Zhou Bangyan was recognized as a poet with negative pronouns in Song Dynasty, which had great influence. Most of the great words describe the love between men and women, reminisce about the past and set foot on travel clothes, with narrow content and low realm. However, they are famous for their artistic creativity, and their words are good at narration, that is, they infiltrate narration into the lyricism of scenery, create another realm, form a tortuous cycle, and develop the slow words of Liu Yong and Zhang Xian. In addition, beautiful language and allusions form a rich, elegant and meticulous artistic style. Famous works such as Youth Journey are like water. A few sentences of 565,438+0, not only write stories to reproduce the realm at that time, but also write dialogues, such as meeting the people in the words, smelling their words and vividly describing the characters' personality and mentality, which is really original between the lines. Another article [Youth Travel], "Scattering Light Silk in Clouds", is better written. A poem wrote two stories, only connected by a sentence "Today is a beautiful day, a beautiful house". It compares the reminiscences of love in Two Realms of Life and A Beautiful House with those in Shanghai Beach and Down the Beach, and feels the same sentiment in the two stories: gathering is more meaningful than missing. Another example is the long tune "Flower Offender" and "Low Powder Wall", which pays great attention to care, tidy up and open and close. After Qin Lou, the time, place, characters and feelings have changed several times, which constitutes the context of the emotional development of all events and characters; [Warrior Lan Ling] Willow combines feelings of parting, thoughts of going, residents and travelers, old hatred and new sorrow, people and things, feelings and circumstances. Bangyan's ci is rigorous in rhythm, exquisite in style and innovative in style. Therefore, he is regarded as the master of graceful and restrained school and the founder of metrical school, and initiated the metrical school of Jiang Kui and Wu Wenying in the Southern Song Dynasty.
Zhou Bangyan's poetry collection includes three poems: Yang Zemin, Fang and Chen. Today, there are 10 volumes of Pian Yu Ci and Qiang Yi series. In addition, there are two volumes of * * * set, one set of foreign characters 1 volume, and four printed Zhai lettering books. Flower Offender (low pink wall) Xihe River (Jialidi) Six Ugliness (Tasting wine with a single coat) Rui (Zhangtailu) Warrior Lan Ling (Liu Yinzhi) Su Mu Xie (Liao Aquilaria) Meaning painting Su Mu Xie (Liao Aquilaria) Explanation of Flower (Wind sells crimson wax) Man (Wind old warbler chick) Youth Travel Service (Parallel knife like water) Suohan Window (Dark willow) Bodhisattva Man. Qiantang, Zhejiang (now Hangzhou, Zhejiang) people. Poets in Northern Song Dynasty. The teenager was down and out, and then went to imperial academy to study. When Song Shenzong presented Bianjing Fu, he was regarded as imperial academy. Zhezong was a professor in Luzhou, a native of Shuijun, Zhili, the principal book and the secretary of provincial orthography. Hui Zong's official career was magnanimous, and he successively served as a school bookkeeper, a courtesy official to avoid elm, a promotion official, and served as a system of rites and music in the imperial court. In his later years, he was promoted to Shunchang Taishou and also served as the Hongqing Palace in Chuzhou and Nanjing. Pawn, presented to Dr. Feng Xuan. He is proficient in temperament and has composed many new songs, such as Yue Bai Slow, Li Zhixiang Gold, Linglong Four Offenders and so on. There are more than 200 words, mostly about love between men and women, leaving sorrow without hate, with thin content and low tone. He inherited Liu Yong's ci, but changed it. His ci style is more elegant and subtle than Liu Yong's, and he is good at casting ancient poems, with beautiful words and harmonious rhythm, which is rich, elegant and meticulous.
