Mu Xin has many classic works. What are some classic love quotes in his works? The following is what I have carefully compiled for you. I hope you like it.
1 In this ancient nation, in the streets, alleys, pavilions, corners and bridges, there are all flickering humanistic plots, traces of famous cities, and overlapping dusty dreams of the past. I can't hold it in anymore. Fortunately, there are always spring flowers and autumn moons there to comfort and relieve me. Take a breath, take a breath, and it is the breath of history. -- Mu Xin "Reflection of Colombia"
2 When talking about his shortcomings, he hugged them tightly with a simple and honest smile - the shortcomings were his pets. --Mu Xin
3 Classicism is what later generations said. Romanticism, I say it myself. Aestheticism is actually a kind of privacy. If you call it out, you will lose your composure. The harm of aestheticism lies in not understanding beauty. Symbolism does not need to be stated explicitly, otherwise it will become a riddle with the answer in front and the riddle in the back. Realism, a clumsy mouth to tell wisecracks, naughty but not witty. Imagism, madam, what is imagery? It’s Imagism. Surrealism, in this way, can transcend "ism". Is it possible to transcend "ism"? -- Mu Xin, "The Journey of Suo Lu"
4 If Michelangelo knew that the work would be blown up three days later when he was sculpting David, he would have stopped drinking. The concept of "eternity" confuses artists. -- Mu Xin "The Journey of Su Lu"
5 Educated upper-class people will never be perfunctory with coachmen, bathroom waiters, or anyone who delivers items. -- Mu Xin "Impromptu Judgment"
6. The outlook on the universe determines the worldview, and the worldview determines the outlook on life. --If you have a worldview that does not come from a worldview, where is your world? If you have a worldview that does not come from a worldview, don't you live in the world? So, you think you have a worldview, but you don't have or need a worldview, let alone If you don’t have a cosmology and don’t need it, you have nothing. -- Mu Xin's "Literary Memoirs"
7 The details of things are regular, and the whole thing is fateful. --Mu Xin
8 All great things are rebellious. -- Mu Xin "The Journey of Su Lu"
9 In the past, carriages and horses were very slow, letters were far away, and there was only enough time to love one person in a lifetime. -- Mu Xin's "Slow in the Past"
10 On the God of Destiny, everyone is governed by fate. The ancient Greeks knew it and I also knew it. For half a century, I am anxious, but fate is not anxious. This is the temper of fate. Now, I see fate. I'm anxious, I'm not anxious, this is my temper - Mu Xin's "On Destiny"
Classic quotes on love in Mu Xin's works
1 A sailboat has a character and a life-long destiny . Because the sailboat has a soul, every part of the sailboat is healthy and every detail is tied to the sea and sailing. A dilapidated sailboat is resting on the beach, and there lives a family of honest and kind-hearted people. The sailboat can sail into fairy tales and myths, but the ship cannot. -- Mu Xin's "Ode to a Sailing Ship"
2 The inability to write love poems is the result of sleeping with each other day and night - writers and the world should avoid this, but it happens all the time. -- Mu Xin's "Impromptu Judgment"
3 "Seeking eternal life in despair." Common people drive their "youth" and "youth" to naturalize their "old age". My "old age" and "youth" are at the mercy of my "youth". Logical principles can be followed, but unreasonable principles can be established even more - a sentence I said when I was a teenager is enough for me to use for the rest of my life. -- Mu Xin "The Banquet of Fish and Beauty"
4 Beer was born by chance, just like I discovered you by chance. -- Mu Xin "There is a Restaurant in Quebec, Canada"
5 Maybe there are "depressed people" in old Russia, such as Leo Tolstoy - he has had the disease of pursuing the roots of everything since he was a child. According to his own confession: Lying on the sofa, chewing chocolate, and reading British novels cured his depression in his youth. Or, walking to the fields in the early morning and watching the dewdrops of the rising sun reflected on the tops of the grass can also cure his depression in old age. He is frank, he is fearless, and there are many things he keeps silent about. There are many more unwritten diaries than those written. This is the Leo Tolstoy I know. In front of great people, we all seem to be deceived. -- Mu Xin, "The Bad Guest at Emerson's House"
6 Good and evil are both excessive favors and cruelties. Good people have ulterior motives, and evil people also have ulterior motives. When it comes to food, clothing, housing and transportation, we focus on the details of luxury, and we forget about the actual needs. The love and desire of human beings are not abnormal for some people, but for all of them. The whole thing is abnormal. This can fill a thick book. Please look at the animal world. How can anyone use love and desire as a career, capital, weapon, bait, or collection? products, spy tools. -- Mu Xin "The Bad Guest at Emerson's House"
7 There should be a ratio between life and speed. Our world is becoming more and more unnatural, and humans are exterminating the poetry of the earth. -- Mu Xin "The Lost Atmosphere"
8 Becoming famous is like a horse race in a dream. It is no longer possible to become famous without being famous. Becoming famous is like dreaming about horse racing. It is no longer possible to remain anonymous.
