Those moments that come and go, yes and no, may just be illusory.
There is a feeling, just like reading Li Shangyin's poems, even though the beauty is floating, at the beginning, it has been chasing nothingness, blind and blind.
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The title of the poem Jinse has also caused a lot of controversy. Many critics think that the title of Jinse is named after the first two words of this poem, but it is actually the same as the untitled poem. For example, "Lianzhou Poetry": "Yishan is a poem with no title or title, which means something, but it doesn't necessarily mean something." Jinse is a special song. It does the same thing as the three songs of Bi Cheng ... It is no problem to take the first two words as the title. "(23) Yu Shouzhen and Shi Zhecun also agree with this statement. (24) Although this statement is reasonable, it also has flaws. Since Li Shangyin intends to write untitled poems, why not name a poem whose style and practice are similar to untitled poems "untitled"? Therefore, although "Jinse" seems to take only two words as the title, it should have its meaning. This poem is really different from the general object-chanting poem, but it is not just an untitled poem that simply "intercepts the first two words" to make a comparison and has nothing to do with the literal. Although what I wrote is related to Joseph, I have something to trust.
Third, research.
Faced with a beautiful and confusing poetic realm and a lot of different assumptions, I was dazzled at first, but after careful search, I found that there were clues to follow in the chaos and similarities in the diversity. Many conjectures are actually hints of the command of the poem itself, and different readers' different feelings and associations about time. They are often integrated, rather than seeing the whole leopard at a glance, but they are not necessarily mutually exclusive. If we find its theme and tone according to the clues provided by the poet, and integrate various theories that could have been interlinked, compatible or parallel, we may be closer to the true essence of this poem without strictly observing its rich connotation, and we will also have a more practical observation and understanding of its artistic characteristics.
Generally speaking, the beginning and end of rhyme have more narrative and direct lyric elements, which often include the whole idea, sometimes even 100% can't be separated. However, the connection between chin and abdomen is often perfunctory, and the image density is high. The first couplet of this poem is in the shape of "fifty strings", which leads to "thinking about the New Year" with the sad sound of "one string and one column", and the last couplet responds to the word "thinking" with "recalling the past" and arouses the feeling of thinking about the New Year with "melancholy", which tells us to some extent that this poem is a poet's work recalling the past of the New Year. Of course, this illusion of China people's life experience has a very wide range of contents, which can cover the poet's grief and even the tragedy of love life, and it is also related to the poet's poetic creation that describes his unfortunate life experience and is full of sentimental sentiment. Personally, I think that hurting a person's life experience, chanting mourning and narrative creation can be said to be a trinity for Li Shangyin, a gentleman in a desolate and lonely situation and a poet who can "recover from the spring injury". Jinse can be regarded as both a symbol of the poet's bleak life experience and a metaphor of his sentimental life experience poetry creation, as he said in the poem "Let the East Palace Drunk and Work": "A good name makes a beautiful life experience." Of course, according to poems such as Qu in the Room and Xixi, it is considered to be related to the memory of his wife Wang, but in fact, this goes hand in hand, because the wailing includes the wailing.
