The whole word is divided into two parts.
Shang Juan mainly wrote the inseparable farewell scene when she left home, expressing her feelings of parting.
At the beginning, I wrote three sentences about the environment, that is, "it's cold and lonely, the pavilion is late, and the shower begins to rest." I pointed out that the season of parting is bleak and cold autumn, the place is the pavilion outside Bianjing, and the specific time is the cold dusk after the rain. Through the description of these scenes, the feelings are integrated into the scene, which touches the atmosphere, accurately reflects the sad mood of lovers when they leave, and sets the sad tone for the whole word. Really do the scenery every word, every word is full of emotion.
Drinking at the Door is a scene about parting. Outside Beijing, he ate and drank, secretly frustrated in his career and broke up with his lover. "No clue" means that you can't think of a clue, that is, "if you keep cutting, you will still be confused." Wrote some thoughts that I can't bear to leave. "Homesickness, Lanzhou urges." When we were inseparable, the boatman laughed and "reminded". Reveals the cruelty of reality and the poet's inner pain.
"Holding hands and looking at tears, I was speechless." It is necessary to have other scenes. A pair of lovers, holding hands tightly, looked at each other with tears, and no one could say a word. These two sentences vividly describe each other's feelings of sadness, attachment and helplessness. A pair of lovers are heartbroken and lose their souls. This is a line drawing technique, as the saying goes, "the language is not strange, the meaning is not dense."
"I miss it. It's a thousand miles away. It's heavy and vast." Write down the expectation of missing after parting. The gloomy mood of the hero in the poem casts a shadow over the sky and the water. A word "read" tells readers that writing the following scenery is fictitious. "Go" means to go further and further. The word "I don't want to go and have to go" is extremely well used and contains infinite sadness of leaving people. As long as the Lanzhou ship sets sail, it will go further and further, the dusk will be deep, the smoke will be Wan Li, and finally it will float to the vast south. The sadness is beyond words. Don't hate it. Judging from the structure of words, these two sentences have changed from real writing to virtual writing, which has the function of connecting the preceding with the following.
The next part focuses on the sad scene of imaginary parting.
The author put pen to paper from the beginning, giving his feelings a universal meaning: "Since ancient times, love has hurt and left." It means that since ancient times, sentimental people will be sad because of parting. The word "since ancient times" has been promoted from a special phenomenon to a universal and extensive phenomenon, expanding the meaning of this word. But then again, the phrase "neglecting the autumn festival is even worse" emphasizes that he suffered more and more than ordinary people and the ancients. Jiang Yan said in Beppu: "Those who are ecstatic just leave!" The author melts this feeling of the ancients into his own words, and adds layers of code to create new ideas.
"Where to wake up tonight? Yang Liuan Xiaofeng has a broken moon. " This is the state of mind after waking up, and it is also his feeling of wandering in the rivers and lakes. The beauty of these two sentences lies in writing feelings with scenery, which truly achieves the homonym of "scenery language is love story", "Liu" and "Liu", and writes feelings that are hard to give up; Xiao Feng chilly, write chilling after parting; The broken moon means that it will be difficult to make a circle in the future. These scenery words fully and truly express people's feelings of sadness and loneliness and create a unique artistic conception. No wonder it was praised and became a famous sentence.
In the long run: "After the New Year, it should be a good time to exist in name only. Even if there are thousands of customs in Qian Qian, who should I talk to? " These four sentences further speculate on the miserable situation after parting. How should I endure the long and lonely days in the future? Even if there is a good time, it is equal to no, because no one you love returns it with yourself; To say the least, even if you can feel the beauty, who can you tell it to? In a word, everything is boring. These words describe the poet's thoughts and sadness to the extreme, and also convey the feelings of mutual concern. The ending sentence is in the form of a question, which makes the feelings stronger.
Yu Linling's whole ci is conceived around "sadness and parting". Before writing farewell, it is important to outline the environment; Writing parting moments focuses on describing modality; Don't imagine after writing, focus on depicting psychology. No matter how to outline the environment, describe the modality and imagine the future, the poet pays attention to the care before and after, coexists with reality and reality, so as to go deep into each other, describe incisively and vividly, blend scenes, read like flowing water, and see no trace in the ups and downs. The emotional appeal of this word is too sad and low because of the portrait, but it vividly depicts the poet's depressed mood and the pain of lovelorn. Throughout the ages, people who have the pain of parting will have a strong * * * sound when they read this song "Lin Yuling".