-- Mu Xin's "Horse Racing in a Dream"
9. Political path, religious path, philosophical path, artistic path... I have witnessed people constantly walking straight downhill out of strong ambition... -- Mu Xin's "Impromptu Judgment"
10 He does not belong to home, France, or the world. None of this is sad. What is sad is: he does not belong to himself. -- Mu Xin's "Impromptu Judgment"
11 Worldly success and fame are obviously limited, which means that their limits prove the authenticity of success. -- Mu Xin "Rest in Peace, Enemies"
12 The earth originally flew with the fragrance of people. -- Mu Xin's "The Fragrance of People"
13 Lamb said: "Childhood friends are like childhood clothes. When you grow up, you can no longer wear them. After you cannot regret your childhood friends, you can also I can only stop regretting the street I saw in my childhood." - Mu Xin's "The Street Is Still Like That"
14 Myths are told to adults by adults talking to children. -- Mu Xin
15 It is the lover who gnashes his teeth and hates and sympathizes with his skin -- Mu Xin
16 Cars are square, streets are gas-powered, we are wishful thinking, and then We all grow old by chance... -- Mu Xin
17 Cars, horses, and mails are all slow, and there is only enough time to love one person in a lifetime -- Mu Xin's "Slow in the Past"
18 It is possible to imagine the regret and disgust after being drunk, or the momentary decision to stop drinking after waking up from drunkenness. I don't think her feeling of happiness is absurd, nor do I think she is wrong or I am wrong. Even if it is not an eternal contract, why should I leave decisively. --Mu Xin's "Windsor Cemetery Diary"
19 Others pretend to be you in my dreams, but you are not as good as you. How can you be like this? --Mu Xin "JJ"
20 Human beings' hell is caused by human beings themselves. -- Mu Xin
Complete Works
1 I couldn't sleep last night, so I talked to Li on the phone: I just asked this, and he answered: "Because women's hair is hair inside." I asked further: " What about the inside?" Answer: "It's still the hair." --Li Zhen is cunning. It seems that he is not completely ignorant of prehistoric and posthistoric things. --Mu Xin "Impromptu Judgment"
2 As the leader of the Chinese teaching and research group, I gave a welcome speech. Teacher Zhao said a few words of humility and confidence, which filled the teaching and research group, which originally consisted of five old women and three old men, with light and heat. There are often such moments of light and warmth caused by words and expressions in the world. Hot, then the regular coldness and heavy dusk. --Mu Xin's "Windsor Cemetery Diary"
3 Therefore, Andersen had experienced enough of the pain of "self-consciousness", which also made me physically and mentally exhausted at that time. I really wish that I would never exist again like the light. . Later, I deeply sympathized with Michelangelo and Tolstoy on this point, and drank this bitter cup that I could not push away for the rest of my life. No amount of artistic achievements can compensate for their grief until death. -- Mu Xin, "The Bad Guest at Emerson's House"
4 The so-called beauty is ultimately evaluated by his or her smile. When a beautiful person smiles, his or her charm reaches its peak. This is What a beauty. On the contrary, if a person is usually beautiful but not beautiful when she smiles, she is not a true beauty. This "flaw in the ointment" is too big, too serious and fatal, denying his or her original function and value. -- Mu Xin "The Bad Guest at Emerson's House"
5 The Greek nation was not dominated by priests, but was guided by poets and created by artists. -- Mu Xin "Ancient Greece"
6 Probably because when people are depressed, they can't pick up a pen, can't concentrate, are bored, feel bored, and feel redundant - it can be seen that literary works are all made in "Frustration" has not yet arrived, or "depression" has already passed. -- Mu Xin, "The Bad Guest at Emerson's House"
7. When meeting a famous person, you need to see the person, not the name... Most people only see the name, but not the person. --Mu Xin's "Literary Memoirs"