The first sentence begins with a golden harp. In the face of Jinse's sadness, the poet made a stupid speech to mourn. Jinse has nothing to do with strings, but it is argued that it is "unprovoked", and a kind of resentment arises spontaneously. Therefore, Xue Xue said in "A Poem of Gone with the Wind": "This poem is full of the word" unprovoked ",and that's the beauty." (25) Jinse has so many strings, which is neither "wrong" nor "wrong". The poet insists on complaining: Jinse, why do you have so many strings? As far as Jinse is concerned, "fifty strings" is a common practice in poets' poems, such as "A Dream with the Scholar Wang Zhenger on the Night of July 28th": "Fifty strings of Xiangling are hit by rain", and another example is "Fifty strings are written, and the middle part is divided into palaces", which shows that there is no special intention in the poem. Some people say that the poet is nearly fifty years old in China (according to the chronology, the poet is forty-five years old at this time), and he regrets the passage of time and can't help recalling the past years. In fact, Fifty Strings is to create an atmosphere to see the heavy past and the nine songs of love. The poet didn't write this to make people die. Therefore, to understand this poem, we must first understand the main idea, not stick to the column, pass the parcel. He Zhu, a poet in the Song Dynasty, wrote Jade Case: "Who is the golden flower?" But this couplet is by no means the year of China's writer. Because "flower years" and "years" are different. This "China Year" cannot be interpreted as age, but refers to "youth", which is the so-called youth. "Every flower has a youthful interval" means: the poet listens to the complicated strings of Jinse and thinks about China's past; The sound is complicated and confusing, so it's hard to say. Our fighting spirit is very extensive for the past China New Year, so the poet will not only feel that he has lost his youth. At this time, he should be "silent and worried, thinking for a thousand years; Quietly, see Wan Li. " At this time, he may be thinking about the late national flag and the creation of conference life, but all these thoughts are triggered by sad drums and musical instruments. It was the poet who heard the plaintive sound of "one string and one column" and couldn't help touching his own life experience and immersing himself in the memory of the passing of the New Year. William james once said, "Man's consciousness is not a pile of fragments as he thinks. At first glance, it seems that the word' chain' or' series' can be used to describe it, but it is actually inappropriate. Consciousness is not pieced together. " (26) Therefore, the poet's thoughts can't be just a diachronic activity at this time, that is, a fragment is a fragment, and at the same time it should be * * *, and many pictures emerge in front of the poet at the same time. It is reasonable for a poet to look at things and think about people. In the past, calligraphers generally only paid attention to this sentence "teasing the next four sentences", but the beauty was actually the word "one string and one column". The first pair of couplets consists of "fifty strings" and "one string and one column", which is a continuation of the characters, while the two sentences "one string and one column" and "thinking of China" are in the same strain. In addition, this couplet is a general hint of the content and performance of couplets and necklaces, indicating that what they describe is not only the sound of the harp, but also the voice of the poet "thinking about China". Although the theory of "music ambition" is not completely suitable for the scene written in each sentence, it shows that the middle four sentences directly describe the realm of music and are quite enjoyable.
The intention of starting the alliance is very clear, and it depends on how to undertake it below. The last sentence of Zhuan Xu uses the code name "Zhuang". The key to this sentence lies in the word "fan", which not only describes the dreamlike trance, but also describes the emptiness and disillusionment after waking up. From the perspective of describing the musical realm, this blurred realm and blurred feelings describe the dreamlike and confusing sound of the harp; It is a symbol to express the poet's sense of China calendar and life experience. In other poems, the poet used dreams to describe the vagaries of his life many times, and sometimes he directly used the Canon of Butterfly Dream. For example, what else is an angel's life but a dream? I have a big dream? Pity me for dreaming butterflies in autumn? Pillow butterflies in cold villages and so on. You can cross-reference this sentence. Saying "Meng Xiao" is the speed of disillusionment. Although The Butterfly of Meng Xiao was written by Zhuang Zhou, once the poet uses it, it is not just a matter of "vivid expression". Wang Di's next sentence in this couplet is the legendary Du Yu, that is, Du Fu. In Li Shangyin's poems, "hurting the spring" refers to the sentimental life experience when worrying about the country and the people. The so-called "eternal change of heart is not much more than hurting spring", "deliberately hurting spring to say goodbye" and "nothing happened during the New Year, only hurting spring itself". On the one hand, it shows the sadness of voice, such as cuckoo weeping blood; On the other hand, it seems to be a metaphor for one's own love and hate, but it is entrusted to a poem like a cuckoo weeping blood. There are many examples in the poet's poems that compare his poems with the singing of birds, such as "How can a clever tooth be careless, and a beautiful moment may not have a beautiful time" and "Five people are heartbroken and a book is heartless".
Because the injury, mourning and narration of life are trinity, this couplet also contains the poet's memory of his dead wife. When the poet was in his prime, he was madly in love with his wife. Now that his wife is dead, he is like a "spring silkworm to death", and even mourns day and night like a cuckoo after death.