard a stream sobbing painfully on the beach.
By checking its cold touch, this string seems to be broken, as if it can't pass; And notes, fade away.
The depth of sadness and the hiding of sadness are more told in silence than in voice.
A silver vase suddenly burst, pouring out a stream of water, jumping out of the conflict and blow between armored horses and weapons.
Before she put down the pick, her stroke was over, and all four strings made a sound, just like tearing silk.
The east ship was silent, and the west ship was silent. We saw the white autumn moon entering the river.
She tied it thoughtfully on the rope, stood up and smoothed her clothes, serious and polite.
Tell us how she spent her girlhood in the capital and lived in her parents' house in Toad Hill.
She mastered the guitar at the age of thirteen, and her name ranked first in the list of musicians.
Song often teaches excellent talents, and her beauty is the envy of all the leading dancers.
I can't count all the songs of how noble young people in Wuling once competed nobly.
The silver comb inlaid with shells was broken by her rhythm, and the bloody skirt was stained with wine.
Season after season, joy followed, and neither the autumn moon nor the spring breeze attracted her attention.
Until her brother went to war, and then her aunt died, and the night passed, and the night came, and her beauty disappeared.
There were fewer and fewer cars and horses in front of the door, and finally she married herself to a businessman.
Who, first of all, stole money, accidentally left her and went to Fuliang to buy tea a month ago.
And she has been taking care of an empty boat in the estuary. Around the cabin, the moon and the river are cold.
Sometimes in the middle of the night, she dreams of her victory and is awakened from her dream by her hot tears.
Her first guitar note made me sigh. Now, after listening to her story, I feel even sadder.
We were all unhappy until the end of the day, when we met. We understand. What is the relationship between acquaintances? .
A year ago, I left the capital and came here. Now I am a sick Jiujiang exile.
Jiujiang is so far away that I haven't heard music, neither strings nor bamboo sounds for a whole year.
My residence is near the town by the river, low and humid, and the house is surrounded by bitter reeds and yellow rushes.
What can you hear here in the morning and evening? The cuckoo's bleeding cry, the ape's sobbing.
I often pick up the wine and drink it alone in the morning of spring with flowers and the night of autumn with moonlight shining.
Of course, there are folk songs and bagpipes in the village, but they are rough and harsh, and they are harsh in my ears.
Tonight, when I heard you playing the guitar, I felt that my hearing was illuminated by wonderful music.
Don't leave us. Come, sit down. Play it for us again. I will write a Long song about guitar. ..
... she was moved by my words, stood there for a while, and then sat down to play her strings-they sounded even sadder.
Although the tune was different from what she had played before, all the listeners covered their faces.
2. "Pipa" teaching plan for the eighth lesson of Chinese in the first volume of senior one.
Teaching objective: 1. Understand the literary genre of Bai Juyi and Xing.
2. Understand the specific meaning of "We are all unhappy-we meet at the end of the day". We understand. What is the relationship between acquaintances? ”； Experience the poet's relegation and depressed thoughts.
3. Experience the beautiful artistic conception of music description in the poem.
4. Recite the whole poem
Teaching focus:
1, master the author's superb skills of describing sounds with metaphors.
2. Interpret the thoughts and feelings of the works by analyzing the life and fate of the characters. Grasp the artistic conception
Teaching Difficulties: Perceiving the Beautiful Artistic Conception of Music Description in Poetry
Teaching preparation: PC, reading Pipa.
Teaching time: two hours.
Teaching process:
first kind
Main contents:
1. Understand the poet Bai Juyi and his poetry creation.
2. Listen and read the text, and feel the content of the text.
3. Clarify the structure of the article and initially perceive the characters.
(A) Music is an intangible thing, invisible and intangible. It is not as tangible as blue sky and white clouds, birds and beasts, mountains and rivers. How can we express this elusive music in words? Pipa Travel written by Bai Juyi, a poet in the Tang Dynasty, is a model of describing music, which has been sung for a long time since the Tang Dynasty. Today, we will listen to this wonderful music together. (Title and author of blackboard writing)
(2) When a blind man was dying, he said to others, "How I want to see the sunshine and all the beautiful things in the world!" Mozart was invited, and he played a tune on the violin. The blind man said with tears, "I saw it!" I saw it! I see sunshine, flowers, birds and rivers. " The blind man died with a look of joy and satisfaction. Tolstoy, a great Russian writer, cried bitterly after hearing Tchaikovsky's andante, saying that he "touched the soul of the Russian nation". Wonderful music can cause people with different experiences and moods to sing. The affectionate interpretation of the pipa girl in Pipa Xing made a generation of poet Bai Juyi burst into tears. Now, let's experience the superb skills of the pipa girl, appreciate the author's extraordinary ability to turn the sound of the piano into beautiful poems, and explore the reasons why the author burst into tears. (Title and author of blackboard writing)
Second, understand the author, the genre and writing background of Xing.
(a) the author (see "teaching book")
1. Bai Juyi (772-846), whose name was Letian, was a Buddhist in Xiangshan in his later years. Taking the 44-year-old as the dividing line, I held the idea of "helping the world at the same time" in the early stage and the idea of "being independent" in the later stage.
He was another great realistic poet after Du Fu in Tang Dynasty.
He lived after the Anshi Rebellion and spent his youth in exile, so he was able to get in touch with society extensively and understand the sufferings of people's livelihood, so his poems embarked on the road of realism from the beginning of creation.
2. Poetry proposition and creation:
"Articles are written for time, and poems are written for things." -Reflect current events and work for reality.
"Singing only makes people sick, and looking to the emperor to know"-reflecting people's sufferings.
He is the author of Bai Changqing's Collection, and his representative works include Long song Hate and Pipa Travel.
(B) the genre of "line"
Clear: "line" is the meaning of music; Although the names of "Song" and "Xing" are different, there is no strict difference. Later, "Song and Xing" merged into one. "Gexing Style" was created by Bao Zhao in the Southern Song Dynasty. Bao Zhao imitated and learned Yuefu, and after full digestion, absorption, casting and creation, he created his own style. But he developed a seven-character poem and created a seven-character style. "Gexing" is a genre of China's ancient poems, which was established in the early Tang Dynasty on the basis of Yuefu poems in the Han, Wei and Six Dynasties. The appearance of "Moonlit Night on a Spring River" by He Zhang can be said to be a sign of the formal formation of this genre.
Features:
1, the length can be short or long. There are eighteen sentences in Cen Can's Bai Xuege Farewell Field-Attendant Wu Comes Home, twenty-four sentences in Du Fu's Autumn Wind Breaking the Cottage, and one hundred and twenty sentences in Bai Juyi's Song of Eternal Sorrow. There are thirty-seven sentences in Du Fu's Military Vehicle Shop and eighty-eight sentences in Bai Juyi's Pipa Trip.
2. The narrative features of ancient Yuefu are preserved, and the characters, remarks, comments and feelings are integrated, with rich and vivid contents. For example, Du Fu's "Car Shop" contains the narration of "pedestrians" when they go out to war, the question and answer between "passers-by" and "pedestrians", and the sigh that "we have learned that it is unlucky to have a son, but it is much better to have a daughter". It's really devastating after reading it. Another example is "The Hut is Broken by Autumn Wind", in which there is a description of the thatched cottage, a sigh of "leaning on the stick", and a remark of "I live in a spacious building, and ... my hut freezes to death alone", which makes people feel sad after reading it.
3, rhythm and rhyme are relatively free, flat and informal, and can be rhymed. "Gexing" style poetry breaks through the shackles of metrical poetry in terms of meter and rhyme. Because it takes a long time to express feelings and there are many sentences, it is difficult to pay attention to balance when it rhymes to the end. For example, there are some rhymes in the twenty-four sentences of "The Hut is Broken by Autumn Wind". The form of singing style is relatively free, which is determined by the content.
4. The sentence pattern is flexible, usually seven words, but also seven words, with three words, five words and nine words interspersed among them. For example, "The Hut is Blown by Autumn Wind" is basically composed of seven words, but there are also two words ("Alas") and nine words ("Suddenly seeing this house in front of me, it is enough for me to freeze to death alone").
