I. Wang Bo
Wang Bo, Zian. Write more lyrical works, gorgeous rhetoric, fresh and bold style. He is especially good at five-character poems and quatrains, and has made great contributions to the maturity of five-character poems.
Specifically, farewell poems are magnificent, such as "Farewell to Deputy Magistrate Du in Shu", which expresses feelings of parting, comforts with "However, China has our friendship and the sky is our neighbor", and the artistic conception is broad, sweeping away the deep breath of farewell and injury.
At the same time, a new attempt has been made in description and poetic development, and remarkable artistic effects have been achieved. Distant landscape poems not only fully show the magnificent scenery on the way to Sichuan, but also show deep sadness and profound connotation because of stagnation.
Second, Yang Jiong.
Yang Jiong, clear pronunciation and mellow voice. There is a clear boundary between him and the Palace Poetry School headed by Shangguan Yi. What he sings is his own sufferings and heartfelt feelings, and he expresses his true feelings, which is quite different from his interest in singing the weather in the Tang Dynasty. In sharp contrast, he broke through the official style and opened up a new style of poetry.
For example, Joining the Army, written in a state of eagerness for success, is a masterpiece of Yang Jiong's poetry. This poem is vigorous in brushwork and bold and straightforward in feelings; Yang Jiong also has a group of Three Gorges poems, which are more realistic and natural, express their feelings through history and have profound implications. It is also an excellent work that breaks away from the shackles of palace poetry.
Its existing 14 five-character poem completely conforms to the secret method, and it is an intentional pursuit, which dispels the wind of extravagance since Qi and Liang Dynasties and helps to finalize the five-character poem.
Third, Lu
Lu, the word rises, and the number mourns itself. Taking "illness" as the boundary, it can be clearly divided into two periods: the early poets were full of ambition, brilliant, with relatively high style and unrestrained feelings; In the later period, the poet was tortured by the "wind disease", and his poetry realm was lonely, and his style tended to be sad.
Judging from the contents of the poems created in the early stage, Watching Lights at Fifteen Nights is one of them, and the wonderful lantern scene described in the poem is pleasing to the eye. It shows that the poet's smooth life journey at this time makes his poems reflect more colorful scenes and fresh and happy mood.
From the later poet's famous seven-character ancient poem "It's hard to go to heaven", not to mention how philosophical the discussion in the second half of this poem is, only looking at the first half, we have deeply felt the poet's helplessness in driving away his former literati friends. The poet saw through the human feelings and was abandoned by the society in the barren hills.
Fourth, Wang Luobin.
Luo, the word sightseeing, is also called Luo Linhai. He wrote a lot in his life, which contributed to clearing up the decline of literature in the Six Dynasties, innovating the poetic style in the early Tang Dynasty and opening up the prosperity of literature in the Tang Dynasty. Therefore, he became an influential figure in the history of China literature and was praised by people for a long time.
Luo wrote the most poems, especially seven-character poems. His masterpiece "Landscape" is a rare novel in the early Tang Dynasty, which was considered as a swan song at that time. Yamazaki's magnanimous atmosphere and rich and magnificent narrative with verbs are often used, and the form is very flexible.
In the process of literary development from Qi Liang to the prosperous Tang Dynasty, Luo was a figure connecting the past with the future. From the literary content, Wang Yong-wu's poems emphasize interest and self-expression, as well as the spiritual outlook of Yong-wu's poems, and get rid of the game-like writing paradigm of Qi-liang's Yong-wu poems.
Importance of contribution:
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The four outstanding poets are equally famous, which originally refers to their poems, mainly referring to parallel prose and fu. Although the poems of the four masters have not lost their beauty since Qi Liang, they have initially reversed the literary atmosphere. Four outstanding figures are the figures in the early Tang literary world in the transitional period between the old and the new.
Lu and Luo's seven-character songs tend to be ci-fu, with a slightly stronger momentum; Wang and Yang's five-character rhythm began to be standardized, and the tone was sonorous. Parallel prose is also full of flexibility and vividness in ci.
Lu Shiyong's "Poetry Mirror" said, "Wang Bo is rich in Gao Hua and Yang Jiong, and according to the neighboring algae, Tan Yi and Zi 'an are the best?" When I transferred to the early Tang Dynasty, I took the Six Dynasties. "