Pre-Qin literature
Ancient myth: refers to the ancient myths and legends of China. Its appearance was mainly related to the social environment with low productivity and bad natural conditions. ※. It is mainly preserved in unearthed documents and early documents, such as Shan Hai Jing and Mu Chuan. Its content is rich and complex, including creation myth, ancestor myth, flood myth, war myth and invention myth, which strongly reflects the Chinese nation's deep sense of hardship, love for the people and the rebellious spirit of our ancestors, as well as its concrete image thinking in literature.
Sheng Shi: refers to Nanchang, Bai Hua, Yougeng, Chongqiu and Youyi in Xiaoya. None of these six poems has words. The academic circles generally believe that Sheng poetry is a silent song in The Book of Songs.
Three poems: Three poems refer to the three poems of Lu, Qi and Han that appeared in the Book of Songs after Qin Huo. Sanshi became a doctor and became an official school in the Western Han Dynasty. Lu's poems are from Shen Pei, Qi's poems are from Yuangu, and Qi's poems are from Han Ying and A Yan. But in the end, Shi Mao, an ancient prose by Mao Heng of Lu and Mao Ji of Zhao, was widely circulated among the people, and both of them died successively.
Explanation: Ancient prose and modern prose are schools of thought formed by different fonts and versions of The Book of Songs.
Zhou's Epic refers to the history described in The Book of Songs (the gestation and birth of ancestor Hou Ji and his contribution to agriculture), Gong Liu (Gong Liu's History of Zhou People's Migration from Taichi) and Mian (Gu's father's History of Zhou People's Migration from Taichi to Qi). ) and other five poems.
Ya Song: refers to the classification of The Book of Songs. "Wind" refers to Qupai, while national wind refers to Qupai in various places. The 15-Country Style 160 articles include Nan Zhou, Zhao Nan, Qifeng, Qifeng, Feng Wei, Zheng Feng and Qifeng. "Elegance" means that the imperial court is happy, and the music tune of Wang Ji in the Western Zhou Dynasty. Elegance is divided into elegance and indecency. Daya 3 1 is a work of the Western Zhou Dynasty, and Xiaoya 74 * * (mostly works of the late Western Zhou Dynasty and a few works of the Eastern Zhou Dynasty). "Ode" is the joy of ancestral temple sacrifice, and many of them are dance music. It can be divided into Zhou Song (3 1), truffle (4) and Shangsong (5).
Fu Bixing: Fu Bixing is the main literary expression of The Book of Songs, an important symbol of the artistic features of The Book of Songs, and also the basic technique of China's ancient poetry creation. In short, Fu is telling the truth, expressing thoughts and feelings and things related to poets. Comparison is a kind of analogy. Comparing one thing with another, the poet has skill or emotion and uses one thing as a metaphor. Xing is touching things to stimulate words, and objective things trigger poets' emotions and cause poets to sing, so it is often at the beginning of poems. It had a great influence on the development of China's classical poetry and literary creation.
Spring and Autumn Annals: Spring and Autumn Annals is the general name of the history of Zhou Dynasty and vassal states, and later refers to the Chronicle of Lu State revised by Confucius. Its secretarial system, conscious of keeping records and writing cases, is the first chronicle of China.
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Sports history books. It records the history from Luyin to Lu Aigong in the 14th year (722 BC-48 BC1year). Its bookkeeping method is "taking things as the day, taking the day as the month, taking the month as the time and taking the time as the year." Moreover, Spring and Autumn Annals, as a "work of etiquette", poured into the author's strong emotional techniques and was inherited by later historical biography literature. This creative technique is called "Spring and Autumn brushwork" by later generations.
Songs of the South: The name of Songs of the South first appeared in the reign of Emperor Wu of the Western Han Dynasty, and was later collected by Qu Yuan and Song Yu of Liu Xiang in the Western Han Dynasty. ※.
People's works, compiled into a book "Songs of the South". Specifically, Chu Ci refers to the creation of poems and fu with Chu characteristics, which is obviously different from northern poetry in form. Represented by Qu Yuan, Song Yu and others, his poems have magnificent and romantic literary and artistic expressions. At the same time, due to the close relationship with the witchcraft culture and language and cultural customs in the south, his poems have formed a romantic literary style with vanilla beauty as the symbol and artistic conception on the basis of compatibility with the Book of Songs and the southern style. This makes it and The Book of Songs become one of the sources of literary development of traditional poetry.
Han dynasty literature
Lu Chunqiu: Also called Lu Lan. This book is a theoretical work produced at the end of the Warring States Period. It was named because it was written by Lv Buwei, the prime minister of Qin State. The book system is strict, divided into twelve periods, each with 5 articles; Eight views, 8 articles each; Six theories, each with six articles, plus the preface *** 16 1, now there are 160 articles. The book is neatly divided into chapters and structurally combined into a complete system, which is called "the world of law". This naturally brings different theories into its own theoretical framework skillfully. The editor is quite ingenious in eclecticism, and his literary thought transcends the pre-Qin philosophers.
Stone Carving: Stone Carving refers to carving stones in various places after the Qin Dynasty unified China to show merit. There are 7 existing stone carvings, most of which are Lisi's four-character poems. Among them, except Langyatai stone carving, the rest of Yishan stone carving and other articles are all three sentences and one rhyme. Simple and catchy arrangement is the original creation of Qin literature.
Han Fu: Han Fu is the most representative literary form in the Han Dynasty. It is between poetry and prose, with both verse and prose. It can be said that poetry is prose and prose is poetic. Han Dafu accepted various styles and formed a new literary system. It draws lessons from the question-and-answer form between the subject and the object of Chu Ci and the vertical and horizontal essays in the Warring States period, and draws lessons from the narrative techniques of the pre-Qin historical biography prose, and often incorporates poetry into it. Judging from the poetic forms adopted, there are traditional four-character poems, as well as new five-character poems and seven-character poems. The source of Dr. Han's literary style is various, and it is a comprehensive literary style. Its huge capacity and powerful expression ability are largely due to. Mei Cheng's Seven Hair marks the formal formation of a new style of Handa Fu, and Sima Xiangru's works represent the highest achievement of Handa Fu. The main author of Da Fu in the late Western Han Dynasty was Yang Xiong. Ban Gu's Two Cities Fu and Zhang Heng's Two Cities Fu are two representative works of Great Fu in the Eastern Han Dynasty.
Chu Ci (Sao Style Fu): As the upper class in the early Han Dynasty admired Chu culture, this fashion influenced the literati group and produced Sao Style Fu, which was the ancestor of Qu Yuan's Chu Ci. His works are different from the positive eulogy of Han Dafu. Most of them are based on Qu Yuan, mainly lyrical, mainly expressing depression, style and "parting"
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Sao is similar. In the process of development, this kind of fu gradually merged with Han Da Fu, which is always called Ci Fu. Therefore, this kind of works is called Sao Fu. Jia Yi's Fu of Hanging Qu Yuan, Sima Qian's Fu of bad karma, Dong Zhongshu's Fu of bad karma, and Huainan Xiaoshan's Fu of Recruiting Xian are the most representative works.