Bai Juyi and The Watershed
The mountains are steep and the springs are flowing. The situation is inseparable, and things follow the Committee.
the grass grows at the bottom, splashing in the stone. Diverted for several years, day and night.
Chao Zong is far behind, going to the sea for three thousand miles. Infiltration is small and reactive, and mountain seedlings grow dry and die.
I can't do anything about it, and I am constantly rushing. Only whimper, night into the ears of pedestrians.
the source is inexhaustible, and it is difficult to stop without a hurdle. What do you think of the same flow?
there are similar blood relatives, and the faction begins here. It seems to be a snob, and the waves are back.
therefore, what can you compare with your poem? It's better than a mountain spring, and it's better than water in a well. Don't say goodbye to those who have been separated for a long time on the ridge
Don't say goodbye to those who have been separated for a long time on the ridge in Quan Deyu
After ten years, they will find a way to meet here.
where does the horse head go? The setting sun is thousands of peaks.
Appreciate
this little poem and write a farewell after a long reunion in simple language. The whole article is lightly written, not carved, but contains a deep and eternal feeling in plain, and has its own natural charm in simplicity.
the first two sentences lightly tell the difference between the two sides ten years ago and the meeting at this time. Judging from the poem title, the two sides may not be close friends. This kind of casual acquaintance can't leave a deep impression and can't afford to lift emotional waves. However, due to the long time of ten years, it will naturally lead to the feeling of vicissitudes of life and the association of each other's past and present scenes. So this seems to be a plain and objective narrative, which is quite emotional.
the focus of this poem is not to express the feeling of reunion after a long separation, but to express the feeling of parting in a hurry again after reunion. They met by chance on the ridge where Wanshan gathered and the evening when the setting sun was slanting, and then said goodbye in a hurry. The poet put aside all the details of the meeting, jumped directly from meeting to parting, and gently expressed the moment when the two sides wanted to say goodbye and were about to make a hair-where is the horse's head? The setting sun is thousands of peaks. The road is accidentally reunited, and the horse is about to be driven away. The horse's head is headed for the vast mountains and valleys, and the sunset glow in the west is throwing a bit of light at the silent peaks. This is a sketch quietly saying goodbye in the sunset photos in the mountains. There is no color, no description, no specific description of the expressions, language, movements and psychology of the two sides, but it has a fascinating artistic conception. Thousands of peaks have no words to stand in the setting sun, and the realm is quiet and slightly desolate, which makes this parting feel sad. Where the horse is headed, thousands of peaks stand tall and thousands of mountains gather, which indicates that the road ahead is long. In the afterglow of the sunset and the twilight, it gives people a sense of looking around. All this, together with the special background of seeing each other again after a long separation, makes this scene have some symbolic meaning invisibly. It reminds people that on the journey of life, it is always so accidental and so hasty to leave and meet, and everything is hard to predict. Although the poet may not necessarily use this parting to express the philosophy of life, where is he going in the face of the horse head? When the setting sun is on the peak, it is completely understandable to feel disappointed and thoughtful in your heart. The third sentence doesn't use the usual narrative language, but is a gentle question full of sighs, and the fourth sentence starts to write the scenery, which reveals the infinite feelings in the poet's heart and strengthens the boundless feeling of the world. It can be said that the three or four sentences are the intersection of what the poet sees and feels in his heart, and it is a realm in which there is true meaning and he wants to distinguish what he has forgotten.
It is worth pondering that the poet also wrote a poem with similar content, Yu Gan Farewell to Zhang Twelve Servants: The spring breeze is farewell to the stranger in Wucheng, and the year is approaching the pavilion. Driving along the north-south road, you can see thousands of peaks in the Hanjiang River. Compared with the two, the elements of the seven wonders' depiction and rendering have increased significantly (such as the strange city, the spring breeze, the twilight, and the cold river), so it is difficult to embody the advantages of being meaningful and natural. Especially in the back picture, the five musts ask questions by chanting, and gather in a gloomy way with the scenery words that are not portrayed, which are seamless and endless; The four-line poem expresses the third sentence in general narrative language, and directly points out the word "Yu", which is inevitably suspected of being frank and revealing. The last sentence is portrayed again, losing the natural and harmonious style. If the two sentences are at arm's length, a complete artistic conception cannot be formed. From here, we can further appreciate the characteristics of deep and eternal love in the five absolutely plain and natural charm in simplicity.
