The correct writing posture is: sit up straight with your shoulders flush; Head straight, slightly forward; Back straight, chest upright, chest about a punch from the edge of the table; Feet flat on the ground shoulder width; The left arm and the right arm are flat on the table, the left hand presses the paper and the right hand writes. The distance between the eyes and the paper should be about one foot. Whether the writing method is correct or not is related to the control ability, flexibility and writing speed of the pen, which directly affects the writing effect. Good writing methods must be cultivated from an early age, otherwise, once habits are formed, it will be difficult to correct them.
The correct writing should be three-finger writing. The specific requirements are: hold the pen with the right hand (some people write with the left hand), and hold the pen tip about 3 cm away from the pen tip with the thumb, forefinger and middle finger from three directions respectively. The index finger is slightly in front, the thumb is slightly behind, the middle finger is pressed on the pen inside, and the ring finger and the little finger are naturally placed under the middle finger in turn, bending in the direction of the palm. The upper end of the pen rests on the bone with the highest index finger, and the pen forms an angle of 50 with the paper. About. When you start writing, you should "hold your fingers firmly, and your hands are empty", so that you can write flexibly. As the saying goes, words are like people. So how do you write beautiful and good words with your own pen?
If it is a pen, you can buy a copybook and write a paste, and copy it slowly.
Words, like people, have a center of gravity, and they are all in a straight line from head to toe, so people don't seem to fall. Then beginners can use this principle to write and write when they write. On the basis of copying, first keep the words from' upside down', especially for children.
If children want to write well, they must first write neatly and correctly, and then practice their skills to look good.
Then if you want to practice calligraphy, you have to start from an early age, not only to grasp the characters, but also to grasp the posture, so that children can practice calligraphy well on the basis of health. Meng Tian writes stories.
Meng Tian was a general of Qin in the Spring and Autumn Period. In 223 BC, Meng Tian went out to war, and he regularly wrote battle reports and presented them to the king of Qin. It was inconvenient for people to write with bamboo sticks at that time. A word was dipped in ink without writing a few strokes, but it took a long time to write a report. One day, while hunting, Meng Tian was inspired when he saw a rabbit's tail dragging blood on the ground. He immediately cut off some rabbit tail hair, put it on a bamboo tube and tried to write with it. But rabbit hair is shiny and does not absorb ink. Meng Tian tried several times, but the effect was still not good, so he threw the "rabbit brush" into the stone pit in front of the door. One day, he happened to see the brush he had thrown away. After picking it up, he found that the wet rabbit hair became whiter. He dipped the rabbit's brush into the ink tray, but the rabbit's tail became "obedient" and he wrote fluently. It turns out that the water in the sinkhole contains calcium. After soaking in alkaline water, the grease of rabbit hair is removed and becomes soft. It is said that this is the origin of the brush. There are some records in history about Meng Tian saying that he made pens. "Taiping Yulan" quoted the Natural History as saying, "Meng Tian made a pen. Cui Bao also said in Notes on Ancient and Modern Times: "It was written in Meng Tian, that is, Qin Bier. Take dead wood as the tube, deer hair as the column and wool as the quilt. The so-called Cang Xie is not a rabbit's bamboo tube. But in fact, the unearthed cultural relics have proved that the writing brush existed long before Meng Tian made it. Xu Shen's Shuo Wen Jie Zi in the Eastern Han Dynasty said: "Qin refers to the pen, Chu refers to Yu, Wu refers to the wrong, and Yan refers to Fu. There is no "pen" in pre-Qin books, but the word "pen" appeared as early as Shang Dynasty. Qin Shihuang just unified the name of the pen, indicating that there was a pen before Qin. Zhao Yi, a great scholar in Qing Dynasty, wrote in the article "Writing doesn't begin in Meng Tian" in Kao Er Xian: "Writing doesn't begin in Meng Tian. It is still created by the field, which is better than the predecessors, so it is good for its name. It seems that this comment is well founded. In the Tang Dynasty, Han Yu's Biography of Mao Ying personified people with a pen. It is also mentioned that Meng Tian attacked Zhongshan State and captured Mao Ying, which was favored by Qin Shihuang and made Mao Ying a "Guanchengzi". Later generations took Heguan as their pen name. In addition, the brush has other aliases, such as Mao awl, Zhong Shujun, Chang and Jian Nu. This is another story.
