The background of the birth of pastoral poetry is actually not beautiful. It is different from their leisure, nature, freshness and warmth. The keynote of the birth of pastoral poetry is frustration, relegation, being rejected, and even deep loneliness. Therefore, the poet will send his feelings to the mountains and rivers, looking for existence, looking for sustenance and looking for real understanding. This is why pastoral poetry is more energetic and closer to life than palace poetry and boudoir love poetry. Poets are no longer grandiose, they are experiencing setbacks, exploring themselves and making their hearts stronger and stronger. This is the beauty created by tragedy.
Real music is improvised and grows in people's mouths.
Ci is the evolution of poetry and meter. This is reflected in the poets of the late Tang and Five Dynasties. Liu Changqing, Zhang, Dai Shulun, Bai Juyi, Liu Yuxi, Wang Jian, Li Jieren and so on. Metric poems can't further express people's feelings, long and short sentences break the pace world, the development of meter becomes loose, and music begins to get in close contact with words again.
What can be called music in China is folk songs. Most of the musicians who have lived in the court for a long time are inspired by the folk songs once a year or every three years, the joys and sorrows of the people, their farming, food, clothing, housing and transportation ... In ancient times, music belonged to nobles, but it recorded people's lives.
The same is true of literature with music. People who come out of caves are shocked by the sky at first sight, but their second eyes are bound to stare at the earth and start their own lives.
In ancient times, under the high degree of centralization, people on the earth were always ignored, and people's lives were forced to be centered on the son of heaven. Suffering and contradiction are here, so should literature.
The relegated literati have two fates. One is full of melancholy, sighing and frustrated, living like Sister Xianglin, and the other is feeling the natural scenery and seeing another world.
Liu Yuxi's obsession with Zhuzhi Ci is reasonable from the point of view of literati, because the reformists have been relegated from power and influence, and innovation and persistence have always been the fundamental contradiction in China's ancient political situation. They are the cause of repeated waves in Guanhai, and they are a gust of wind. Liu Yuxi's boat didn't hit the wall on the reef, and the pilot didn't despair because of hopeless weather, which is stronger and more rare than the hull.
He settled in Kuizhou, getting along with people and nature. Therefore, there is the prosperity of Zhi Zhu's Ci. Zhu Zhi stopped praising the myths and legends of the past, but began to write about the life of Kuizhou people. Kuizhou people are happy, because they are recorded in the history of poetry because of Liu Yuxi, but with such a dishonest local official, they may also have some misfortune caused by reality.
Four ancient folk songs with seven-character poems on love or local themes
Liu Yuxi
Pre-piled in front of the west gate, the waves will not go out every year.
Angry people are not as good as stones, and they run around when they are young.
Twelve beaches in Qutang, people say that the road is difficult since ancient times.
It's better to hate people than water, and make waves casually.
The willows in Jiang Shuiping are green, and I can hear the songs on the Langjiang River.
Rain in the east, sunrise in the east, said it was not sunny, but it was still sunny.
Spring grass grows in the head of Baidicheng, and the Qingjiang River in Sichuan is at the foot of Baiyan Mountain.
Southerners come up to sing a song, but northerners don't come up to be nostalgic.
There are peaches and plums everywhere, and the fireworks in the clouds are others.
The silver hairpin and gold hairpin came to carry water, and the long knife and short hat burned her.
Speaking of the people, Mr. Dongpo thanked the rain at Xuzhou Stone Beach in Huanxisha, and created vivid characters such as Caisang girl, Huang Tong old man, ambassador Wang Hou and Luo Si Niang in five songs on the Road, praising labor and describing rural life beautifully.
(1) Seeing the fish in the dark red sun, even the streams are green and black, hiding in the dark at night, and all the yellow children get together.
Although elk are not used to meeting people, apes don't need to bark when they smell drums. When they come back, they will talk to Sanggu.
The background is the feeling of begging for rain in a dry stone pool and getting wet on the way home.
Feelings are expressed by what they see and hear, and the scenery changes with the mood. In this way, the elk ape was endowed with human feelings and came out. Dongpo has a good rhyme of Huanxisha, with the upper three rhymes and the lower two rhymes. The tone of the words is cheerful and clear, in line with the mood.
Literature is not a pastime, but an aesthetic taste achieved through the perfect unity of object and subject, and it is the existence that affects people's soul and its future trajectory.
In fact, the original intention of poetry is not as noble as defined. Although poetry expresses ambition and words express feelings, it was just a game of that era. It is in this context that Mr. Dongpo's serious attitude towards it deserves our awe. In this life, we have many choices, and the most difficult thing to do is to get rid of external temptations and really follow our inner choices.
Anyway, let's ignore the things of those times, such as the scientific nature of drought and rain, and return to the most primitive beauty of human nature. At that moment, Su Taishou was full of Xuzhou people, suffering from people's livelihood, responsibility and responsibility, not drifting with the tide after being relegated.
Five Poems on the Road of Xie Yu is simple in style, healthy and fresh, full of farmers' joy and interest, rich in colors and vivid in characters. Those readily available images make their images concrete and full of vitality.
(2)
Turn on the red makeup to see the princess, the 3355 barbed fence door, rows of hairpin passing through the skirt.
Young and old help the wheat harvest club, Wu Yuxiang Dance God Village, and the road is drunk at dusk.
(3)
The hemp leaves are shining layer by layer, who cooks cocoon fragrance village? The fence is charming and the words are distorted.
Hang a white stick and lick your eyes? ? Soft and hungry, when will the bean leaves turn yellow?
When it comes to words, you have to mention Huajian, and when it comes to Huajian, you have to mention Ouyang Jiong. Ouyang Jiong's southern scenery, like a breeze, opened the decadent atmosphere among the five dynasties flowers.
Nanxiangzi
The leaves of Aralia pinnata are dark red when entering the south middle school (1). After a light rain, every household went to pick red beans, delicate hands and a pair of white jade under the tree.
The highlight of this Nanxiangzi song lies in the shaping of details. Although beauty is not all exquisite, exquisiteness must be beauty. After the light rain, collect the red beans. A clear sense of happiness will leap from the paper. There is much water in the south, and people's life is closely related to water, and it is gentle everywhere. From north to south, I am tired of seeing the vast world, the oily green leaves in Tan Ya and the tiny flowers spreading by the water, but at first glance, I am better than countless northern lands.
There is no shortage of working people in China's poems. Our romanticism is not only flowers and moons, but also red beans selling tea girls and delicate hands of weaving girls. Glory in labor is not only a specific slogan of a certain era, but also a beautiful quality rooted in the hearts of China people. The poet caught this beautiful quality here and sketched on rice paper, and the whole word suddenly moved.