Don't dance with the silver mink and the little Khitan. All the guests are closed. From now on, who will look carefully! It's easier to cry than to write, and bamboo branches are dotted on Xiaoxiang River. There is no book to send at dusk, and a goose is cold in the smoke.
It should be exciting to watch the vigorous little Qidan dance in Liao country, but the author used the word "Hugh" to introduce the whole word and set the tone. The second sentence, "All the guests close the mountain", tells the reason: Everyone is a frontier fortress. Seeing this Liao dance destroyed by Jin and thinking about the current situation in the Song Dynasty, how can we still watch it? Three or four sentences further describe this mood: at this moment when we are facing the threat of national subjugation, how can we "seriously" watch the dancing "curl up"? The language is generous and powerful, expressing worries about the future of the country. The next film went further, and the writer's depression and emotional appeal changed from generosity to sadness. The myth and legend "Xiaoxiang Jiangzhu Point" refers to "sorrow", which vaguely reveals the grief of Jin people's invasion. Although geese fly in the last two sentences, "no books to send" reveals that there is nowhere to tell in real life, and the inner anguish can be imagined. The first film of this word is impassioned, tragic and desolate, and the second film is sad and gloomy, depressed and depressed, which truly and vividly shows the sharp contradiction between the author's ideal and reality and the ordinary patriots at that time, as well as the deep sorrow that his ambition is hard to pay. It is a work full of patriotic feelings. dream
Ai Qing
When awake
Can only fantasize
Dreams will visit them when they are asleep.
Maybe childhood friends.
Maybe a friend came from afar and there was pain on the wire bed.
There is joy on the straw.
Give when needed.
Massive theft
It's not a false alarm
Judging from the poetic style, before liberation, Ai Qing cursed the darkness and eulogized the light with deep, intense and unrestrained brushwork. After the founding of the People's Republic of China, he continued to praise the people, praise the light and think about life. His Return is more extensive in content, more profound in thought, more profound in emotion, more diverse in techniques and more sophisticated in art. His poetry collections published after the founding of the People's Republic include Cheers, Gem Red Star, Cape, Spring, Song of Return, Colorful Poems, Exotic Poems, Snow Lotus and Ai Qing's Poems. Ai Qing became an outstanding person with his singing style full of artistic individuality, and practiced his poetic aesthetic proposition of "simplicity, simplicity, concentration and liveliness".
198 1 year's poetry, as a "flower of spiritual civilization", is full of fascination and yearning for beautiful things in many chapters, praising new things in life, splendid scenery, warm friendship and all dancing and swaying life. Ai Qing, an old poet, wrote Dream (No.3 People's Literature), which expressed the true feelings of "there is pain on the wire bed and joy on the straw pile" and expressed his attachment and pursuit of a life with poor material but rich spirit.
Most of the images in poetry represent new objects. Childhood friends are beautiful, and friends far away are also beautiful. Even though life is often accompanied by pain and shadow, the future is still bright and beautiful. Especially after liberation, the poems praising everyone's enthusiasm for building a new China show the poet's infinite expectation for the motherland.
Dream is an illusory word. But it represents hope and symbolizes the rise of the new China. Notes for Friends in the North on a Rainy Night Li Shangyin
This paper points out the unique artistic style of Li Shangyin's poetry creation through the in-depth analysis of Letter to Friends in the North on a Rainy Night: image, delicacy, implication and profundity. ?
June asked whether the return date has not yet been determined.
Autumn pool night rain rises. ?
When * * * cut candles at the west window?
But words in the rain at night. ?
This is a well-known poem written by Bashu, a poet living in a distant foreign land, to his wife in Chang 'an. Li Shangyin's love for his wife is sincere. They were married less than 12 years, and their wife died. Even in that 12 year, because the poet was wandering around, he could not get together with his wife often. As the saying goes, a little parting is better than a wedding. Li Shangyin and his wife are often separated for a long time, so they have a deeper and stronger understanding of their love and acacia. In his works, he shows the enthusiasm of "spring silkworm spinning silk" and "wax torch turning into ash", showing a unique artistic style. ?
