Zhou Bangyan's Contribution to Ci

Master of Ci in Northern Song Dynasty; He is a figure in the north and south, winning by thinking. First, he is good at blending the poems of his predecessors; Second, he is good at physical objects and portrays ingenuity; Third, he is good at love and delicate; Fourth, he is good at refining words, appropriately and slowly; Fifth, he has a good temperament and a beautiful and restrained beauty; Sixthly, he inherited and developed Liu Yong's narrative technique, which made the structure of the words tortuous, compact and neat. The language is rich and delicate and the tone is harmonious. Not only pay attention to flat tones, but even the three tones of flat tones are not allowed to be mixed, which opened the precedent of metrical schools such as Jiang Kui and Wu Wenying in the Southern Song Dynasty. He was also good at using the poems of his predecessors, so he naturally disappeared. But on the whole, there are many creative talents and few creative talents. Zhou Meicheng's status as a court poet limited the content of his ci. He didn't have Su Shi's broad mind and abandoned Liu Yong's civic interest. He mainly writes about love, sadness and chanting things, and his subject matter is narrow and thin, which is a master of euphemism in technique.