Modern people write less and less with a brush, replaced by later pens and ballpoint pens, and advanced to the mouse in the 1990s. I remember when I was studying in the 1980s, it would be great if I got a pen because of my good grades. Ironically, in the 2 1 century, some of our children have never even seen what a pen looks like, let alone know the origin of a brush. Is this joy or sorrow? Name: Writing
Genre: prose
Author: Liang Shiqiu In the past, writing was a great event and occupied a very important position in the educational system of "reciting". I don't know how hard it is to go from the red mold to the black and round light of the ink roller. I remember writing it when I was a child. The teacher suddenly pulled your brush away from the back of your head, leaving your palm full of ink, which proves that you can't write well and will be punished. This kind of prank is not enough. Some people put big copper coins on the pen tube, one, two or even three or four. When they shake the pen tube, they only feel top-heavy This principle is similar to that of a martial artist tying sandbags to his legs. Once they untie the heavy burden, they will be as light as a swan, and if they practice calligraphy, they will carry a few heavy metals on their pens. Once they hold the bamboo tube without any attachments, they will dance dragons and snakes with ease. Some people advocate the hanging wrist method, even the hanging elbow method, and write in Chinese characters with an inch diameter, such as standing on a pile, standing up, gritting your teeth, sitting in a dangerous position, and being dignified. Words written in this posture are said to penetrate the back of the paper. Modern people don't need this kind of torture. "Science" has been abolished, and you can only be an official by writing a few lines, reading, planning and doing things. The fountain pen replaces the writing brush, and can also be used for entertainment and writing, which will gradually become a "national quintessence".
As an art, China's calligraphy is very unique. Because Chinese characters are art, figures such as "Eight Methods of Ancient Words" have the same effect as "New Poetry Practice" and "Novel Practice". Of course, rope ink can be taught, but subtlety is different, and the key lies in the individual. Writing is the easiest way to reveal a person's character. The so-called "words are like people" is generally true. If every word is square, that person is probably stiff. If all those who stretch their arms and pull their legs escape, people will be bold and thin, people will be like spareribs, and the words will be like ink pigs, and people will be close to "five hundred pounds of oil." Therefore, Zheng Banqiao's writing should be so inclined and eccentric, which is commensurate with his spirit of eating dog meat and being proud of others. Yan's words should be so dignified and dignified, which is consistent with his meticulous character, without any reluctance.
In the "writing country", there are many places that need to be written, from big characters to small characters, all of which have uses. It's a pity that people who write often can't give full play to their strengths and often use them in the wrong place. For example, if you can't let the mountains and rivers shine brightly, it's better to write a signboard for the pawnshop sauce garden, or at worst, write a "Nanshan high coal" for the coal pile. Some people's handwriting is not suitable for writing poems on the wall, but rewriting Spring Festival couplets or "looking up to see happiness" is much more suitable. Some people are very skilled in writing, and it is competent to write "a piece of ice heart" on the lid of a teapot, but they prefer to write inscriptions for people. In fact, everyone can write nave banners and couplets, but the places to hang them should be different. Some are suitable for hanging in the study room, others are suitable for hanging in restaurants and barbershops, which not only meet the needs of the environment, but also have the same taste.
"A good book doesn't choose a pen" may not be the case. It's no problem to write the iron seal with a bald pen. Speaking of the target wood in Zhao Mengfu, it is probably sharp. The influence of pen, ink, paper and inkstone on writing is infinite. Sometimes, besides tools, writers pay attention to some special skills. The most wonderful thing is that one of them is a tiger, covered with a tiger on eight-foot rice paper, which is magnificent in one go, especially straight and unyielding straight cedar. It was really scary. It is said that there is a special way to do this. The method is to hold the end of the paper with a horse. When writing the vertical position, put the pen away and shout "pull". The horse pulls the paper back, and the straight vertical position is naturally completed.
