The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter.
Wildfire can't burn it out, but the spring breeze can revive it.
Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey.
I once again sent my bosom friend, and the thick grass represented my deep affection.
To annotate ...
1 Fude: Write a poem called "Fude" according to the assigned topic. Guyuan: Ancient and spacious Yuan Ye. The title of the poem means: a poem written according to the title of "Farewell to friends in the ancient wilderness full of weeds".
2 parting: describe the lush spring grass.
③ One year old: one year old. Wither: wither, die. Rong: thrive.
(4) Wildfire: a fire in a barren land.
⑤ Fiona Fang: Fragrant weeds stretching into the distance.
⑥ Clear and green: A green weed is reflected in the sun.
⑦ ⑦ ⑦: The grass grows luxuriantly.
Make an appreciative comment
The proposition of "Gu Farewell" is quite interesting. Grass and other feelings seem to have become attached to each other from the famous sentence written by an ancient poet, that is, "The wandering prince and grandson don't return, the spring grass grows and the warbler flies" ("Chu Ci Recruits Hermits"). However, it is not easy to write the characteristics of the ancient grassland and say goodbye, especially to write new ideas.
The first sentence is the word "ancient grass". How lush ("detached") the original grass seems to be normal, but it captures the vitality of "spring grass", which can be said to be detached from "spring grass grows and grows" without trace, which opens up a good idea for the following. As far as "Ancient Grass" is concerned, why not start with "Qiu Lai Deep Path" (the original "Autumn Grass" was written by an ancient monk), and the whole story will be another kind of atmosphere. Weeds are annual plants, which flourish in spring and wither in autumn. "Come and go with each season" seems to be nothing more than that. However, writing "withered-glorious" is very different from writing "glorious-withered". If the latter is autumn grass, you can't make three or four good sentences. The word "one" overlaps together, forming a sigh, showing an endless feeling first, and three or four sentences will follow.
"Wildfire never completely devoured them, and they grew taller in the spring breeze." This is the development of the word "withered glory", which changed from a concept to an image. The ancient grass is characterized by tenacious vitality. You can't cut or hoe. As long as a few roots are left, the next year will be greener and longer, and will soon spread to Yuanye. Grasping this feature, the author does not say "endless chopping and hoeing", but writes "wildfire never consumes them completely", creating a heroic artistic conception. Wildfires start a prairie fire, and the flames are terrible. In an instant, a large area of hay was burned to the ground. Emphasizing the power of destruction and the pain of destruction means emphasizing the power of regeneration and the joy of regeneration. Fire can "burn out" all weeds, even stems and leaves, but the author says it is "inexhaustible" and is of great significance. Because no matter how fierce the fire is, there is no way to help the roots buried deep underground. Once the spring breeze melts into rain, the life of weeds will revive and cover the earth again with rapid growth in response to the abuse of fire. Look at that "vast sea of grass", isn't it a green flag of victory? The language of "they have grown taller in the spring breeze" is concise and powerful, and the word "rebirth" has three points and ten meanings. Song Dynasty and Notes on Remnant Gaizhai said that these two sentences were "not as concise as Liu Changqing's poem Burning Green in Spring", but they were not really seen.
Extended reading: Bai Juyi's literary achievements
Bai Juyi was a great poet with great influence in the middle Tang Dynasty. His poetic thoughts and creations, which emphasize popularity and realism, occupy an important position in the history of China's poetry. In Jiu Shu Tong Yuan, he clearly said: "Servants aim to help the two, and they are independent. Always serve the Tao, and invent poetry. Calling it a satirical poem is also aimed at helping others; It's not bad to call it leisure poetry. " It can be seen that among Bai Juyi's four poems, satirical, leisurely, sentimental and miscellaneous, the first two reflect his practice of "serving others and always being good", so they are valued by us. At the same time, he put forward his own literary proposition: "Articles should be written in time, and songs and poems should be written well." His poetic thoughts are mainly based on the creation of early satirical poems.
As early as the early Yuan Dynasty, Bai Juyi showed a tendency to emphasize realism, popularity and allegory: "If there is no textual research on today's praise and demotion, there is a lack of punishment and persuasion;" If the poem "The Beauty Sting" does not test politics, then the significance of the make-up test will be abolished. ..... The satirist who gives advice to Ci and Fu, though wild in nature, will be rewarded. "The role of poetry is to punish evil and promote good, and make up for current politics. The means of poetry is to praise and criticize, but to remonstrate and satirize, so he advocates: "Set up an official who collects poetry, open the way of irony, examine its gains and losses, and let it rise and fall." (Poetry Sixty-nine) He opposes the simple pursuit of "high palace rhythm" and "strange writing" without content, and even more opposes the gorgeous poetic style of "mocking the wind and making flowers" since Qi and Liang Dynasties. In the preface to new Yuefu, he clearly pointed out that the standard of writing poetry is: "the quality and path of his words are easy to distinguish for those who want to see;" "His words are straightforward and he admonishes those who want to listen; Its business is nuclear and true, so people who use it can send messages; Its body is very smooth and can be played in music songs. " Here, "quality and diameter", "straightness and tangent", "core and reality" and "smoothness and smoothness" respectively emphasize that the language should be simple and popular, the discussion should be straightforward and exposed, the writing should be absolutely false and pure, the form should be smooth and fluent, and it has the color of ballads. In other words, poetry must be authentic, easy to understand and easy to sing in order to be considered the ultimate.
Extended reading: Bai Juyi's poetic theory
Bai Juyi's thought integrates Confucianism, Buddhism and Taoism, mainly Confucianism. Mencius said that "being rich will help the world, and being poor will be immune to it" is the creed he followed all his life. His ambition of "helping the world and the people" is mainly based on Confucian benevolent policies, including the theory of Huang Lao, the technique of treating filial piety and the method of applying Korea; His mind of "being alone" absorbed the concepts of contentment, uniformity and freedom of Laozi and Zhuangzi and the Buddhist thought of "liberation". The two are roughly bounded by Bai's demotion of Jiangzhou Sima. Bai Juyi not only left nearly 3,000 poems, but also put forward a whole set of poetic theories. He compared poetry to a fruit tree and put forward the viewpoint of "root feeling, Miao character, Watson and true meaning" (nine books are the same). He believes that "emotion" is the fundamental condition for writing poetry, and "those who move people should not care about emotion first" (nine books at the end of Yuan Dynasty). The emergence of emotion is helpful and tied up with current politics. Therefore, poetry creation cannot be divorced from reality, but must be based on various events in real life and reflect the social and political situation of an era. He inherited the tradition of "beauty and beauty" since the Book of Songs and attached importance to the realistic content and social function of poetry. Emphasize the role of poetry in exposing and criticizing political abuses. He put forward a series of principles in the method of poetry expression. In Nine Books with the Same Origin, he put forward the realistic writing principle of "writing articles in time and writing poems for things".
His poetic theory is of progressive significance for urging poets to face up to reality and care about people's livelihood. It also has an important influence on the poetic style that has gradually emphasized form since Dali (766 ~ 779). However, overemphasizing the subordination of poetry creation to the needs of real politics will inevitably constrain the artistic creation of poetry and the diversification of poetry styles.