Such as "Ruilongyin" (Zhangtai Road) and "Xihe" (Kerry). His small landscape poems are full of fresh and elegant artistic conception, such as Su. He is a representative of Sheng Da poets, a master of graceful and restrained school and metrical school, and created the ci style of Jiang Kui and Zhang Yan in the Southern Song Dynasty, which has a great influence on later generations. Wang Guowei's "Words on Earth" said: "Beauty is far-reaching, not as far-reaching as Europe and Qin, and because it only expresses emotions and things, it is a first-class author, so it can be regarded as a first-class author. However, there are many talents who hate to create tunes, but few who are creative." Shouxiang saw the Song Shi (230 biographies) in volume 444, with "Pian Yu Ci". Wang Guowei believes: "Mr. (Zhou) has done everything in poetry and prose, but he has not tried his best to get rid of the ancients." I have written all my life and put Yuefu in the first place. Poets A and B, Song people have long been conclusive. Only Zhang Shuxia (zhangyan) is not interested in this. However, people in Song Dynasty, such as Europe, the Soviet Union, Qin and Huang, were as tall, as refined and as broad. Therefore, compared with Tang poetry, Dongpo seems to be too white, parsley seems to rub, and it seems that music and square harmony are like ten sons. The only Jiaxuan in the Southern Song Dynasty is comparable to Changli, and Lao Du in the ci is a gentleman. In the past, it was inappropriate for people to treat young people more than young ones. It shows that Zhou Bangyan was a master of Ci in the Northern Song Dynasty. Zhou Bangyan's ci can be seen from three aspects: in the search and textual research of ci, he contributed, merged and created; As far as the achievements of his writing skills are concerned, he is good at expressing feelings with things, describing skillful work and Zhou, integrating the poems of his predecessors, refining words properly and neatly; As far as the style of writing is concerned, the uniqueness of * * * Ci lies in that it can combine the achievements of Northern Song Ci from Liu Yong to Qin Guan and He Zhu.
He developed Liu Yong's narrative technique with Fu as his ci, and took the beauty and magnificence of Qin Ci, forming his elegant style of being good at sketching and tailoring. For the explanation of Zhou Bangyan's Flower Offender, see the anthology of * * *. Written in the eighth year of Emperor Zongyuanyou (1093), the author knows Lishui (Jiangsu Lishui). Man Fang Ting, the name of the epigraph. Summer is such a time, the title of the word. Five fragrant hills, the name of the mountain. It turns out that the old warbler flies in the wind, the plums are fat in the rain, the clouds are overcast in the afternoon and the trees are clear and round. Lying low near the mountain, wet clothes, total cost of baking fire. People like to fly kites quietly, and the new green splashes outside the bridge. For a long time, Huang Kuzhu Lu intended to go boating in Jiujiang. Every year, like a club swallow, I wander in the vast sea and send it to the rafters for repair. Besides, MoSi's body is outside, near the bottle. I am tired and haggard, and I can't bear to listen to intense and complicated orchestral music. At Song's banquet, a pillow was installed for me, so that I could sleep at will when I was drunk. See * * * Settings for solutions. The author lived in Zhou Xian for more than ten years, and began to write lyrics after returning to the capital. Its concept is quite controversial, and there are different opinions so far. Original article platform road. See also withered plum buds and peach trees. Fang Cheng is a stranger to others, building a nest for swallows and returning to his old place. Keep silent. Because I remember being stupid, I caught a glimpse of the portal. The invasion of the morning is shallow and the palace is yellow, and the wind reflects the sleeves, laughing and laughing. Liu Lang went to visit his neighbor and look for Li. At the same time, he sings and dances, but his hometown, Qiu Niang, has the same voice and price. Yin wrote a pen and remembered a sentence from Yantai. Know the people you are with, drink in various gardens, and take a walk in Dongcheng. Things are going well in Gu Hong. Tanchun is covered in injuries. The gold content of official willow is low. Riding late, it was raining in the slender pond. Heartbroken hospital, a curtain of wind. See * * * Settings for solutions. Zhou Bangyan lived in Bianjing for a long time and was homesick, so he wrote poems to express his feelings. Su Mu, the name of the epigraph.