This little poem is written clearly, without allusions or comparisons, and goes straight to books, landscapes and words. The affection in the scene, the blending of the scene and the infinite affection in the plain words leave endless room for aftertaste. ?
At the beginning of the first sentence, you directly call the other person "Jun" and draw a picture of lovesickness between husband and wife from a unique perspective: Dear wife, you must be anxious to ask me when I will come back, so I tell you now that I don't know when I can go home. The uniqueness of this poem lies in the poet's writing of acacia from a misplaced perspective, that is, the other party may not really write to ask about the date of return, but the poet imagines that his wife is missing and asks about the date of return. In China's ancient poems, the poems about lovesickness often do not directly describe how they miss each other, but how they miss themselves, thus implicitly expressing the poet's feelings of missing. For example, Du Fu's "Looking at the Moon" shows his missing for his wife by imagining that his wife misses him on a moonlit night. The phrase "Jun asks if he will return soon" seems dull, but it injects the thoughts of his wife into every word, which is euphemistic, affectionate and intriguing. ?
"Late Rain Rising in Autumn Pond" is about the environment in which he lived at that time, that is, the scenery. The poet described a specific environment in concise language: Bashan, autumn night and heavy rain. The author gives a more specific description of this environment, not only describing the rain in the sky, but also describing the rain accumulated underground. Through the realistic scenery, people seem to feel such an atmosphere: it is dark all around, it is raining cats and dogs, the pool is full, there is no intimate friend around the author, and it is raining cats and dogs, making people feel lonely and desolate. This intermittent autumn rain makes people upset, the pool is full of feelings, and the nature author's heart is also surging. Then, the feeling of "autumn pool rising" is more than torrential autumn rain and rising pool water. Obviously, it is the emotional wave of the author's infinite yearning for his wife in sleepless nights. Therefore, there are deep feelings in the scenery, and the environment is written, but it is not just the environment. There is a word "love" between the lines. In this way, the blending of scenes constitutes an artistic realm.
If the first two sentences are written as prospect, then the last two sentences are written as future. On the night of autumn rain, the poets touched the scene, spread their wings of imagination and expressed their love with rich natural associations. The poet chose two modes here: one is the dynamic scissors, and the other is the confirmation of pronunciation. "* * * Cut the candle at the west window" depicts a beautiful picture of a beautiful night in detail and infinitely, and the word "* * *" describes the intimate mode. However, the word "He Dang" pushed the beautiful scenery described by the poet into the distance and into the void. This beautiful scenery turned out to be nothing more than the poet's yearning for it. As for when to return to my gentle hometown, everything is "irregular". This is a cruel thing and a helpless thing. This sentence is full of emotion, but it does not contain a word "emotion", which is very implicit. ?
There is no better way to express your feelings than words. "Keep your word". The poet imagined that husband and wife would get together, talk by candlelight and communicate with each other. "Refusing to talk" is a retrospective memory. The poet imagines that time at this time, and then he is talking about this time, talking about the feelings of missing when the rain is there at night. In this short four-sentence poem, the word "late rain" appears in two places, which is extremely rare in ordinary ancient poetry. This is because Late Rain gives the poet a very complicated and profound feeling, which is the most concise scenery language and the deepest family language. Writing about scenery and expressing emotions is the artistic conception of blending scenes in the poem. Used in this poem, it is very subtle, evocative and unique. ?
The first two sentences of this poem are about the real situation, which contains the thoughts of parting; The next two sentences are about meeting in the future, including the mood of getting together. Sorrow is real, but gathering is empty. The purpose of faking the future reunion is to set off the loneliness and nostalgia of the present. The stronger the expectation of reunion, the deeper the present nostalgia will be, and the harder it will be to send it away. The contrast between the two more profoundly expresses the sadness and deep yearning of reality. ?
