Dondum
Jiangnan, the sound of green and red flowers, the waterside village in the foothills.
More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.
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This is a four-line poem describing the scenery in the south of the Yangtze River. How charming and desirable Jiangnan is. "When the sun rises, the river is brighter than fire. When spring comes, the river is as green as blue." Bai Juyi has painted a series of gorgeous pictures for us, but that is only macroscopic, while Du Mu's "Jiangnan Spring" is relatively specific. It seems that we have been to several scenic spots, and we are more impressed. Du Mu not only depicts the beautiful spring scenery in the south of the Yangtze River, but also reproduces the misty balcony scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing. "Thousands of miles of warblers sing green and red, and the water town is full of fruit wine flags." First of all, the poet brought us into the colorful Jiangnan world. You see, there are songs and dances everywhere, green trees and red flowers everywhere; Dripping water village, battlements surrounded by mountains, especially wine flags fluttering in the wind, are so charming! The interpretation of A Thousand Miles is to write about the whole south of the Yangtze River, but the whole is expressed through concrete images. "Four hundred and eighty temples in the Southern Dynasties were covered with misty rain." There are also temples, which are an important part of the transition to the scenery in the south of the Yangtze River and have a sense of vicissitudes. Many Buddhist buildings left over from the Southern Dynasties are looming in the spring breeze and spring rain, adding confusing beauty. What the poet said here is not "480 temples facing north", but "480 temples facing south", which obviously has different meanings. The rulers of the Southern Dynasties lost their lives for Buddhism, wasted people's money and built a large number of temples. "Southern History Guo Ancestral Family" said: "When the emperor understands Buddhist scriptures, he will change his customs. Therefore, the ancestors said that they all went to more than 500 Buddhist temples, which were extremely magnificent, with more than 100 thousand monks and nuns. The assets are rich, and there are no words in the county. " On this basis, Mutu said that there are obviously fewer "480 temples". Today, the "480 Temple in the Southern Dynasties" has become a historical relic and an integral part of the beautiful scenery in the south of the Yangtze River. There is no lack of irony in aesthetics, and the connotation of poetry is richer. The four sentences in this poem are all scenic words, each with its own characteristics. There are sounds and colors, space expansion and time tracking. In just 28 words, the poet painted us a vivid and verve picture of spring scenery in the south of the Yangtze River in very popular language.
Zhuliguan
Tangwangxu
I leaned alone in the dense bamboo, playing the piano and humming a song.
It's too light for anyone to hear, except my partner, Mingyue.
Appreciation: (I don't know if you want to be long or short, you can choose the appropriate excerpt according to your own needs. Just use the first paragraph of this compliment to make a short compliment)
This is a poem describing the hermit's interest in leisure life. Poetry uses words to create language and scenery (secluded, deep forest and bright moon), while writing people (sitting alone, playing the piano and whistling) is extremely unremarkable. However, its beauty lies in its natural and simple style, which depicts the fresh and attractive artistic conception of the secluded forest on a moonlit night, blends the scene into one, contains the special artistic charm of beauty, and has become a masterpiece through the ages. Playing the piano and whistling reflects the silence of the bamboo forest on a moonlit night, and the darkness of the deep forest is reflected by the light and shadow of the bright moon. The surface seems dull and seemingly casual, but in fact it is ingenious.
This poem also shows a state of tranquility. In the first two sentences, the poet sat alone in the deep and dense bamboo forest, playing the strings and blowing a long whistle. In fact, whether "playing the piano" or "whistling" reflects the poet's elegant and free-spirited temperament, which is not easy to cause others to sing. So the last two sentences said, "It's too light for anyone to hear except my comrade, Mingyue." I live in a secluded forest, and I don't feel lonely because the bright moon still shines on me all the time. The personification technique is used here, and the bright moon sprinkled with Yin Hui is regarded as a bosom friend, which shows the poet's novel and unique imagination. The style of the whole poem is quiet and leisurely, as if the poet's mood and natural scenery are integrated.
This little poem has four sentences. Looking at it separately, there is neither touching scenery nor touching love; I can't find out which word is poetic eye, and it's hard to say which sentence is warning.
In describing the scenery in the poem, only six words are used to form three words, namely "secluded place", "deep forest" and "bright moon". For the moon that shines on the earth, there is nothing new and ingenious about using the word "Ming" to describe its brightness. It's a common saying. As for the first sentence "Huang" and the third sentence "Lin", they are actually the same thing, both of which repeat the bamboo forest where the poet lives, adding the words "secluded" and "deep" in front of the bamboo forest, but the explanation is neither "three poles and two poles of bamboo" as mentioned in Yu Xin's Xiao Yuan Fu, nor "green hills and bamboos" as mentioned by Liu Zongwu. Here, it seems that the scene in front of us is written at will, and there is no effort to describe and describe it.
When writing about people's activities in poetry, only six words are used to form three words, namely, "sitting alone", "playing the piano" and "whistling". For the characters, they didn't describe how they played Xiao Shu, and they didn't express their emotions. For the piano sound and whistle, I didn't spend any ink to write its timbre and sound.
On the surface, the words used in the four poems are unremarkable. But when the four poems are combined together, they have their own advantages and disadvantages, and they contain a special artistic charm. The beauty of a masterpiece in Wang Wei's "Wang Chuan Bie Ji" lies in its naturally attractive artistic conception. It does not win with words, but regards beauty as a whole. Its beauty lies in its absence. To appreciate and appreciate its beauty, we should take its appearance as its spirit, and its spirit is contained in the artistic conception. As far as artistic conception is concerned, it not only gives people the feeling of "secluded amorous feelings" ("My Servant Poems"), but also makes people feel that the scenery of the secluded forest on this moonlit night is so ethereal and clear, and the people who play the piano and shout during it are so carefree, dusty and seamless. On the other hand, in language, we can see the flavor from nature, from plain high rhyme. Its natural and simple style beauty and artistic conception beauty complement each other.
It is conceivable that the poet met the quiet nature of the bamboo forest and the bright moon itself in a state of calm and clear mind, and he wrote a book. The formation of poetic artistic conception depends entirely on the consistency between the character's mind and the internal quality of the scenery written, without the help of external hue. So, when I am integrated with things, feelings and scenery, can a poet be like Si Kongtu's poem? Nature "said," Look at everything, don't take neighbors, follow the right path, and it will become spring scenery ",and enter the artistic world of" thin words and feelings, leisurely days ". Of course, when we say "everywhere" here, we don't mean that poets have no choice but to choose materials easily; When we say "start a spring" here, we don't mean that the poet didn't make arrangements when he was in charge, but he believed it. The poem describes the surrounding scenery and chooses bamboo forests and bright moons, which are consistent with the quiet environment to be expressed; Express your feelings in poetry, one chooses to play the piano and whistle, and then the other expresses it with the tranquility and clarity of mind. This is the immediate matter, and the reason why he wrote this scene and this matter has his own mature poetic thought. Judging from the combination of the whole poem, the poet wrote a piano and whistle while writing a secluded forest on a moonlit night, expressing tranquility with his voice. As for the last sentence of the poem written on the moon, it is not only in contrast with the "people don't know" in the previous sentence, but also a little better.
The first two songs, if not enough, I'll look for them again.