Meng Haoran, a Liangzhou Ci in Tang Dynasty
Original text:
Muddy red sandalwood and gold chips make the pipa sound into the clouds.
Alakazam is Wan Li Road, so I can send Mingjun right away.
The other person's joy is sadness, and there is no need to play the Qiang flute.
Sit and watch Guan Shanyue tonight, thinking about killing the Border Town Ranger.
Translation:
Natural rosewood and gold chips can be made into pipa, which has a loud voice and goes straight into the sky.
As far away as Alakazam and San Wan Li, even the pipa can't be sent to Wang Mingjun to play.
Being in a foreign land makes people feel sad even if they are happy. There is no need to play this flute.
Sitting on the frontier fortress, looking at the moon tonight, thinking of killing all the enemies in the frontier.
Extended data
Meng Haoran's influence is also reflected in the poetry creation of Xiangyang poets. After Meng Haoran, many landscape poets appeared in Xiangyang. There are authors of a night-mooring near maple bridge, famous scholars who are "blue-minded, building houses and sleeping in clouds, collecting water and firewood", honest and clean, good at recruiting talents, and Yu who was praised as "the first poet and the crown of writers" by Emperor Xuanzong of the Tang Dynasty. They are all poets bred by Xiangyang landscape. Reading their landscape poems, we can clearly feel Meng Haoran's influence.
The acceptance and dissemination of Meng Haoran by scholars in the late Tang Dynasty turned to the acceptance and dissemination of his noble image. Their acceptance and dissemination of Meng Haoran's image as a poor scholar are mostly reflected in some scattered poems. Mainly some late Tang poets represented by Pi Rixiu.