1, original text
Drumming sound
Drums are dull and soldiers actively use them.
Cao Tuguocheng, I travel south alone.
From Sun Zizhong, Chen Pinghe and Song Dynasty.
No, I'm going home. I'm worried.
The man who lives in the same place lost his horse.
Look for it, under the forest.
Life and death are generous, and Zi Cheng says.
Hold your hand and grow old with your son.
I am rich, but I am still alive.
I'm sorry, but I don't believe it
2. Translation
The drums were ringing, and the soldiers practiced their swords and guns enthusiastically. The capital and a grass built a wall, and I joined the army and ran to the south alone. Following General Sun Zizhong to pacify Chen Song (Chen Song) in other countries, I couldn't return to China for a long time, and my heart was broken with anxiety.
Where do you stop and camp? I lost my horse when I panicked. Where can I find it? Grass lies under the forest in the wilderness. Live and die together, we have taken an oath. Hold your hand when you leave and rest in peace forever. I am sighing, sighing, so I can't see each other. I sigh all over the world, and I can't keep my promise to return home. ...
3. Source
The Book of Songs of the Zhou Dynasty
Extended data 1, appreciated.
This poem describes the feelings of soldiers who can't go home for a long time and expresses their strong desire for peace. Poetry is written from going to the south, then the pain of not returning after the war, and the encounter of soldiers holding hands, until the last strong accusation, write again next time, the context is clear, and the emotions are progressive in turn. Narration promotes the expression of emotions, and lyricism is closely related to the development of the plot, which complements each other and is logical.
2. The creative background of The Book of Songs.
Joo Won?, the birthplace of the Zhou Dynasty, was suitable for agriculture. Poems such as Gong Liu and Mianmian Guaju in The Scholars all show that Zhou prospered the country with agriculture, and the development of agriculture promoted social progress. After the conquest, the Zhou clan became the master of the world, and the patriarchal clan system, land, slave private ownership and the rule of aristocratic lords became the social and political characteristics of this historical period.
Apart from the tyranny of Shang and Zhou Dynasties, the replacement of Shang and Zhou Dynasties by Western Zhou Dynasty was mainly related to its slavery economic system. After the establishment of the Western Zhou Dynasty, in order to alleviate the sharp contradiction between production relations and productivity and class struggle, slavery was transformed into serfdom.
Compared with Shang Dynasty, the Western Zhou Dynasty promoted the rapid development of social spiritual civilization due to the great changes in the economic system. As a representative of literature, the appearance of The Book of Songs is an inevitable product of the progress of the times, which in turn promotes the progress of social civilization.
3. The language style of The Book of Songs
The language of The Book of Songs not only has the beauty of music, but also has a good effect in ideographic and rhetoric.
In the era of The Book of Songs, Chinese has been rich in vocabulary and figures of speech, which provides good conditions for the poet's creation. The abundant nouns in The Book of Songs show that the poet has a full understanding of objective things. The concrete and accurate description of movements in The Book of Songs shows the poet's meticulous observation and mastery of language.
The language form of The Book of Songs is vivid and colorful, which can often achieve "twice the result with half the effort" and "a thousand emotions". However, the language style and national style of Ya and Song are different. Most of the chapters in Ya and Song use a strict four-character case, with few miscellaneous words, while there are many miscellaneous words in the national style.
In "Xiaoya" and "National Style", repeated chapters and sentences are often used, but they are rare in the aspect of appealing to both refined and popular tastes. Many modal particles, such as, zhi, zhi, die, Hu, er, yi and ye, are used in national customs. These modal particles have also appeared in Ya and Ode, but they are not as numerous and varied as those in National Custom.
The wonderful use of modal particles in national style has enhanced the vividness and vividness of poetry and reached a vivid situation. The different linguistic features of elegance, praise and national style reflect the changes of the times and society, as well as the differences in the identity of the creative subject.
"Ode to Ya" is mostly a work of the Western Zhou Dynasty, written by nobles, which embodies the dignity of "Elegant Music". "National Custom" is mostly works in the Spring and Autumn Period, mostly collected from the people, which more embodies the freedom and boldness of the new voice and is close to the spoken language at that time.
Baidu Encyclopedia-Hold your hand and grow old with your son
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Baidu Encyclopedia-The Book of Songs