Zhao Bao
Raw edge pavilion, ① feather
The bonfire entered Xianyang.
Ride the chariot, with open arms, (2)
Divide troops to save Shuofang. ③
Qiu Yan is very strong.
Lu array is fine and strong.
The son of heaven was angry with his sword,
The messengers looked at each other from a distance. ⑤
Along the rocky path on the edge of the wild goose,
Slit flying beam. ⑥
Flutes and drums are flowing with Han's thoughts, ⑦
Put beard cream on your armor.
The wind blew up,
Sand is falling from the ground.
Horse hair shrinks like a hedgehog,
The bow can't stretch. ⑧
When I'm in danger,
The world is cold and loyal.
Give your life to God,
Death is a national mourning. ⑨
author
4 14-466, Mingyuan. People in the East China Sea (now Lianshui, Jiangsu). Born in poverty, although brilliant, he has always been
Not proud. He used to be the assistant minister of Liu Yiqing, king of Linchuan in Song Dynasty, and Liu Jun, king of Shixing, and the former counselor of Liu Zikai, king of Linchuan.
Army, secretary in charge. Later, he died in the army. Poetry and prose are excellent, and the seven-character Yuefu is especially valued by future generations. And Bao Shen Jun.
Ten volumes handed down from generation to generation.
To annotate ...
1) Border Pavilion: A pavilion waiting in an uneven place, where soldiers are stationed to serve the enemy. (2) Guangwu: County name, now Shanxi Province.
County. (3) Shuofang: County name, now the right back banner of Ordos, covering the west bank of the foreign-funded river. 4 hard pole: bow and arrow.
⑤ Looking at each other from a distance: words are endless. These two sentences say that the team is on the way forward. Flying beam: image of elevated bridge
Fly in the air. ⑦ Military music conveys the feelings of the Han people. ⑧ Horn bow: A bow decorated with horns.
9 country choice: people who died for their country.
judge
This article belongs to Zaqu Gefu, which describes a strong man's ambition to defend his country from the army and the scenery of the northern frontier fortress. Quan diners
Divided into three layers. On the first floor, the frontier fortress alarm was written, and the emperor sent troops to rescue. The second layer writes about frontier fortress and the cold of fighting.
It's hard. The third layer describes the determination of soldiers to serve their country with death.
The language of this poem is vivid and vivid. For example, the first two sentences: "Feather bang from the side pavilion, abundant."
Fire enters Xianyang. The word "Shang" in the previous sentence refers to the abrupt alarm sound; The word "Jin" in the last sentence,
People are aware of the urgency of the military situation, and the words are very imposing. Another example is to write about the border jam environment: "The high wind rushes to the traffic jam,
Sand is falling from the ground. A horse's hair will shrink like a hedgehog, and its horns will not stretch. "The frontier sand is so fierce that it is suffocating.
It was so cold that Lien Chan's horses curled up, their hair stood up like hedgehogs, and their horns were frozen hard.
Yes, I can't even open it. It is conceivable that in such a harsh natural environment, the soldiers who insisted on resisting the enemy suffered a lot.
How much hardship. Although Bao Zhao has never been to Shuofang, he painted it vividly with his rich artistic imagination.
A frontier fortress map. This poem has high syllables, strong momentum and vigorous brushwork, and there is no poem in the Southern Dynasties.
Flexibility. The poet's pen moves back and forth freely, constantly changing angles. These beating plots make the melody of poetry stand out.
This sense of urgency fully shows the poet's impassioned inner feelings.
Yongjingke
Tao Yuanming
Yan Dan is a good teacher and aims to win prizes. Gather one hundred husbands and get Jing Qing at the end of the year.
A gentleman dies as a bosom friend and goes out of Yanjing with a sword; Suu Kyi's reputation is wide and strange, and she gave it to me generously.
Public danger, fierce to fill the tassel. Drinking water is easy, four rows of heroes.
Gradually away from this sad building, Yi Song sang loudly. Whispering and wailing, the wind is gone, and a faint cold wave is born.
The business sound is more flowing, and the feather plays a strong man. I know that I will never return, and I will leave a name for future generations.
When to board the bus and fly into the Qinyuan. Sharp, the more Wan Li, winding over thousands of cities.
Figure from the beginning to investigate this matter, Zhu Hao was stunned. It's a pity that the swordsmanship is sparse and has not achieved remarkable results.