(C) Writing background
Pipa Trip was written in the autumn of the 11th year of Yuanhe (AD 8 16). Bai Juyi was forty-five years old and was appointed as Jiangzhou Sima. Bai Juyi was first left to collect the remains ten years ago, and then he was left to be a doctor. In June of the 10th year of Yuanhe, the forces of the Tang Dynasty sent assassins to stab Prime Minister Wu and imperial envoy Pei Du at the head of Chang 'an Avenue, which caused great controversy in the ruling and opposition parties. A spokesman for the North Korean buffer region army further demanded the removal of Pei Du to stabilize the buffer region's "anti-frontier" heart. At this time, Bai Juyi stepped forward and insisted on recruiting thieves, thinking that otherwise the country would not be a country. Bai Juyi's idea is right, but because he always writes allegorical poems and offends many powerful people in the imperial court, some people say that he is a humble official and oversteps his authority. Plus someone accused him of being Luo Zhi, so he was demoted to Jiangzhou Sima. Jiangzhou is under the jurisdiction of Jiujiang City, Jiangxi Province. Sima is the assistant of the secretariat, which sounds good, but in fact, in the middle Tang Dynasty, this position was specially set up for "criminal" officials and was sent to a certain place in disguise for supervision and supervision. This incident had a great influence on Bai Juyi and was a turning point in his ideological transformation. Since then, his early fighting spirit has gradually worn away and his negative emotions have increased.
Third, read the text initially and perceive it as a whole.
1. Assign six students to read the preface and the whole poem in turn, each reading a paragraph and correcting the sound.
2. Play the music "Moonlit Night on a Spring River" in a low voice, and the teacher will recite the whole poem emotionally.
3, grasp the content of the poem:
Students quickly read the preface and the whole poem silently and find out the corresponding parts.
Qing: The second sentence of the preface ("There will be a clank of Kyoto next autumn") corresponds to the first paragraph of the poem; The fourth and fifth sentences ("Ask this man ... to migrate between rivers and lakes") correspond to the second and third paragraphs of the poem; The sixth and seventh sentences ("I was sentenced to two years as an official ... and I was called Pipa Xing") correspond to the fourth paragraph.
Homework: Read the whole poem repeatedly.
Second lesson
First of all, appreciate poetry
1. Q: How many times did you write the performance of the pipa girl in your poem?
Qing: The poet wrote three performances of pipa girls. For the first time, the pipa girl did not appear. The poet and his guests heard her performance. The pipa girl appeared for the second time and played at the invitation of the poet. The third time, it was clearly written, but it was short.
2. Enjoy the first performance of Pipa Girl
(1) Students can read the first paragraph of this poem freely.
(2) Students think: What is the first tune played by pipa women? There is no clear explanation in the article. Can the students judge what kind of tone this is? What is the reason?
Qing: There are two reasons for her sad tone: First, the pipa girl obviously used it as a way to get rid of the loneliness of being alone in the boat; second, it really touched the heart of the host and guest in the "sad farewell", which aggravated her sadness and led to "the host and guest forgot to return home, and the guest returned to other ways". The rest of the bleak scene of the autumn moon night and the sad atmosphere of the farewell banquet are all set off.
(3) Students recite the first paragraph with emotion.
3. Enjoy the second performance of Pipa Girl.
(1) The students read the second paragraph of the text in chorus.
(2) Students think: How many stages can the second performance of Pipa Girl be divided into?
Clear: The second performance of Pipa Girl can be divided into three stages.
In the first stage ("... she turned the tuning pin and tested several strings, so we could feel her feelings even before she played"), the girl who wrote pipa tuned the strings before playing and entered the field of music. In the second stage ("each string ponders once, each note ponders once ... bit by bit, let her heart share everything with ours"), writing a pipa performance, probably a tune selected according to the mood at that time, which shows the skill proficiency of the pipa girl. On the roof of the world, the famous pipa female songs "Colorful Feather" and "Willow Shake" were created.
(3) Students' thinking: How many passages did the author write the famous song "Colorful Feather" and "Liu Yao" played by pipa girls? What is the content of each article? How do poets express the artistic conception of music?
