Take Autumn Night in the Mountain written by Wang Wei in the Tang Dynasty as an example, and appreciate it from an audio-visual perspective;
An autumn night in the mountains of Tang Dynasty: Wang Wei
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
Explanation:
The empty mountain is bathed in a new rain, and the arrival of night makes people feel that it is early autumn. The moon is clear and clear, and the clear spring is flowing. The bamboo forest was noisy until the washerwoman came back, and the lotus leaves swayed like canoes. The wheat straw in spring might as well let it rest, and the prince and grandson in the mountains can stay in autumn.
Autumn Night in the Mountain is a five-character poem written by Wang Wei in the Tang Dynasty. The cool autumn after the rain, the light of the bright moon in the pine forest, the sound of the clear spring on the stone, the laughter of the girl returning to the bamboo forest and the movement of the fish boat crossing the lotus flower in the poem are harmoniously and perfectly integrated, giving people a rich and fresh feeling.
It is not only like a fresh and beautiful landscape painting, but also like a quiet and beautiful lyric music, which embodies the poet's creative characteristics of painting into poetry. Looking at the whole poem, it is also poetic and picturesque, with a blend of scenes and scenes, which is wonderful and comparable to the top grade in landscape poetry.
The whole poem has four levels.
The first couplet points out the season ("autumn"), time ("night"), place ("empty mountain") and weather ("new rain"), which is full of poems. The word "empty" is meaningful.
Zhuan Xu writes about scenery, while Jinlian writes about people from scenery, combining dynamic and static, and combining audio and video. The couplet turns from scenery writing to lyricism, from external objects to the heart, revealing the main idea of the whole poem. "There are pictures in poetry, and there are poems in paintings", which can be seen.
In particular, in dealing with the relationship between dynamic and static, the poet is ingenious and likes to use the images captured in meditation to convince the static with dynamic and the static with sound.
For example, "moonlight in the pine forest, crystal stone in the stream. The bamboo voice whispers that the washing woman returns, and the lotus leaf bends in front of the fishing boat. " It feels like a scrolling picture edited by several wonderful shots. The scene is changing, the characters are moving, and the "lens" jumps from one moving point to another.
This patchwork composition and flexible sentence patterns make the whole poem full of agility and vitality.
There are two couplets in the middle: the bright moonlight reflecting the pine forest and the spring water flowing stone. There were bursts of laughter and laughter in the bamboo forest. It turns out that the washerwoman is back and the lotus leaves are floating. That's a fishing boat going down the river.
"There is moonlight in the pine forest and crystal stone in the stream", and the pine forest washed by rain is spotless and green; The rocks are especially crystal clear, transparent and bright; Even the moonlight is as bright as washing; Shan Yu's spring suddenly flows on the slate, and then winds down the mountain stream, giving out a crisp and pleasant song, like a "serenade".
"Illumination" and "flow", one goes up and down, one moves in silence, and the other moves in silence, as if people feel the pulse of nature beating.
At this moment, the poet seems to feel that he has also been washed away. The beauty of nature and the beauty of the soul are completely integrated, creating a pure and beautiful poetic realm, which is as inseparable as the water moon mirror. This kind of Zen is a hermit. Su Shi praised this couplet as a typical sentence of "painting in poetry"
Then the poet changed from writing about scenery to writing about people. In this landscape painting, the natural beauty of the mountain village is integrated with the beauty of the villagers' life. "The sound of bamboo calls the washerwoman to return, and the lotus leaves are collected in front of the fishing boat", which are the portrayal of human activities-"Huannv" and "Fisherman".
The poet adopted the writing "Listen to people before you meet them".
Yes, it's night, and it's covered with bamboo forests. How can I see a woman who comes back from washing clothes? However, when the women from Zhuhai moved slowly, they stirred the bamboo soaked in the night dew and made a "rustling" sound. With their silvery laughter, the noise of laughter broke the quiet night sky. Listening to the ups and downs of lotus leaves on the water surface, the fishing boat went down the river. This is a fisherman who wants to catch fish by moonlight tonight.
The poet was moved by this scene, and his feelings welled up in his mind: Dai Yue, a mountaineer, was industrious, simple and cheerful from his own nature, far clearer and purer than people in officialdom.
All these details convey that the poet loves not only the beauty of the scenery here, but also the beauty of the people here. This naturally lays a solid foundation for summarizing sentences.
Extended data:
This poem was written in early autumn, and the author saw the scenery at dusk after the rain in his residence. It should have been written by Wang Wei when he lived in seclusion in Zhong Nanshan and Xiawangchuan.
The first couplet-"An empty mountain stands on an autumn night after the rain", written in early autumn, is really appropriate. In the Yellow River valley, it was quite hot when it first entered autumn, and it was called "autumn tiger". However, as long as it rains, it will be chilly immediately. The so-called "an autumn rain and a cold" is the truth.
And the temperature difference in autumn has also become larger. Although it is still hot during the day, there will be a cool breeze at night. These are the most familiar seasonal features, which are reflected in Wang Wei's poems. But sometimes light is not enough, what is more important is the inherent beauty of this connection. An empty mountain is not an empty mountain. At least the poet is in the mountains, not to mention the Huan girl and the fishing boat behind him.
The so-called "empty mountain" is not without a trace of waves, but away from the hubbub. Such a mountain was originally the love in Wang Wei's heart. "An empty mountain stands on an autumn night after the rain" is the Zen meaning of an empty mountain. How about "New Rain"? The so-called "new rain" is the rain that has just rained. The empty mountain was originally a paradise. With the washing of new rain, it is more ethereal and clear.
Coupled with the two elements of "late" and "autumn", compared with the excitement during the day, the evening has a quiet beauty; Compared with colorful spring and summer, autumn has thrifty and quiet beauty. At this time of the year, at this time of the day, in an empty mountain far away from the world, after a new rain washed everything away, the poet's heart is as transparent as air and as quiet as an empty mountain. In this state of mind.
Baidu Encyclopedia-Autumn Night in the Deep Mountains (Tang Poetry)