Although he is gone, he has been affectionate for thousands of years.
Gong Zizhen, a great poet in Qing Dynasty, said in Ji Hai's Miscellaneous Poems (No.129): "Tao Qian's poems love to talk about Jing Ke". In fact, there is a poem about Jing Ke in the existing collection of Tao Yuanming. Because this poem eulogized Jing Ke's chivalrous spirit of sacrificing his life for righteousness and dying, it left a deep impression on Gong Zizhen that "Tao Qian's poems are fond of talking about Jing Ke". It is precisely because this poem, together with the poems that read the Classic of Mountains and Seas in Tao poetry, such as "Outline of Birth" and "Jing Wei Holding Micro Wood", is contrary to the style of the poet's "pastoral poetry", showing another face of "King Kong glaring" and revealing another embrace of the poet's dedication and strong feelings, so this kind of "vigorous and bearded" Zhu in the Song Dynasty. What exposed his nature was Jing Ke Fu. "
Jing Ke stabbed Qin. See Historical Records Biography of Assassins for details. Although this poem is based on the records in Historical Records and tells the whole story of stabbing Qin, the focus of the poem is obviously in Xiaoshuizhuang. In the first four sentences of the poem, Jing Ke was known to Yan Taizi Dan, and was ordered to eliminate violence and help the weak and avenge himself. From the perspective of Yan Taizi Dan, who is good at cultivating literati, Jing Ke is a hero who is one in a hundred, hard-won and entrusted with heavy responsibilities, which makes necessary preparations for the emergence of Jing Ke. The main length of the sentence 16, from "a gentleman dies as a bosom friend" to "later generations become famous", is used to write moving scenes of easy parting and generous righteousness. Described in the poem with the exaggerated appearance of "the hero is in danger of losing his crown, and his spirit is long and long", Jing Ke's inner spirit of hating evil and being strong and resolute is fully revealed. The antithesis of "the rustling mourns the passing of the wind, and the faint cold wave is born" is skillfully transformed from "the rustling in the wind, the chilling in the water", which strongly fades the tragic atmosphere of Jing Ke's generous death. "I know I will never return" was born out of "A strong man will never return", but it turned the farewell lyrics into Jing Ke's inner monologue, and with the phrase "There will be a name for future generations" as an ornament, it showed a heroic spirit that ignored life and death and repeated the name, indicating the tragic ending of "A strong man will never return". As the focus of the whole poem, "A Water Village" is vividly written and magnificent. Juck Zhang, a Qing man, commented on this: "Writing a strong man is picturesque and beautiful, and Xiao Sen's spirit is sad."
Then, the poet described Jing Ke's Flying Hood as Qin He with concise pen and ink. Because it was a failed attempt, there was no need to write down the details of the assassination vividly. The focus of the poet's attention is still Jing Ke's selfless and impassioned spirit of "boarding the bus and flying into the Qin court" on the way to Yan's entry into Qin.
Finally, the poem ends with four deep sighs. When I'm sorry, I express my heartfelt admiration. "Although he has been gone for thousands of years, he has more feelings." Jing Ke stabbed Qin. After thousands of years, the poet's "more feelings" continued his deep affection. The conclusion seems dull, but plain expression, with its subtle meaning, conveys the poet's bold diving feelings and continues to arouse the soul of his bosom friend after thousands of years. Jiang Xun, a Qing Dynasty man, commented on this poem and said, "Imitating Jing Ke's departure from Yan and his return to Qin, he is sad and knows the hidden nature of Xunyang. He has no intention of making great achievements, but he can't listen to everyone, so his mind is forced to show. " (See Tao Yuanming's Poems, Volume 4) Gong Zizhen read this kind of pottery poems and got a glimpse of his "worry" of "staying strong". He compared Zhuge Liang with "Wolong" to Tao Qian, and wrote a poem saying: "Tao Qian looks like Wolong Hao, and the chrysanthemums are high through the ages. I don't believe that poets are dull and Fu Liang is coquettish. (Ji Hai) From poems such as Ode to Jing Ke, Mr. Lu Xun saw another image of Tao Yuanming's "King Kong glare" and pointed out that "Tao Qian is great because he is not completely silent". We believe that the two pairs and two holes in Tao's poems, which dilute silence and glare at King Kong, are actually two sides of the Confucian philosophy of "being poor is immune to the world, while being up to it is helpful to the world".