Huanxisha
Author: Wang Anshi
A hundred acres of atrium is half covered with moss, and the white water in front of the door is lingering. How many people can come to Aixian?
The cloister in the small courtyard is quiet in spring, and there are two or three apricot trees in Shantaoxi. For who? For who?
Huanxisha Wang Anshi Athena Chu:
M incarnation Zhang Ting, Meng Qian Bai Dao. I Xin néng yǐu jǐrén láI?
This is a good example. wéI Shuíng LuòwéI ShuíkāI?
Huanxisha Wang Anshi theme:
This word was written during Wang Anshi's seclusion in Zhongshan. Between the lines, I use peach blossoms on the mountain and apricot trees by the stream to describe myself. Between the lines, there is a kind of loneliness and faint sadness after seclusion in the mountains.
Wang Anshi translated in Huanxisha:
Half of the 100-acre courtyard is moss, and the sand outside the door covers the whole road, as well as the winding stream. How many people like leisure? Do you have time to come?
It's spring, and the winding cloister in the yard is very quiet. Peach blossoms on the mountain and apricot trees by the stream are in twos and threes. I don't know who they are driving for and who they died for.
Interpretation of Wang Anshi s "Huanxisha";
One hundred acres: a rough figure, describing the garden as large.
Semi-moss: Semi-covered with moss.
White road: A white path.
Apricots in Taoxi Mountain: peaches in the mountain and apricots by the stream. Being in a landscape is a metaphor.
Appreciation of Wang Anshi in Huanxisha;
After the second setback, Wang Anshi lived in seclusion in Zhongshan and spent the last ten years of his life. Many of his poems were written during this period, mostly describing the scenery in the south of the Yangtze River and expressing leisure. There are quite a few such words, such as Fisherman's Passion, Bodhisattva Man, Qingping Music, Huanxisha, Health Mistakes, and Preamble to Autumn in the Millennium. Most of these words were written in Yuanfeng period, which reflected Wang Anshi's interest in life in his later years. Wang Anshi's poems about mountains and rivers are quite successful. Wang Anshi is also quite vivid in expressing his leisure life and reflecting his leisure mood. For example, "How many people can come when you are free?" Another example is "The Fisherman's Pride", "I suddenly remembered my old friend, and I am old now. I covet my dreams, but I forget the road. " Huang Huaan commented on Japan: "Seclusion is very interesting", which is true.
There are also some Linchuan's poems, many of which advocate Buddhist thoughts, indicating that his thoughts have changed in his later years. These words are copied from Buddhist language, and their meanings are repetitive, so they are naturally clumsy in art.
Half of the 100-acre atrium is covered with moss, which shows that the owner is in a bad mood and has no time to clean it. From the side, it shows that the front door is crowded with people, and now no one cares. If a few people love leisure, this sad scene is positive, and there are two or three kinds of peaches and apricots. For who? For who? The peach blossoms in the mountains are already in bloom, so what's the use of beauty? Where will anyone come here to enjoy it? Here the author takes peach blossom as a metaphor, and his loneliness is beyond words.
Personal data:
Wang Anshi (1021-1086) was born in Linchuan, Fuzhou (now Fuzhou, Jiangxi). 1042 (Li Qing two years) Jinshi. 1058 (three years of Jiayou), he wrote thousands of books and put forward the idea of political reform. 1069 (two years in Xining, Song Shenzong), participated in the discussion of state affairs and promoted the new law. The next year, I paid tribute to this book. 1074 (Xining seven years) dismissed from office, and the next year he was appointed as prime minister; 1076 (the ninth year of Xining), he stopped fighting and retreated to the Banshan Garden in Jiangning (now Nanjing, Jiangsu) to seal Shu Gong. Later, it was renamed Duke Jing of Jin. Obituary of death. During his reign, he and his sons Wang Kan and Lv Huiqing annotated The Book of Songs, Shangshu and Zhouguan, which were called "Three Classics of New Meaning". His writing style is vigorous and powerful, and he is one of the "Eight Masters in Tang and Song Dynasties". Poetry is vigorous and fresh. Many of his works, such as Zi Shuo and Sun Yat-sen Diary, have been lost. Today, Wang Linchuan Ji and Linchuan Ji are preserved, and later generations compiled Zhou Guan Xin Yi and Shi Yi.