Image, delicacy, implication and profundity are the artistic features of this poem. Shanting Summer High Film
Green trees, deep shadows, long summer, the reflection of the tower in the pond.
The crystal curtains are blowing gently, and the roses are fragrant.
The first sentence seems dull, but carefully pondering the word "shade" not only makes the tree lush, but also implies that the sun is like fire around noon in summer, so the "shade" can be "thick". This "thick" is not only the chance of shade, but also the meaning of "deep" in depth, that is, the shade is dense and deep. A Dream of Red Mansions describes the scene of the Grand View Garden at noon in midsummer, which means "the scorching sun is in the sky and trees are everywhere". Around noon in summer can give people the feeling of "long summer". Yang Wanli said in "Taking a nap in early summer" that "sleeping for a long time is ruthless", which was written by me. Therefore, "the length of summer" is implicitly associated with "the shade of trees", which is by no means an ordinary pen.
In the second sentence, "the balcony reflects into the pond", the poet sees the balcony reflection in the pond. The word "Ru" is well used: at noon in summer, the sunny sky is silent, the water in the pool is crystal clear, and the reflection of the balcony is very clear in the pond. This word "Jin" just writes the real scene of the balcony reflection at this time.
The third sentence, "The water curtain moves and the breeze rises", is the most exquisite sentence in the poem. This sentence can be divided into two meanings. First, the pool water under the scorching sun is crystal clear; The breeze is blowing gently and the sea is blue. The poet used the metaphor of "water curtain moving" to describe this scene, which is wonderful and very realistic-the whole water surface is like a curtain made of crystal, blown by the wind, and under the rippling water waves, it is the reflection of the balcony that shakes. How beautiful! Secondly, poets who look at the scenery first see the fluctuation of the pool water and then feel the wind. Summer breeze will not be felt at once, only when you see water waves, so it is said that "the water curtain moves and the breeze rises." If you write "wind rising" first and then "water curtain moving", it will be as tasteless as chewing wax.
Just as the poet was intoxicated with the beautiful summer scenery, suddenly there came a burst of flowers, which was refreshing and refreshed the poet's spirit. The last sentence of the poem, "the fragrance of roses all over the yard", adds bright colors to the quiet scenery and is full of intoxicating fragrance, which makes the whole poem full of unique vitality in summer. "One Courtyard Fragrance" coincides with the above sentence "The breeze rises".
Poetry about summer scenery is purely similar to painting: the trees are dark, the balcony is reflected, and the pond is full of roses, which constitutes a picture with bright colors and harmonious artistic conception. All this was described by the poet standing on the mountain pavilion. Although there are no mountain pavilions and poets in the poem, when we appreciate this poem, we seem to see mountain pavilions and leisurely poets.
Occasionally in summer and during the day
liu zongyuan
The summer in Yongzhou was wet and hot, so that the man dozed off drunk, pushed open the north window and had a long sleep.
When I woke up at noon, I only felt the silence of the earth and the sound of a cup of tea when new tea was smashed in the bamboo forest.
This poem, written in the seventh year of Yuanhe, is quiet and elegant, with a strong flavor of life, implicit brushwork and rich meaning.
Yongzhou is located in the south of China. It is very hot in midsummer, especially during the day. The first sentence of the poem, both straightforward and detailed, explains the climate characteristics of summer: "Summer", which is humid and sultry, is very different from the north. "Drunk as wine" vividly describes the unbearable heat. Because of the high humidity and high temperature, it is natural to feel depressed, tired, lazy and sleepy. This sentence is quite tense, and narrative, lyrical and generous are born from it.
The next three sentences, the poet's leisure life in summer and during the day.