People who write are addicted. If they are addicted, they should write to others. When I look at the white department, I feel that there is something wrong with it. At least I must have the word "vigor". According to legend, some people love to write, especially fans, and then their legs are broken, so that there is no fan to write with; People asked him why, but everyone ran away as soon as they saw him, and he couldn't catch up. If you write really well, of course, you don't need leg health, but most people write about leg health. The prose of Liang Shiqiu, a great literary master, has a unique charm, talking about life, quiet and cordial, like a gentle spring, touching people's hearts; In society, wit flashes, like humor, which is thought-provoking. Writing, with a relaxed and humorous style, starts with common life phenomena and covers almost all aspects of the art of Writing. When it comes to writing, it is something that everyone often meets and strives for perfection. Therefore, there are many articles about calligraphy in society, and we often talk seriously about such issues as "how to pay attention" and "how to do it", but Mr. Liang's article "Writing" is not like this. Scholar-style generalization does exist, but it is more of a seemingly unremarkable earnest guidance. They talk about the "Dharma" with small things in life, and talk about deep reasoning in laughter and chat, which is beneficial to the soul.
"Writing" has four natural paragraphs and clear logical thinking. The first paragraph says that "writing is the easiest way to reveal a person's personality", then that writing "seeks the cooperation of its environment", then that writing needs special skills, and the last paragraph says that writing needs leg health. The four paragraphs are arranged in layers, so it can be said that the first two paragraphs come from the external form of the text. First, the word is as its name implies. Second, the words are commensurate with the environment. If we pay attention to these two points, words will have personality and artistic value. The last two paragraphs talk about how to practice calligraphy, one is to talk about skills, the other is to have an attitude. The hierarchical arrangement of the way to say the effect first and then the way to achieve the effect not only reflects the author's skillful arrangement skills of prose groups, but also reflects his profound understanding of the art of Zi. It is no exaggeration to say that Mr. Liang is a calligrapher for the time being, but he is good at writing Chinese characters.
When it comes to "writing", the author seldom expounds it from abstract theory, but uses common examples in life instead of preaching truth to make readers feel close and concrete when reading. The saying that "writing is the easiest way to reveal a person's character" is vividly illustrated by metaphors such as "words are as thin as firewood" and "five hundred catties of oil", and the truth that "words are like people" is specifically illustrated by examples of great calligraphers such as Zheng Banqiao and Yan Zhenqing. It is said that the words written on the stone wall can't make the mountains and rivers colorful. It is better to "write a signboard for the pawnshop sauce garden" and "write a" Nanshan high coal "for the coal pile, which shows that the author usually observes carefully and has rich life experience. The author also quoted Spring Festival couplets and "head-on" notes, and wrote "a piece of ice heart" on the lid of the teapot to illustrate. When talking about skills, take the word "tiger" as an example to vividly write the process of writing the word "tiger". It is said that we should keep our legs healthy and write some people's "greedy pen" vividly so that readers can read what they are like now. It is with such vivid descriptions and concrete examples that the author makes readers learn to write.
The sentences in the article are concise and vivid, the whole text adopts prose style, the sentences are reasonable, and the words are full of emotion, avoiding the general textbook-style preaching. For example, the first paragraph "If every word is square, then this person is probably stiff ... there is no reluctance in it", which is really meaningful. In the sentence "reveal one's personality", "reveal" means "let people know what they shouldn't know" Once borrowed here, it vividly writes the state of "not easy to reveal but revealing", which is better than the word "performance". It is said that some people's handwriting is "not suitable for writing poems on the wall" and they should write small things. The author doesn't say "trifles" but uses Spring Festival couplets and fine print to borrow them. The vertical position of "tiger" (tiger character written in grass) is like fir, and the author describes the scene when it is almost written more vividly: "When you shout' pull', Marco pulls the paper back, and the straight vertical position is naturally completed."
The author is knowledgeable, as Chen Shuyu said when talking about Liang Shiqiu's prose: "His knowledge is rich, his thoughts are broad and he is comprehensive." He is familiar with the calligraphy styles of two calligraphers, He Yan, and his evaluation is accurate. He not only knows the elegant skill of "chiseling stone to copy the wall", but also knows folk things such as "pawnshop sauce garden". Not only do you know "inscription calligraphy and painting", but you also know that the teapot is engraved with "a piece of ice heart"; I not only know the banners in the main hall, but also know the little red stripes such as Spring Festival couplets and "seeing first"; I know both "Tie Xian Zhuan" (seal script style) and the subtlety of Zhao Mengfu's pen selection ... Therefore, his prose is "a combination of literati prose and scholar prose", which is true.