The original * * * set burning agarwood, summer heat. Birds call clear, intrude into the eaves. The leaves of Chuyang withered all night, the water was clear and round, and the wind and lotus rose one by one. My hometown is far away. When will I go? I live in Wumen and have been traveling in Chang 'an for a long time. Do the fishermen in May remember each other? Zhou Bangyan, a canoe, dreamed of hibiscus. See * * * Settings for solutions. The topic is "Roses will bloom after withering". This word is a new piece of music written by Zhou Bangyan. It is 140 words long and is divided into two parts. With chanting as the theme, it expresses the feelings of its own life experience. "Six Ugliness", the name of epigraph. The original text is tasting wine alone, in the guest, light, yin deficiency, embarrassed. May spring stay, return like wings and disappear without a trace. Why do you ask where the flowers are? When the storm comes, the state buries the Chu Palace. When the hairpin falls, it is fragrant and moist, and the peach is turned upside down. Who are you sad for? But bees use butterflies to make it, and sometimes they knock on the window. The East Garden is quiet, and it's getting dark. Quietly at the bottom of the treasure, it turned into a sigh. A long strip provokes travelers, like living with clothes, with infinite emotion. Disabled people are small and strong; Finally, it is not like a flower, its head is shaking and pressing to one side. Wandering, not taking advantage of the tide, afraid of breaking the red, and the word acacia, what do you know? For an explanation of the Warriors of Lanling (Liu Yinzhi), see the book * * *. Describing the author's sadness of breaking up with others on the Bianjing River embodies the unique style of Zhou Bangyan's ci. Warrior Lan Ling, inscription name. The original willow is cloudy and straight, and the smoke is blue. On the Sui Dyke, I have seen it several times, and the water fluttered and the cotton was sent away. Who knows how tired Beijing guests are when they visit their old country? Changting Road, which came last year, should be flexible across thousands of feet. Looking for old traces, drinking and mourning strings, leaving a watch and light. Pear blossom and elm fire urge cold food. Worry about an arrow, the wind is fast, and half a wave is warm. I can count posts as soon as I turn around, hoping that people are at the ends of the earth.
Sad side, the accumulation of hatred! Farewell to Pu is lingering, Tianjin is silent, and the sunset in Ran Ran is endless in spring. Read the moon and join hands, and smell the flute on the bridge. Meditation on the past is like a dream with dark tears. See * * * Settings for solutions. One of the topics is Jinling, and the other is Jinling Nostalgia. About the time when the author was appointed as Lishui county magistrate. The whole word is divided into three parts. The first part describes the landscape of Jinling. In China movies, I wrote about the historical sites of Zhong Ling, expressing my nostalgia for the past. The next movie, Sigh of Ups and Downs. Who remembers the great events in the Southern Dynasties in Kerry? The mountains around the Qingjiang River are surrounded by the old country, and the knots are relative. The stormy waves are lonely and the wind is far away. Cliff tree, still leaning; Mochow's boat was once tied. Idle old traces are gloomy, and the fog sinks half a base. Late at night, I climbed over the female wall and looked at Huaishui sadly. What's the market for liquor drums? Vaguely, the young lady near Xie Wang. Swallows don't know what the world is, and often go to strange places underground. Relatively speaking, it is like saying that they rise and fall, in the sunset. The eyebrow eye looks good in Chunshan, and it is pitifully wrinkled. Don't shed tears, I'm afraid the flowers will be thin. Qingrun Yu Di has been idle for a long time, and bosom friends are rare. If you want to know the sun leaning on the bar, ask, willow in front of the pavilion. Appreciation of Selected Poems of Zhou Bangyan This is a poem about women's feelings. Ancient women, especially some women in your family, neither engaged in productive labor nor had the opportunity to participate in social activities. They live in the boudoir all day and do nothing. People are idle, but the ideological organs can't be idle, hurting spring and hating parting, and the boudoir love that is always in their hearts occupies her ideological field. There are many works about this theme in Tang and Song poetry, and this word is one of them. At the beginning of this word, it first describes the appearance of a thinking woman. "The eyebrows * * * spring mountains compete for beauty, and they are pitifully wrinkled." Castle Peak's metaphor for women's eyebrows is often found in previous poems, such as Feng Yansi's "Magpie Tread": "Before whispering, joy turns frequently, and eyebrows converge and hate the spring mountain.