The second sentence closely follows the previous pulse and constitutes a causal relationship with the first sentence. When summer is hard, open the north window to let the coolness in; I was so sleepy that I fell asleep on a few boxes and slept soundly for a long time. Here, although there are no stringed instruments of silk and bamboo, there is no joy of singing and laughing, but the comfortable and happy days are not fast! When the poet woke up at noon, everything was silent except the sound of children knocking on tea bowls in the mountain village opposite the bamboo forest. Silence, as an existence, should have an appropriate form of expression. The common form is to show silence by sound, such as Wang Ji's "If you are in the Xi": "The quieter the cicada forest, the quieter the sound palace mountain." It is to use the things at the two poles to set off each other, showing a natural landscape with quietness. In this poem, silence is written by voice, which sets off the exceptionally quiet environment at noon in summer, thus revealing a little ethereal and vivid opportunity in the extremely remote and lonely realm.
The poet writes about a leisurely life and a quiet mind, which reflects a spiritual sustenance he pursues in heavy depression. Huai Cai was slandered, isolated and motionless for a long time. Now the good horse is locked in the stable and the tiger is locked in the cage, so I yearn for a leisurely life. The poet's difficulties are often distorted by some idle literati and painters, such as the famous five-element poem Jiang Xue. Later, some painters took the scene in the poem as the theme and repeatedly painted a picture of fishing in the cold river, depicting the fisherman's life as carefree and high-spirited, which completely violated the social reality. In this regard, Sun Chengzong in the Ming Dynasty once wrote a poem "Fisherman" to reverse his conviction: "Ah, the boat is blurred in the cold snow. The painter doesn't know the fisherman's suffering, so he can make a picture of fishing in the cold river. " It's really well founded. In summer, the mountain light in the west suddenly goes out, and the moon rises slowly in the lake in the east.
Hang your hair in the shade at night, open the window and lie down in a quiet and spacious place.
The evening breeze sent waves of lotus fragrance, and the dew on the bamboo leaves made a crisp sound.
I thought I would want to make a song, make a song, I just hate my friends in front of me.
Feeling for a night, I miss my old friends all night, and it is hard to miss them in my dreams.
This poem is about the summer night water pavilion, enjoying the cool, refreshing, relaxing and missing friends. At the beginning of the poem, the sun sets and the moon rises, setting a scene to enjoy the cool. Write three or four sentences to enjoy the cool after bathing, showing leisure and comfort. Five or six sentences continued to write the true feeling of enjoying the cool by smell. Seven or eight sentences are about the transition from tranquility to the sound of the piano, to "bosom friends", and from enjoying the cool to cherishing others. Finally, I hope my friends can spend a wonderful night and have a dream by my side. The whole poem is delicate in emotion, fluent in language, distinct in layers and full of charm. Enjoy the coolness and coolness of summer with the sentence "The wind brings the fragrance of lotus flowers and the music of bamboo leaves dripping dew".
The characteristic of Haoran's poetry is that although it is only an understatement of leisure, it often leads people to get better and better. Summer Thoughts in Nange is Xin's masterpiece. Meng Haoran is good at capturing poetry in life. This poem is nothing more than the taste of leisure and self-satisfaction, with a little feeling of no confidant and no heavy ideological content; However, writing about feelings is implicit and poetic. Words, like flowing clouds and flowing water, naturally have a sense of hierarchy, which is integrated in context and meaning and full of charm. The writing of the poem also absorbs the advantages of the rhythm and form of the near body, and the six sentences in it are specious and have simple formal beauty; When reading it, the lips and kisses are harmonious, "there is the voice of Jinshi Palace merchants". Sea miscellaneous poems
gong zizhen
Kyushu is furious.
It's a pity that a thousand horses can't walk.
I suggest that god stand up again,
Don't stick to a model and leave behind talents. The sentence "It's a pity that thousands of troops are struggling" profoundly shows Gong Zizhen's dissatisfaction with the lifeless social situation in the late Qing Dynasty, so he enthusiastically calls for social change, thinking that the bigger the change, the better, and it will be as big as the earth-shattering spring thunder. He also believes that the most important factor in implementing social change is talent, so he enthusiastically appeals: Heaven forbid! Please cheer up and give us all kinds of talents.
Aroma wine
Lan Shu
Thirty years ago.