You Shijiao crosses Xiaoling to ChangWu Cun
Liu Zongyuan crosses Xiaoling to ChangWu Cun
It's not expensive to be ambitious, so it's impossible to drag out an ignoble existence. For a long time, I forgot to be sealed, and I laughed and ascended to heaven.
running away from the official Xiangpu, the heart-shaking drama hangs on. At first, I was shocked into the world, and finally I wanted to escape the punishment.
years kill worries, but carelessness will meet them. Chasing my loved ones and restoring my feelings.
the stone corner walks in a quiet way, and the long Wu leads to distant signs. Back to Maoshu, Jing Yan is cold and clear.
when there are few pedestrians, the storks are heard in the fields. The wind rushes far away, and the frosty rice invades the mountains.
a little leisure with people will help you know that your life experience is light. It's vain to be a farmer's coke.
Qiao Shu is in his old country, and he is willing to make a sincere statement. Four anti-fields, Shi Zhi Dong Gao Geng. The window contains the whole poem of Xiling Qianqiu Snow
The window contains the whole poem of Xiling Qianqiu Snow
"Jueju"
Author: Du Fu
Original text:
Two orioles sing green willows, and a row of egrets go up to the sky.
The window contains autumn snow in Xiling, and the Dongwu Wan Li boat is moored at the gate.
Note:
1. Xiling: Xiling Snow Mountain.
2. Autumn snow: refers to the snow that has not melted for thousands of years in Xiling Snow Mountain.
3. berthing: berthing.
4. Dongwu: the territory of Wu in ancient times.
5. Wan Li Ship: A ship not far from Wan Li.
Poetry:
Two orioles are singing in the air, and a row of egrets are flying in the sky. The window can see the snow in Xiling for thousands of years, and ships from Wan Li in Dongwu are moored at the door.
Appreciation:
This poem depicts four independent landscapes and creates a vibrant picture. The poet is intoxicated by it and looks at the ships from Dongwu, which reminds him of homesickness, and his meticulous inner activities naturally show up.
Poetry cuts through with a vibrant natural beauty, creating a fresh and relaxed atmosphere. In these two sentences, the poet described this beautiful scene in a subtle way from different angles. Cui is new green, which is the color when everything recovers and germinates in early spring. By singing, the oriole's cry gives people a crisp and pleasant feeling. In early spring, pairs of orioles are singing on the budding willow branches, forming a lively picture with festive atmosphere. While the oriole sings on the willow, which is the vitality of moving in silence, the next sentence writes about the vitality of nature with more obvious dynamic trend: the Wan Li is clear and blue, and the egrets fly in this fresh sky, which is not only a kind of freedom and comfort, but also an upward struggle. Here, the word is very clever. These two sentences, with yellow lining green and white lining green, are bright in color, which shows the breath of early spring vitality. The first two sentences also describe the crow of an oriole. The poet depicts this vibrant and colorful early spring image from the visual and auditory perspectives respectively, and this colorful technique also adds vitality to the poem. Furthermore, the first sentence says that the oriole sings on the willow, and the next sentence says that the egret flies to the sky, which broadens the space a lot, from bottom to top, from near to far, so that the vitality that the poet can see and feel fills the whole environment, thus showing the prosperity of early spring from another angle.
In the third sentence, the window contains the snow in Xiling, and the poet looks out from the window. Because of the fresh air and sunny days in early spring, he can see the snow mountain in Xiling. The last two sentences have pointed out that it was early spring, and the autumn snow in winter wanted to melt, which gave readers a moist feeling. There was a word between the window and the snow, which showed that the moisture moistened the window lattice frozen in winter when the snow first melted, which can better write the poet's feeling about the early spring vitality with moisture. And Xiling, it is the poet who thinks of Xiling near the thatched cottage when he sees the first melting snow and ice in front of the window, and thinks of the long-term snow on Xiling Mountain, and replaces the residual snow on the window with the snow on Xiling Mountain, which makes the artistic conception expressed more extensive. This is the poet's way of seeing things and expressing feelings. In addition, the poet had the ambition of serving the country since he was a teenager. After decades of heavy obstacles, he finally had the opportunity to re-exhibit, and the years of war were put down. This is exactly related to the fact that the poet thought of Xiling when he saw the melting snow in front of the window, and replaced the residual snow on the window with thousands of years of snow on the ridge, thus giving the poet a sense of stubborn snow melting. But at the same time, the poet uses this feeling to explain a kind of difficulty from another angle: freezing for three feet is not a cold day, and it is even more difficult to melt the snow for thousands of years. Therefore, the poet has deeper worries in that faint hope. Therefore, this sentence is not just a description of the snow in front of the window, it has a deeper meaning, and this kind of observation of the scenery is actually implied as early as a sentence or two. Two lines, one line, the number is clear, and the observation is careful, not because of the inner ease and happiness, but because the poet wants to dispel the melancholy and bored mood that has been idle for a long time. This is similar to the fish in the drizzle, the swallows in the breeze and the butterfly in the flower in Qujiang, and the observation of the scenery with a little dragonfly flying leisurely has the same effect, which also shows the bored mood in the heart with a fresh and free scene.