8 Artists gradually mature as a person through their works. -- Mu Xin, "The Journey of Su Lu"
9. Being humble and self-motivated can easily lead to darkness and dryness. He is wild and uninhibited throughout his life, and is often frivolous and ridiculous. There are not many people who are humble and wild. It is grand enough to live a life of modesty and madness. People who are not humble but crazy can't be crazy; people who are not crazy but humble really don't know what they are being modest about. -- Mu Xin "The Sword Hilt"
10 Many things, if they are fabricated, will immediately become boring. -- Mu Xin "Impromptu Judgment"
11 I used to be tireless, and I see that others are also tireless. One day, I suddenly felt tired. Seeing that others were also tired, they were extremely tired. I lay there and thought about what heaven would be like. After walking in heaven for a day, the socks I took off would smell purely of the scent of roses. Heaven is boring, but the interesting thing is the world. Only ordinary things have profound meanings. Apart from that, they are mysterious and mysterious. The mysteries and mysteries are our own ignorance. Only when the mysteries and mysteries are transformed into commonplace by our knowledge can we hope to gain their deep meaning. -- Mu Xin "Except This"
12 Autocracy makes people thick-skinned, while openness makes people's hearts dark.
--Mu Xin
13 I am myself only in the presence of strangers. -- Mu Xin
14 In the past, the moonlight was very slow, a little leisurely, a little lazy. I spent the entire evening in a cup of tea, watching the stars in the sky in half a dream. -- Mu Xin's "Once upon a Time Slow"
15 I am getting older and withered. Under the clear sky, the branches are slender and turn into stars. The blue sky behind is actually dead. The blue sky is clear only when the dead branches are clear. Looking from afar, it is misty and gray, turning purple. There is a winter tree, there is a bird's nest in another tree, a yellow ribbon is broken, and I don't have a kite - Mu Xin's "A Tree in the Wilderness"
16 In the busy day and night of banquets, decorations, and formalities, Fangfang's letter makes me peaceful... It's no longer love, it's not virtue, it's the immortal light of a grateful heart - Mu Xin's "Windsor Cemetery Diary"
17 There are two kinds of laymen, those who can't get in, He also refuses to leave the door, and is looked upon by others, calling him a layman. If he does not stay in front of the door, it does not matter whether he is inside or outside, he is just a layman. The other type is those who sneak in through the door, look around, and suddenly see another door in the door. They happily push it out - it is the back door, and they become the laymen of the back door. There are no less laymen at the back door than there are at the front door. The new interpretation of "Harvard University" is: Someone tried "haha" here but did not become a "Buddha". --Mu Xin "The Journey of Su Lu"
18. My sadness is often caused by events that have nothing to do with me and force me to think. As a result of thinking, I still have nothing to do with those times. The only sadness is that I have been in contact with those times. -- Mu Xin's "Impromptu Judgment"
19 China's history is a long scroll intertwined with humanities. Western wise men took a boat across the Three Gorges of the Yangtze River and absorbed every plant, tree, mountain and water there. Amazed by the humanistic spirit. Chinese culture originated in the northwest. Things changed and flowed to the southeast. The flow stopped in Jiangsu and Zhejiang. My childhood and youth were spent in the sediments of China. Being able to see the world with the eyes given to me by ancient Chinese culture is Happy, because one is the eye of the debater, and the other is the eye of the lover - what is art? Art is aboveboard privacy. -- Mu Xin "The Banquet of Fish and Beauty"
20 The depth of friendship is the depth of both parties themselves. There is no depth to the friendship of shallow people. Cicero and others believed that "friendship can only occur between good people," which is too loyal. -- Mu Xin's "Qiongmeika Caprices"