You look at me from the top of the willow tree
I am young.
Niyuan
People are also round.
Thirty years later.
I look at you from the top of the coconut tree.
You are a glass of country wine.
You are a man.
Homesickness is also full.
This is a colorful, light and heavy modern poem. Say it's faint, faint poetic, faint wine fragrance, faint moonlight; It is said to be strong, strong in poetry, strong in acacia, and strong in homesickness. This cup of "country wine" is really sweet and bitter when tasted carefully, and it wakes up when drunk.
The layout of poetry ranks is the development and innovation of Song poetry, which is symmetrical, even, simple and pure. I naturally thought of "Health Mistakes": "Last year's Lantern Festival, the flower market was lit like a day, and the willow shoots were on the moon, and people made an appointment after dusk. On the first night of this year, the moonlight was still there. I didn't see people last year, and Man Chun's shirt sleeves were in tears. " "National wine" is the national sentiment of contemporary people, which draws the essence from the excellent heritage of national culture and is brewed with traditional aesthetic forms. This kind of time jump, space distance jump, and the change of the position of "you" and "I", although the words are different, can change the scene and mood. Their feelings changed from sweet to bitter, their thoughts woke up from drunkenness, and the land left their hometown, resulting in deep acacia and infinite homesickness. homesickness
Xi Murong
The song of my hometown is a flute in Qingyuan.
It always rings with the moon at night.
The face of my hometown is a vague disappointment.
Like waves in the fog
After parting
Homesickness is a tree without rings.
Never grow old.
The attachment to one's homeland can be said to be a constant and eternal emotion of human beings. Wanderers, drifters and vagrants who are far away from home hope to return to their roots even when they are very old.
Xi Murong summed up this homesickness with a short poem with seven lines and three sections: the first section is about the freshness of the local accent, and the flute "always rings on a moonlit night". Imagine how many moonless nights there are all year round, suggesting that travelers always miss home. The second section is about homesickness, and I miss my hometown more and more. Over time, the corridors in my hometown were all collapsed, leaving only a vague sadness, such as parting in the fog, as thick as blood but separated by a misty cloud. It is vivid and natural to describe the vague and melancholy impression of hometown with the wave of parting in the fog, and to describe the abstract subjective feeling with a tangible concrete. The third layer writes about the eternity of homesickness. It is a transition from the lingering local accent and homesickness on the upper two floors, and its form is very novel. The gradual shift of levels makes the theme from vague to vivid. The poet expressed deep ocean-like sadness, nostalgia and disappointment with the image metaphor of a tree without wheels living forever in the hearts of vagrants.
The fusion of emotional expression and image choice makes the whole poem far-reaching in artistic conception. Appropriate natural metaphors and concise and beautiful language give the whole poem an idyllic artistic conception. Far and near ancient city
You,
Look back at me,
Watch the clouds later.
I think,
When you look at me from a distance,
You observe the clouds up close. Although there are only six short sentences in Far and Near, it contains rich connotations of historical reflection. "Far" and "near" are the concepts of physical distance, which exist objectively and have scientific measurement. However, the psychological distance of emotions is different, and "far" can become "near" and "near" can become "far". The transformation of psychological distance between "you", "me" and "cloud" in the poem reflects the estrangement and vigilance between people, and the poet's yearning and pursuit of harmonious and ideal interpersonal relationship.
The three images of "you", "me" and "cloud" in the poem all have certain symbolic significance. "You" and "I" both live in objective reality and belong to social members, while "Cloud" symbolizes beautiful and simple nature. "If you look at me, you will be far away" means that the ground is near and the heart is far, "if you look at the clouds, you will be near", and "you are close to the sky". The poet's dialectical emotional way of "man is far away from the world" has become the development way of human aesthetic ideal, that is, "from the truth of the object to the truth of the subject, from passive reflection to subjective creation."
This poem seems handy, but in fact it is ingenious, giving people the feeling that it is natural but unnatural, clever but not artificial.