The news of this distant western station! The north has been recovered! At first, I couldn't stop crying on my coat.
Where are my wife and son? There is not a trace of sadness on their faces. However, I packed my books and poems crazily.
On a green spring day, I began to go home, singing my songs loudly and drinking my wine.
Come back from this mountain, pass another mountain, go up from the south and then go north-to my own town! .
In the winter of the first year of Baoying in Tang Suzong (762), Tang Guanjun broke thieves in Luoyang. The following spring, Du Fu lived in Zizhou (now Santai, Sichuan). When he heard the good news of the officers and men, the poet was ecstatic and wrote the only cheerful poem in his life.
Its first two couplets are realistic. When the poet first heard that the land in the middle of Sichuan was "gathering thistles in the north", it meant that the nest of the "An Shi Rebellion" that had been entrenched for eight years was destroyed, and Du Fu couldn't help crying all over! This is really sad, happy, happy and sad! He looked back at his wife and children who had suffered from the war with him. Where are they still sad? So I rolled up my poetry collection and enjoyed it with my family! "Picking chrysanthemums under the east fence, shedding tears on my skirt, reading them and turning over poetry books" are all real life of "ecstasy" at once!
The last two conjunctions are empty. We "sing" and "indulge in wine" to celebrate the victory * * * to celebrate the recovery of lost ground; We are rejuvenating, rejuvenating, returning to China with young children, and bidding farewell to the wandering life. Although the poet was in a foreign country at this time, his thoughts had already flown, and he entered Jialing River along Fujiang River, crossed the dam and entered the Yangtze River, then left Wuxia to Xiangyang and turned to Luoyang to return to his hometown. The rhythm of the poet's homecoming rhapsody is light and harmonious, and the position change is dizzying! At this time, Du Fu's feelings are like flood peaks, rushing forward and pouring thousands of miles!
Without these two empty words, it is difficult to express the joy of the poet when he first heard the news of victory and his desire to go home quickly! The reason why this poem is known as "the fast poem of Du Fu's life" lies in the wonderful combination of reality and reality! Virtual writing is particularly essential, as Wang Shizhen said in Yi Yan Yuan Yan: "Those who are sparse before must be dense, those who are half wide must be sparse, and those who are real must be empty." Such as Wang Changling's "Send Weil":
Upstairs, the river was drunk and drunk to bid farewell to the sweet orange pomelo, and the wind and rain in the river brought the boat desolate.
Imagine that you are alone in the xiaoxiang moon, listening to the long ape with a melancholy dream.
The first two sentences of this poem describe the scenery, which contains feelings and blends with the scenery; The last two sentences imagine that Weil heard an ape crying in his dream and couldn't sleep. On the surface, this poem is full of sadness after saying goodbye to friends. In fact, for the screenwriter, bidding farewell to Wei Er is an inseparable emotion.
This poem combines reality with fiction. The first sentence and the second sentence were written on a sunny autumn day, and the smell of orange pomelo was floating in the air. The poet gave a banquet on the high building by the river to bid farewell to his friends, and then sent them aboard in the autumn wind and autumn rain. These two sentences are about the real scene in front of us. In the last two sentences, the poet takes "memory" as a pedestrian and fictionalizes a typical lonely scene at night: even if a friend falls asleep temporarily, apes on both sides of the strait will rush into their dreams one by one to get rid of their melancholy. These two sentences are empty. It is an illusion to go boating on a moonlit night, and even more so to listen to apes in a dream. In this way, the combination of reality and fiction in the whole poem, with the help of imagination, expands the expression space and artistic conception, makes the poem more hazy and beautiful, deepens the theme, and is more conducive to expressing melancholy and parting feelings. Through the creation of the territory, "the journey to Yi Dao is just sad and lonely, and the feeling of farewell is self-contained" (Comments on Ao Ying, Selected Poems of Tang and Song Dynasties), and "The feelings of generations are farther away" (General Theory of Lu Shiyong's Poetry Mirror). It is quite distinctive in artistic conception.