Qing Dynasty: The author wrote the famous song "Colorful Feather" and "Liu Yao" played by pipa girls into four paragraphs. The first paragraph uses both metaphor and imitation to write big strings and small strings, and the two are intertwined, thus producing the sound of "like pearls falling on a plate of jade", showing an eager and happy mood. In the second paragraph, the sound of Yingying at the bottom of the flower is used as a contrast, and then the word "slippery" is used to make readers realize that the melody becomes light and smooth; Then it gradually slowed down, as if it had entered a semi-terminated state-this "silent" music made readers think deeply about "sadness and dark hatred" and look forward to the arrival of change. From the beginning, the third paragraph is "a silver vase suddenly breaks with a stream of water", which is the signal of the arrival of the climax; It developed rapidly, and then there was a warm and tense scene of "conflict and collision with the leaping armored horses and weapons" The end of the fourth paragraph shows the characteristics of the pipa music when it ends, which has the same remarkable artistic effect as the piano music that ends with the main chord, so that the audience can continue to immerse themselves in the realm of music.
(4) What is the intention of this paragraph ending with "The east ship and the west ship are silent, and we see the white autumn moon entering the heart of the river"?
Clarity: the small side contrast shows that people on the boat around are immersed in the realm of "reverberation around the beam"
(5) Students recite the second paragraph with emotion.
4. Enjoy the third performance of Pipa Girl.
(1) Students read three to five paragraphs silently.
(2) What is the tune played by the pipa girl for the third time? What is the reason?
Qing: The tone is sad, which is different from that of Nishang and Liu Yao. From the people at the banquet, we can see that they are all listening, covering their faces and talking to this Jiujiang official. My blue sleeves are wet.
(3) What is the difference between the author's methods of writing the third scene and the second scene of the pipa girl?
Clarity: For the second time, the author wrote the artistic realm of music from the front with rhetorical devices such as metaphor and imitation. The third time, the author wrote the artistic effect of music from the side.
Second, the writing characteristics
1, the plot twists and turns, ups and downs
In "we drank all the wine, we felt unhappy, and we were breaking up", and then "we heard a sudden sound, the guitar crossed the water, the host forgot to go home, and the guests had to go his way", which pushed the plot to another realm. The first pipa performance is over, and it seems that "the east boat is quiet and the west boat is quiet" is over. Suddenly, she became "thoughtful" and "astringent", and the pipa girl was going to tell her life story. As soon as the pipa girl finished her story, the poet expressed her feelings, linked her experience with that of the pipa girl, and promoted the development of the story. Another song was played, and the music reached its climax, but the poet no longer described it positively, saying only that the voice was "sad" and "unlike progress". When he wrote here, he came to an abrupt end. This can not only make people feel profound, but also make people feel profound and profound. This tortuous and changeable plot makes the drama experience of the pipa girl stand out, and her pipa stunt has also been described in detail. And the author's mood and emotion can also be expressed incisively and vividly.
Step 2 move people with emotion
This poem is touching, narrates events and describes characters, and is full of lyrical colors. The words such as "autumn sounds rustling", "sad parting" and "soaking in the moon over the river" in the section of seeing Fujian off create a sad atmosphere for the environment. This is the first time for a pipa girl to play. When the poet described the pipa girl's playing skills and tunes, he let his feelings and hatred run through. Self-narration is the root of "sadness and resentment", which is full of all kinds of sadness brought by past ups and downs. The poet lamented his own experience, set off his feelings with the environment everywhere, and fully described the sad feelings of wandering. At the end of the paragraph, the plaintive string sound and the crying sound complement each other, which is the grief of the poet. The whole poem uses few allusions, and the language is concise and clear. Shortly after the poet's death, Li Chen wrote a poem to mourn him, saying, "The child can sing Song of Eternal Sorrow, and Hu Er can sing Pipa. It can be seen that this poem was loved by the broad masses of the people before Bai Juyi's death and was widely read.
3. The picture is wonderful
Bai Juyi's Pipa Trip is a wonderful "sound painting" with wonderful pictures.