The last sentence further describes Du Fu's complicated mood at that time. When the ship comes from Dongwu, this sentence means that the war has been pacified, the traffic has been restored, and the poet sees things and misses his hometown. Using a word has its profound meaning. Berth has the meaning of staying, which Du Fu used. Du Fu has been adrift for many years, and there is no landing. Although he still has a little hope in his heart, that hope has been greatly reduced. He should know that it was difficult to realize the ideal of making the custom pure at that time, and before Yanwu recommended him to the court, he had just finished his life in exile. Although he had hopes for the court, he felt extremely hopeless. The word "Bo" just wrote the poet's complex mood between hope and disappointment. Wan Li, on the other hand, hinted at the difficulty of achieving the goal, which is tied with the Millennium in the third sentence. In terms of time and space, he wrote about the difficulty of achieving the goal to show that there is little hope. This is the first meaning. Second, this Dongwu ship moored in front of the door did not come from Dongwu, but went to Dongwu. Soochow is the symbol of Du Fu's hope. Don't talk bluntly about Chang 'an and Dongwu, because the poet implied that his ambition was difficult to be displayed by the distance between Chengdu and Dongwu and the difficulty of the path; In addition, Sun Quan of the Three Kingdoms has been praised as a wise master by many scholars since ancient times, and referring to Sun Quan on behalf of Dongwu not only implies Du Fu's hope for the emperor of the dynasty, but also is the lodging place of his ambition to be a monarch. And to berth, Wan Li, Dongwu ship together as a sentence, it is to write the difficult word. The first couplet of a poem is a set of antithetical sentences. There are many willows around the thatched cottage, and there are a pair of orioles singing on the new green willow branches, which are a happy scene and colorful, forming a fresh and beautiful artistic conception. Cui is new green, Cui Liu is early spring phenology, and willow branches have just sprouted. Two orioles sing green willows, and birds are paired, showing a vitality and a festive meaning. The egrets in the blue sky are flying freely. This long-legged bird flies gracefully and naturally. Wan Li is a blue sky, and egrets are extremely bright in color against the blue sky. In the two sentences, four bright colors, yellow, emerald, white and cyan, are used in succession to weave a beautiful picture; The first sentence also has a description of voice, which conveys extremely cheerful feelings.
The bottom couplet of the poem is also composed of antithetical sentences. Looking at the snow ridge in the west mountain from the window. The snow on the ridge does not melt all the year round, so it has accumulated thousands of years of snow. The snow-capped mountains can't be seen when the weather is bad, and they can only be clearly seen when the air is clear and clear. With a word, this scene seems to be a picture embedded in a window frame, which is near at present. Seeing such a rare beauty, the poet's mood is self-evident. If you look outside the door, you can see the ships moored on the bank of the river. River boats are common, but the word Wan Li boat is meaningful. Because they come from Dongwu. When people think that these ships are about to sail, along the Minjiang River, through the Three Gorges and directly to the lower reaches of the Yangtze River, they will feel very unusual. Because of years of war, land and water traffic was blocked by war, and ships could not sail smoothly in Wan Li. When the war was pacified and the traffic resumed, it was only when we saw the ships from Dongwu that the poet could go to on the green spring-day that starts me home. Why not make people happy? Wan Li Ship is opposite to Qianqiu Snow, which means a wide space and a long time. The poet is in the thatched cottage, thinking for thousands of years, seeing through Wan Li, how broad-minded he is!
The whole poem looks like a sentence and a scene, and it is four independent pictures. It is the poet's inner feelings that consistently make it a unified artistic conception. At first, he showed the spring scenery of the thatched cottage, and the poet's mood was Tao Ran. However, with the wandering of sight and the change of scenery, the appearance of river boats touched his homesickness. The four sentences of Jing Yu fully show the poet's complicated and meticulous inner thought activities.
this quatrain is a scene, but it is integrated into one, and it is the poet's inner mood that plays a connecting role. On the surface, it shows a vibrant picture, but in the cheerful and bright scene, it entrusts the poet with the loss of time, loneliness and boredom, and even writes the poet's complex mood when there is a glimmer of hope. Beyond that hope, it is more the poet's sadness about disappointment and his indifference about whether hope can come true. It is the theme of this poem to entrust the poet's inner complex emotions with fresh and brisk scenery.