I closed my eyes and was in the fragrant fog of the temple.
I suddenly heard the truth in your hymn;
In January of that year,
I shake all the curved pipes,
Not to cross over,
Just to touch your fingertips;
That year,
Kowtow and climb the mountain,
Not for the audience,
Just to stick to your warmth;
At that time,
Put mountains, water and pagodas,
Not for the afterlife,
Just to meet you on the road.
Extended data
Cangyang Jiacuo's poems use the rhythm of the language itself and the characteristics of Tibetan "harmonious" folk songs, which makes the poems have a strong sense of rhythm and present a harmonious musical beauty, which is catchy and melodious to read. Mainly manifested in: First, using the characteristics of folk songs "harmonious body" and the cadence of sound to reflect the beauty of rhythm.
Cang's poems are mostly composed of four sentences, each with six syllables and neat syntax, each with a "dun" and three "dun", that is, "four sentences, six tones and three meals". Coupled with one or three "yang" and two or four "descent" ending sentences, the rhythm is clear, ups and downs, short and powerful, forming a kind of beauty.
Refer to Baidu Encyclopedia-Cangyang Jiacuo