Hit the water in the middle of the stream, and the cloud in the tube.
"Young people are worried about clouds." (Li He's "To Drink") The poet and his companions' worries about taking clouds, from "traveling with a hundred couples" to "Wan Huhou's past", can be said to be straightforward, surging down like the Yangtze River, magnificent and stirring. At the end, "hitting the water in the middle stream, stopping the boat and not flying" is a symbolic way, vividly expressing the lofty aspirations of a generation of revolutionary youth.
"The mid-stream hits the water, and the waves stop the flying boat." One explanation is that "hitting the water" means swimming and rowing hard in the rapids, and the waves even stop the fast-moving boat. I always feel that this artistic conception is not in line with the author's spirit of advocating "hundreds of battles and streams". I prefer the transformation of "mid-stream hitting water", that is, "mid-stream hitting water". Biography of Zu Ti in the Book of Jin:' Zu Ti can't clean up those in the Central Plains, such as great rivers! Later, Zhong Liu Jing became synonymous with vowing to revive the motherland. Here, it is said that the poet should ride the wind and waves in the tide of the new era, go forward bravely, and swear to revitalize China's lofty aspirations and lofty sentiments. After reading it, people seem to hear a heart that loves their country and hometown, and they are pounding, thus feeling the sublime beauty reflected by a great heart.
The artistic expression of China's classical poetry attaches great importance to the blending of scenes. Liu Xie said: "If the taste is complex and indifferent, it will be light." (Wen Xin Diao Long) Xie Zhen said: "Landscape is the medium of poetry, and love is the embryo of poetry; It is a poem, a few words are unified, and the vitality is endless. " The word "Poem Four Styles" has reached the realm of well integrating scenes.
In the first half of the year, although he focused on the scenery, he was full of feelings in the scenery. "The mountains are all red and the forests are all dyed" is not only a portrayal of the surrounding maple forests, but also a reflection of the poet's fiery revolutionary feelings. Red symbolizes revolution, fire and light. "Mountains and plains" is a vivid expression of the author's thought that "a single spark can start a prairie fire" and an optimistic vision for the revolution and the future of the motherland. "The eagle strikes the sky, the fish jumps shallowly, and ten thousand kinds of frost fight for freedom" is the author's yearning and pursuit for freedom and liberation. The sigh of "melancholy, ask the boundless earth, who is in charge of ups and downs" directly shifts from writing scenery to lyric, which naturally brings out the lyric movement in the second half.
Although the second half focuses on lyricism, there is no lack of scenery in it. Recalling the past eventful years describes the years in an eventful, novel and vivid way, turning the intangible extraordinary years into tangible towering peaks, giving people lofty beauty. "The mid-stream hits the water, and the waves stop the flying boat" is also a magnificent picture of bravely breaking the waves. It can be said that the sublime beauty of Qinyuanchun Changsha is interwoven with emotion as the warp and scenery as the weft. It not only enables us to enjoy the artistic enjoyment of magnificent autumn scenery, but also draws confidence and strength from the poet's passionate revolutionary feelings.
Main contents of Shangxiaque:
What's missing: Today's Tour describes the relationship between man and nature.
Xiaque: the relationship between the author of A Journey to the Past and a radical group
Overall appreciation
In the history of China's poetry, Qu Yuan was the first poet who described the natural beauty in great quantities and combined it with his concern for the country and the people. This is a fine tradition of China's classical poetry. Mao Zedong's poems inherited this fine tradition. He is good at combining natural beauty with social beauty and expressing the content of social beauty through the vivid artistic image of natural beauty.
In particular, the last three sentences of this poem end with a question, which skillfully answers the question of "who is in charge of ups and downs". Just like hitting water in the middle of the year, bravely throw yourself into the storm of revolution and go forward bravely.