The style of poetry is profound, and language has the potential to pause.
Linguistically speaking, Du Fu's poems are generally regarded as "gloomy". A further study of Du Fu's poems shows that the formation of his poetic style is closely related to his adherence to Confucianism. At the same time, Du Fu was at the end of his heyday. When he was young, he was ambitious. "When you climb to the top, you will see that other mountains are short under the sky." . Later, the Anshi Rebellion broke out, the national movement declined and the official career was unlucky. The great gap between ideal and reality has also caused great changes in Du Fu's poetic style, approaching realism. The individualization of image selection in Du Fu's poems is the basis of his language. The images that often appear in Du Fu's poems, such as ancient blockhouses, autumn clouds, apes whistling, broken torches, steep gorges, defending the world, solitary boats, fallen flowers, sunset and other natural landscapes, as well as ordinary people such as weaver girls, old women, old farmers and wives, as well as powerful forces such as officials, generals and villains, all show Du Fu's urgent mood of "saving the world and helping the people" and his spearhead to confuse Gan Kun.
inclusiveness
As far as style is concerned, Du Fu's poems are diverse in style. Yuan Zhen's evaluation of Du Fu is: "As for the beauty of the son, it is called frivolous and coquettish. At that time, Shen Song seized Su Li and swallowed Cao Liu, hiding his face and thanking him for his loneliness. He was beautiful and beautiful, which was unique in ancient and modern times." Qin Guan also has a similar view: "So Du Zimei people are poor and expensive, extremely luxurious, full of diluted interest, delicate and clean, and have the beauty of algae, which is beyond the reach of other families." However, if you don't gather the strengths of many families, Du can't be immune. "For example, Du Fu also has a wild and unruly side, and Du Fu's heroism can be seen from his masterpiece" Singing the Eight Immortals ". The mainstream view holds that Du Fu's poems are gloomy in style, refined in language, rigorous in meter, skillful in craftsmanship, sincere in feelings, elegant in speech, profound in description, delicate and touching, and vivid in image. "Elaborating beautiful sentences for human nature and gushing" is his creative style. "As far as the narrative style and discussion style of Du Fu's poems are concerned, some scholars think that it is influenced by The Book of Songs Xiaoya, and his elegy and generosity are similar to Li Sao. Some scholars believe that Du Fu's poems have the traditional spirit of benevolent government and the spirit of Sima Qian's record. There are also views that Du Fu's poems have "humanitarian spirit".
The antithesis of exquisite words
In terms of meter, Du Fu's poems are characterized by refined words and neat antithesis, which conforms to the "architectural beauty" of China's poems. For example, "the wind blows in the wide sky, apes crow and birds crow, the blue lake and white sand return to their nests, the leaves fall like waterfalls, and I see the long river rolling in", which is the embodiment of Du Fu's superb diction and antithesis. In addition, Du Fu also has many innovations in genre, such as his creativity in the Five-Seven Laws and his uniqueness in literary creation.
Profound content
As far as the content of Du Fu's poems is concerned, most of his works reflect the social outlook at that time, with a wide range of themes and far-reaching significance, especially describing the sufferings of the people and expressing his sympathy for the people and his feelings of worrying about the country and the people. Du Fu's poems are called the history of poetry, which was first seen in the late Tang Dynasty and was concluded in the Song Dynasty, but the meaning of the history of poetry is different. Some people pay attention to Du Fu's poems about historical events, and think that Du Fu's poems are documentary poems, which can supplement and prove history, so they are called poetry history. This statement only pays attention to the truth and falsehood of historical events, but ignores the emotional characteristics of poetry.
References:
1, Liu Tingfu. On the characteristics and aesthetic value of image generation in Du Fu's poems. Journal of Chengdu Institute of Education. No. 10 of 2005 (Simplified Chinese)
2. Wu ling Poetry by the stream
3. yuan Zhen; Yang Jun. Selected poems of Yuan Zhen. Epitaph and Preface of Yuan Wailang Du Jun in Tang Engineering Department. Beijing: People's Literature Publishing House. 2004.ISBN 702004484 (Simplified Chinese).
4. Qin Guan; Wang Xing. Collection of Qin Guan-On Han Yu, the most basic family collection in China. Shanxi: Shanxi Ancient Books Publishing House. 2004.ISBN 780598585 (Simplified Chinese).