(1) Set off the emotional atmosphere with scenery. For example, Qiu Jiang bid farewell to the place where maple leaves and mature rushes rustle in autumn nights. "When the river mysteriously widens towards the full moon", a bleak autumn scenery is a powerful foil for parting. "My residence is near the town by the river. It is low and humid. The house is covered with bitter reeds and yellow rushes. What can you hear here in the morning and evening? ? The cuckoo bleeds, the ape whimpers. " Four sentences describe the harsh environment and effectively contrast the feeling of "the end of the world is coming"
⑵ Draw a picture with the demeanor and movements of the characters to show the inner activities of the characters. For example, "Half of her face is still hidden in front of us behind her guitar", the picture vividly depicts the shy expression and hesitant complex psychology of the pipa girl. Another example is "thoughtfully put it on the rope, she stood up and smoothed her clothes, very formal and polite." Describing the movements and demeanor of the pipa girl here until the end of the song not only makes people feel that her education and experience are good, but also naturally shows her inner activities from playing to telling life stories. Another close-up after "the banquet, everyone listens, covers his face", the poet is "wet with tears" The tone of the picture falls on a word "cry". Of course, it is the poet himself who has the deepest understanding of the tune, the strongest emotion, and even "wet with tears". The connotation of "crying" is obviously rich and profound.
4. Narrative lyricism is perfect and harmonious.
The emotional factors of the events described in this poem (seeing the guests off at Jiangtou on autumn night, the tragic fate of the pipa girl, and the author's relegation life); Description of scenery, contrast of atmosphere; A detailed description of the movements and psychology of the characters; Characters pour out their grief in a lyrical way; Clever explanations and discussions, such as "We can feel her feelings before she plays", "It seems that she is telling us the pain of her life", "Let her heart share everything with us bit by bit", "Ni Shang" and "Liu Yao", "Fall into deep sadness and lament, and there are more silent complaints than vocal ones", and so on. , is the crowning touch to shape the image of pipa girl, which can not be ignored.
All these make this poem full of lyrical atmosphere, realize the close combination of narrative and lyricism, and enhance the emotional color and artistic charm of the work.
5, image analogy, lyrical expression
Pipa Travel portrays two characters. In the middle Tang Dynasty, the commercial economy was developed, the city was deformed and prosperous, and under the political background of conflicting and sinister intentions at that time, the images of pipa women and poets all had their practical typical significance. This poem compares the grief, indignation, misfortune and other aspects between the two people by image analogy, and finally merges into one, thus drawing the conclusion that both artistic images feel powerless and reduced to the end of the world. Image analogy and lyrical expression are full of strong artistic appeal.
6. Strict structure
The poem begins with seeing the guests off, and then writes a series of interrelated and progressive plots such as seeking sound, inviting bullets, asking questions, complaining and feeling. These plots are each a scene, and together they are a complete and harmonious poem.
Third, homework:
1, recite the whole poem
3. Knowledge points of the eighth lesson "Pipa Preface" in the first volume of senior one Chinese.
1. Author's brief introduction Pipa Xing is one of the poems of Changle House written by Bai Juyi, a poet in the Tang Dynasty. From 772 to 846, Bai Juyi was born in Xinzheng, Henan. Mr. Tang is an important poet.
Second, the background
In the autumn of the eleventh year of Tang Yuanhe, the poet was demoted to Jiangzhou Sima for two years. When the poet was seeing off guests in Jiangtou, Xunyang, she met an old singer who was abandoned when she was young. She was very depressed. Combining her own experience, she created this poem.
Third, the interpretation of words.
(1) Move to the left: demote the official. It is synonymous with the "relocation" mentioned below. The ancients respected the right over the left, so they called it falling to the left.
(2) clank: describe the sound made by metal, jade, etc.
(3) Kyoto sound: refers to the music sound popular in the capital of the Tang Dynasty.
(4) Advocating women: singing girls. Advocate, ancient song and dance artist.
(5) Good talent: the general term for pipa or Qufu at that time. It means "expert".
(6) Commitment: Commitment, here refers to marriage.
(7) for: do.
(8) Jia (G incarnation) is a businessman.
(9) Order wine: tell (subordinates) to set the wine.
(10) Fast: carefree.
(1 1) drift: drift and fall.
(12) official: (Beijing official) transfer.
(13) Tian Ran: cold and quiet.
(14) relocation (zhé): demotion or exile of officials.
(15) used for: creation.
(16) Long sentence: refers to seven-character verse.
(17) Song: Composition, verb.
(18) in which: forever * * *.
(19) word: word.
(20) Destiny: naming and appellation.
(2 1) Xunyang River: According to research, Longkai River in Jiujiang City, Jiangxi Province flows through Xunyang City and flows into the Yangtze River through Songpukou (1997).
(22) Dií flower: a perennial herb, born by the water, with leaves as long as reeds and purple flowers in autumn.