< lt > This poem, contrary to Liu Yong's consistent style, describes the prosperity and magnificence of Hangzhou in a colorful way, which can be described as "calming the weather and describing the music to the end" (see Chen's "The Problem of Jiezhizhai"). This long and slow poem is a masterpiece handed down by Liu Yong.
The first three sentences, starting from the title, cover the whole article with great momentum.
First of all, it points out the importance and long history of Hangzhou's geographical location, and reveals the theme of singing. Sanwu, Old Finger, wujun and Huiji. Qiantang, namely Hangzhou. Known as the "Capital of the Three Wu Dynasties", it is said to be an important city in the southeast and the Three Wu Dynasties. Among them, the words "Xing Sheng" and "Xing" are the finishing touch. From the beginning of "Smoke Willow", it describes the success and prosperity of Hangzhou from all aspects. "Painting Willow Bridge" describes the beauty of street bridge and river bridge: "there are green curtains inside" and the elegance of residential buildings. The phrase "100,000 different families" has changed from weak to strong, showing the richness of hukou in the whole city. "Uneven" means about. From the city to the suburbs, I saw trees walking on the Qiantang River embankment, looking from a distance, gray and gloomy, like clouds. A word "around" describes the twists and turns of the long embankment. The two sentences of "Angry Waves" describe the surging and mighty Qiantang River. "Natural moat", originally meant as a natural deep ditch, moved here to describe Qiantang River. Watching the tide in Qiantang River in August has always been called a grand occasion. It is essential to describe the tides in Qiantang River. The three sentences of "city list" only grasp the two details of "Pearl" and "Luoqi", and then reflect the prosperity of the market and the prosperity of the citizens. Both Zhu Ji and Luo Qi are women's things, suggesting that Hang Cheng is full of lewdness. The word "striving for luxury" is obviously a dazzling array of goods among the four stores, while the word "striving for luxury" implicitly shows that businessmen win glory, reflecting the extravagant side of Hangzhou, a bustling city.
The next film focuses on the West Lake. The clean and quiet West Lake is as beautiful as a mirror. As for the early Song Dynasty, it was very beautiful. Sinking Lake refers to the inner lake and outer lake divided by Bai Causeway in the West Lake. Dieshan refers to the overlapping mountains such as Lingyin Mountain, Nanping Mountain and Huiri Peak. The beauty of lakes and mountains is first summed up by the word "Ting Anne", and then the laurel on the mountain and the lotus in the lake are written. These two kinds of flowers are also typical scenery of Hangzhou. Liu Yong described two kinds of flowers in different seasons with a neat couplet here. The phrase "Sanqiu Guizi, Shili Lotus" is indeed highly concise, which summarizes the most beautiful scenery of the West Lake and even the whole Hangzhou, and has inspiring artistic power. "The tube is strong and sunny, and Lingge sings all night", and the antithesis is also very stable and melodious. The meanings of "pan-night" and "flirting" are different, indicating that the lake is rippling with beautiful flute and ling songs no matter day or night. The word "Pan" means that it is a flat boat in the lake, "playing with lotus dolls", which means that the fisherman who plays Qiangdi and the girl who sings Lotus are very happy. The word "frolic" vividly describes their happy demeanor and depicts a picture of the country, the country and the people.
Then the poet wrote scenes of entertaining dignitaries. Crowds of cavalry surrounded by high tooth flags came slowly and with great momentum. The brushwork is dripping and the style is rich, which seems to make people see a mighty and romantic local governor, drinking and having fun, standing proudly between mountains and rivers. "The map of the future will be good, and I will go back to Fengchi to boast." Is the conclusion of this word. Phoenix pond, or phoenix pond, was originally a pond in the forbidden garden of the emperor. During the Wei and Jin Dynasties, Chinese books were famous for saving land and being close to the palace. The word "good scenery" will cover everything written and not written on it. It means that when the dignitaries call back, they will draw a picture of the good scenery and present it to the court, boasting to their colleagues that there is such a fairyland on earth. The absence of dignitaries set off the beauty of the West Lake.
The tune of "Looking at the Sea Tide" first appeared in the Collection of Movements, which is a new sound created by Liu Yong. This word is about the richness and beauty of Hangzhou. Unique artistic conception. The first part is about Hangzhou, and the second part is about the West Lake. It is described appropriately, with a combination of point and surface, light and shade crossing, and a smooth narrative. The grandeur of his scenery and the agitation of his tone are not far from Dongpo. In particular, the use of phrases composed of numbers, such as "35 teams", "100,000 families", "Sanqiu devils", "ten-mile lotus flowers" and "a thousand-mile horse with high teeth", has exaggerated tone, which is helpful to form Liu Yong's bold and unconstrained ci style.