"But this is just an objective description. Meicheng used the word "striving for beauty" in this word, which means that women's eyebrows are intentionally compared with Chunshan, and the result of comparison is that eyebrows are more beautiful than Chunshan. If you don't use the word "struggle", just say that eyebrows are better than green hills, then it will be boring. " Poor Long Wrinkles also transcends pure objective description and injects the author's subjective feelings. I deeply sympathize with this beauty who "sits on her brow" (Li Bai's "Complain"). The first sentence writes about a woman's appearance, and the second sentence expresses her inner sadness through her appearance. There is not much pen and ink on her appearance, only her beautiful eyebrows, so that readers can imagine the beauty of her appearance from her beautiful eyebrows. The following description confirms this imagination. "Don't cry, you are afraid of flowers, such as thin. "Flower than a woman's appearance. That woman sitting alone staring at me is really beautiful. Comparing a woman's face to a flower is an ancient rhetorical device that has been used for a long time, but using tears to describe a woman's tears because of sadness seems to be newer than simply using old sayings such as "beauty, beauty". But Mei Cheng didn't take the initiative. When Bai Juyi wrote Yang Guifei's sad tears in Song of Eternal Sorrow, he used the phrase "Tears fall down her sad white face, like spring rain on pear flowers". Feng Yansi also wrote in "Return to Ballad", "When you frown, tears will break your rouge face. "But both Bai Juyi and Feng Yansi are objective phenomena. That is, Yang Guifei burst into tears, like pear blossoms in the spring rain. Feng Yansi's description of this woman seems that tears have broken or will break her rouge face, and all of them just describe objective phenomena, while Zhou Bangyan turned into a layer, saying, be careful, don't let tears flow down, because "flowers are as thin as fear. "
Thin flowers are a metaphor for thin people, which has also been used by predecessors. For example, Huang Tingjian wrote in the words given to Sean, a prostitute, in "Mo Shan Xi": "Spring is not over, and flowers are sparse." However, Huang Tingjian only wrote a thin flower objectively, without the feelings of the poet. However, Zhou Yan extended the poems of his predecessors, did not repeat the meaning of his predecessors, and created new ideas. In his pen, it seems that even a few tears are reluctant to part with that delicate and thin face, fearing that it will "break the rouge face." Showing the poet's infinite pity is not only an objective portrayal, but also permeates the poet's subjective feelings. It can be described as bringing forth the new and exploring new ideas, which is not only like the introduction of * * *' s self-pity and Zhou Bangyan's inner monologue in the poem, but also like the poet's pity and sympathy for * * * in the poem, which is considerate and tortuous and has strong artistic appeal. It is not unreasonable for readers to regard Zhou Ci as "the masterpiece of poets" (Wang's On Ancient and Modern Ci). After the film, "Qingrun Yu Di has been idle for a long time, and bosom friends are rare." With "Yu Di idle for a long time" from the side foil * * * depressed, full of melancholy. Although there is jade Xiao, I have no intention to play it. Leave it idle for a long time. Because the right person is not here, who do you listen to? When Zhaojun leaves the village, he can still suffer from pipa. This homesick woman doesn't even feel homesick through music, which deepens her "pity". The following questions and answers are cleverly set to "know" and "ask": "Do you want to know why she (I) leans against the railing every day? Just ask Liu in front of the pavilion. " Still using the same brushwork as the last one is not only like the self-adjusting anatomy of a girl in a boudoir, but also like the poet's deep pity, care and understanding of the heroine's mood in the poem.
Why did she ask Liu in front of the pavilion if she knew what was on her mind? This naturally reminds people of Wang Changling's "Forever in My Heart": "In the boudoir, * * * doesn't know how to worry. In spring, I put on makeup and went to a brothel. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the marquis. " Willow is closely related to parting, and the ancients used to fold willow to bid farewell, so seeing willow is easy to cause sadness of parting. The * * * in Wang Changling's poems was originally "I don't know how to worry". Only when I suddenly saw the color of a strange willow tree did I touch my sadness, which caused my heart to be forever. It seems a little accidental, and the word * * * in this word stares at the pillar every day and looks at the willow tree every day, and the willow tree becomes a symbol of my sadness. I don't hate parting, but it accumulates over time, which seems to be more than parting in Wang Changling's poem Forever in My Heart. Finally, with a gentle touch, the green hills are wrinkled, tears are dripping, and the flowers are as fine as people. Yu Di has been idle for a long time, and all of them have been confessed, and the whole joint vein is connected in one breath. According to "Technical Words" written by Shen Mi (published in "Teana Xuan"), it says: "Zhou Meicheng is a good song, and every time he writes a new song, he visits Li Shishi's house to present" Luoyang Spring "(according to" Eloso "):" Li tries to prove himself in front of the pavilion ... but he fails. Therefore, this word was written by Li Shishi. Please talk about it for your reference. This word is not long, but it uses many poems of predecessors in the word one by one, bringing forth the new and creating new ideas. Shen Yifu's evaluation of Zhou Ciyun in Yuefu Finger Fan is: "The meaning of Xiazi has its own statutes, which often comes from the poems of sages in the Tang Dynasty, rather than the blunt and literal translation in the history books, so it is the highest. "This passage deserves careful understanding.