21 When a person has experienced love, hatred, and resentment, , regain one's self as a jade, and in turn would rather be a jade than a piece of rubble, and deeply understand the art of rhetoric, that is, using a small number of appropriate words to regulate a large number of chaotic human affairs - this is how men in ancient times spent themselves In their later years, although they were displeased with me and looked down upon me, they still knew how to live in peace and contentment. In short, they were very good at writing, and they died peacefully after rescuing themselves word by word. There is also an epitaph, which does not use the word "love" or the word "hate", but still explains the life experience. They are really good at cooperation - Mu Xin's "Qiongmeika Random Notes"
22 There can be no truth. , just enthusiasm, no thoughts, at least some feelings. --Mu Xin
23 I gradually discovered that the reason why "Dream of Red Mansions" is great is that in addition to the multiple values ????that have been commented on, there is another layer of wonderful truth. , that is, any group with one or two hundred people who live together on a daily basis has a structure similar to that of Dream of Red Mansions. Our small research institute has more than one hundred and less than one hundred members. It is a thorn in the side of everyone. This kind of thing cannot be seen clearly. The situation of not being able to touch the edge and being in constant panic is constantly evolving, so everyone is a role, acting every day, benefiting themselves at the expense of others, and harming others even if they are not beneficial to themselves, because the happiness of self-interest is not available all the time, so the happiness of harming others is always available. It takes no effort. --Mu Xin's "Windsor Cemetery Diary"
24 Arrogance is natural, humility is only artificial. --Mu Xin's "The Journey of Su Lu"
25 Happiness is to love art with peace of mind. --Mu Xin
26 The depth of resentment all comes from the deep gratitude. If you look at it carefully, it is the kindness of the past. One minute fills up the gap. Only then do you realize that there is no resentment at all, because the past gratitude is all blurred, the bitter wind and rain are mixed, and the old movies in the small movie theater on the corner are life-and-death. Mu Xin's "Random Thoughts of Qiongmeika"
27 Everyone has his or her own voice, and each has his own understanding - Mu Xin
28 Art is compassion without objects - Mu Xin<. /p>
29 Wild fruits complete the orchards, rivers fertilize the earth, cattle and sheep are put into pens, grains are plentiful, then flocks of orioles fly around, and the quiet steps grow moss overnight - a nation with a short history, even if it is sincere The joys and sorrows of others always seem superficial. After all, I have not experienced many prosperous and bad years, many celebrations with great joy, and mourning ceremonies with the same sorrow, especially if I have not experienced joys and sorrows in countless details day and night. **We are all related. Even if the weather and the earth are favorable and people are harmonious, the mountains, rivers and trees are always unsentimental. The people there are human beings, and nature is nature. They have not yet understood each other and have not yet understood each other... There are spring breezes and fragrant grasses overseas, The barking of dogs in the late night, the red maples of autumn, followed by the aroma of fried fish, the night cry of the baby next door, the Cantonese-style Soviet-style mooncakes.
Everyone said to themselves: It’s not like this, it’s not like this. I lamented in my heart: Those are all wrong. Because we cannot say "the wrong spring breeze, the wrong grass", we can only say that it is not entirely true and incomplete... -- Mu Xin's "Reflections of Colombia"
30. Borrow my simple sophistication and understanding My foolishness lends me predictable risks. Lend me the uprightness of my pathos, lend me my gentle recklessness and my playful solemnity.
--Mu Xin "Lend Me"