The basic style of Du Fu's poems is urgency ~!

Du Fu wrote more than 1400 poems. It profoundly reflects the social panorama of more than 20 years before and after the Anshi Rebellion in Tang Dynasty, and vividly records Du Fu's life experience. Closely combine social reality with personal life to realize the perfect unity of ideological content and artistic form; Represents the highest achievement of Tang poetry. Known as the history of poetry by later generations. However, Du Fu did not objectively describe and write history with poetry, but expressed his subjective feelings through unique artistic means while profoundly and widely reflecting reality. As Pu Qilong said: "Poems of Shaoling are a person's temperament, and things of the Three Dynasties must be sent to others." (Reading) In the late Tianbao period, Du Fu wrote many poems about current politics. Short stories such as Washing Horse, Love, Being a Taoist, Three Jueju, Sick Orange, Autumn Wind Breaking the Cottage, Appearing as a Wulang, etc., while novels such as Shu Huai in Kuizhou, Cottage and Farewell are the combination of personal feelings and facts. There are a lot of war themes in Du Fu's poems. Du Fu has different attitudes towards different kinds of wars. Those who oppose the imperial court's belligerence and consume national strength are "Garage Shop" and "Going to the Foot of the Backyard". Two poems, Watching An Xi Soldiers Go to Guanzhong and Stand by, Watching Soldiers and The Year of National subjugation, supported the suppression of rebellion and resistance to foreign aggression. Two groups of poems, Before the Frontier and After the Frontier, not only praised the bravery of the soldiers, but also condemned the insatiable frontier expansion of the king and the arrogance and extravagance of the lords. The confession of a soldier sums up the unfortunate fate of countless brave soldiers. In "Three Officials" and "Three Farewells", the poet sympathizes with the people's sufferings and hates barbaric Latin; However, due to the current situation of the enemy and the shortage of soldiers, he can only comfort the conscripts with tears, which shows the sharp and complicated contradictions and conflicts in the author's heart. Du Fu has many poems praising nature. The object of singing is often related to oneself and current events, and it is a blend of feelings, scenes and events, not just scenes. The most representative ones are Spring Hope and Sword Gate. Du Fu also has some poems praising painting, music, architecture, dance, utensils and agricultural production, which also focus on the author's feelings and have the characteristics of the times. In Du Fu's poetry collection, there are also some poems with weak flavor of the times and indifferent personal feelings, especially some poems written in Chengdu Caotang. This is the expression of his mood after he got a temporary rest after a long wandering. In his poems, such as Screen Trace, For Agriculture, Tian She, Xu Bu, Heart of Water Threshold, Afterward Tour and Delighting in Rain on a Spring Night, the poet has a delicate observation on the dynamics of flowers, trees, birds, animals, fish and insects, and has infinite love and profound experience. It embodies the other side of Du Fu's poetry and life. Du Fu's poems about missing relatives and friends are mostly sentimental and spoony. For example, I miss his wife on a moonlit night, and my brother misses his younger brother on a moonlit night. Among many poems and songs about cherishing friends, the most outstanding one is to commemorate Li Bai. From breaking up with Li Bai to his later years, there were 15 poems that remembered or talked about Li Bai. Showed his admiration and friendship for Li Bai. Du Fu also commented on poems with poems, and expressed his artistic thoughts of "learning from others" and "being unique" in Six Jueju, Occasionally Asked and Twelve Poems for Relieving boredom (the fourth to the eighth). During his stay in Chang 'an and wandering southwest, Du Fu also wrote some poems with boring content and low style, which were dedicated to dignitaries, officials and social parties. There are many five-character poems in it. Du Fu's poetry system is diverse, with many advantages and diverse styles, which can bring forth the old and innovate. His five-character ancient poems are extensive and profound, and they combine feelings, records and feelings in one furnace, which opens the realm of the Five Ancient Dynasties in the Tang Dynasty. Representative works include Five Hundred Words from Beijing to Fengxian, Northern Expedition, Qiang Village, Gift to Chu Shi, Three Officials and Three Farewells. Seven-character ancient poems are good at stating opinions, with bold and gloomy feelings and strange style. Such as Drunk Songs for Zheng Guangwen, Washing Horses, Autumn Wind Breaking the Cottage, Sui Yanxing, etc. Fifth, the five-seven-word rhyme is extremely skilled. The five laws are the longing for spring, reaching Li Bai at the end of the day, traveling later, "Delighting in Rain on a Spring Night", water sill, going abroad overnight, climbing Yueyang Tower, and the seven laws are Shuxiang and Elymus. The two sides of the Yellow River were recaptured by the imperial army, and Su Fu, Bai Di and five generals. Du Fu also has many five-character poems and several seven-character poems, which have greatly developed the poems. His "Autumn Li Ke Bai Yun" has 1000 words. But Du Fu also heaped up allusions and presented entertainment works. His quatrains are lyrical, reflecting current events, opening up the discussion body of quatrains, opening up a new road and making great contributions. Du Fu's poems are profound and sincere. The artistic collection and innovative development of classical poetry; It greatly expanded the field of poetry in content and form, and had a wide influence on later generations. Du Fu was also honored as a poet by later generations. Du Fu was down and out all his life, and wrote a poem, "A hundred years' song is bitter, and there is no confidant" (Du Fu's "Southern Expedition"). However, after his death, he was highly praised by Huang Fan, Han Yu, Yuan Zhen and Bai Juyi. Du Fu's poems have a profound influence on the literary thought of the New Yuefu Movement and Li Shangyin's modern allegorical current affairs poems. However, Du Fu's poems were widely valued after the Song Dynasty. Wang Yucheng, Wang Anshi, Su Shi, Huang Tingjian, Lu You and others highly praised Du Fu, while Wen Tianxiang regarded Du Fu's poems as a spiritual force to adhere to national integrity. The influence of Du Fu's poems has long gone beyond the scope of literature and art since ancient times. ..