(23) Rustle: Describe the sound of maple and reed being blown by autumn wind.
(24) Master: The poet refers to himself.
(25) Turn off the light: Turn on the light again. X: Here we go again. Speaking of moving lights.
(26) Conceal: conceal, suppress.
(27) Thinking: Sad feelings.
(28) Letter hand: handy.
(29) Continue playing: Play continuously.
(30) Close: the fingers of the left hand press the strings inward (in the middle of the pipa).
(3 1) Twist: the act of kneading strings.
(32) Wipe: the action of convenient dialing.
(33) Pick: the action of backhand callback.
(34) "Nishang": namely "colorful feather", originally a western region music and dance, was created by Yang, the envoy of Xiliang in the Kaiyuan period of the Tang Dynasty, and then flowed into the Central Plains.
Liu Yao: The name of Daqu, also called Xerox, Green Waist and Yao Yao, is a kind of dance music.
(36) Big string: the thickest string on the pipa.
(37) Noisy: The voice is heavy and deep.
(38) Small string: the thinnest string on the pipa.
(39) earnest: describe the urgency and fragmentation of the voice.
(40) Guan Guan: Onomatopoeia, which describes the sound of "Yingying" (the euphemistic song of birds).
(4 1) sore throat: obstruction.
(42) Difficult under the ice: it is difficult to get through the spring flow under the ice and describe the music changing from smooth to cold. Difficult, as opposed to slippery, means astringent.
(43) stagnation: stagnation.
(44) dark hatred: inner resentment.
(45) Burst: sputtering.
(46) End of song: End of music.
(47) Be careful when painting: This is a right-handed technique, which is often used to draw four strings in the middle of the pipa at the end of the tune.
(48) Silk: the floorboard of ancient silk fabrics.
(49) boat: boat.
(50) Convergence: Convergence (deep sadness and resentment when thinking deeply) facial expressions.
(5 1) shrimp (há) Ling Ran: "shrimp" means "clam". In the southeast of Chang 'an, near Qujiang, it was a famous amusement area at that time.
(52) Jiao Fang: the official position in charge of the court band in the Tang Dynasty. The first part: I like the first group and the first team.
(53) Qiu Niang: a commonly used title in singing and dancing in the Tang Dynasty. Generally refers to the beautiful and skilled geisha at that time.
(54) Five Mausoleums: Outside Chang 'an, it refers to the five mausoleums of Emperor Wu of the Han Dynasty, namely Changling, Anling, Yangling, Maoling and Ping Ling, where the rich lived at that time.
(55) Tie the head: give brocade, silk and other gifts to the singing and dancing woman surnamed Ji. Refers to the bride price given to showgirls in ancient times, which was used in the Tang Dynasty and other property left to future generations.
(56) Silk: thin and light. Red silk: a kind of raw silk fabric.
(57) diàn head: a hair grate with flowers at both ends; Silver grate (bi): Speaking of "cloud grate", jewelry decorated with golden jade jewelry.
(58) Applause: beat the time. A wooden or bamboo board originally used to beat time when singing and dancing.
(59) Laziness: casually, not paying attention.
(60) color: appearance aging.
(6 1) Floating beam: the name of an ancient county, which belonged to Raozhou in the Tang Dynasty. Jingdezhen City, Jiangxi Province is rich in tea.
(62) Go and come back: after parting. Come on, modal particles.
(63) Dream crying makeup tears: I cry in my dream, and there are tears on my face that have been evenly powdered.
(64) Redness and dryness: The face is covered with tears and powder.
(65) weight: again, weight and meaning.
(66) chirp: sigh.
(67)zhāoz zhā: Onomatopoeia words are used to describe monotonous music; The voices of ridicule and description are varied, which also makes Zhao Zuo enjoy himself.
(68) Pipa language: Pipa sound, music played by Pipa.
(69) temporary: suddenly, suddenly.
(70) Sit: Go back to the original place.
(7 1) threading: screw the thread tighter.
(72) Forward voice: It was very monotonous just now.
(73) Hide your face and cry: Hide your face and cry.
(74) Blue shirt: the clothing color of civil servants in the Tang Dynasty. Bai Juyi's rank at that time was to be an assistant minister, so he took the blue shirt.