Lu Yin is a sound-minded and knowledgeable woman. She put forward the necessity for women to go to society and gain the value as human beings, and also put forward the view that literature should promote historical progress and the importance of revolution to literature. She has a very passionate personality. According to her own legend, she lost the love of her parents when she was a child and was often influenced by fate when she grew up. An enthusiastic person planted a rose in a snow cellar in such a cold environment, just like a frozen day. How can it germinate? Her aching heart needs the comfort of love, just as flowers need the warmth of sunshine. In Lu Yin's works, especially the Ivory Ring, we can see her contradictory personality. There are a large category of her prose works, which are obviously the catharsis and statements of her own feelings. She looks at life with "gray eyes". Her works are not whitewashed or covered up, even if they are filled with "sadness", they are absolutely sincere. Lu Yin's depression has never been felt by modern people, but others are afraid of being known, but Lu Yin is openly exposed, and she can resolutely find her way out of depression from secular laughter. This is her innocence, loveliness and greatness.
The works of Shi Pingmei and Shi Pingmei are not only full of tangled philosophical assumptions and cold sadness, but also emotional fragility and sadness. The whole work is full of Leng Yan's words such as "Leng Yue, solitary grave, fallen flowers, mourning and remnant leaves". Her works seem to be a series of tears, which are full of bitter tears. However, her sentimental and depressed temperament does not prevent her from thinking about the fate and life of women, but from the perspective of pessimism, she thinks and realizes along the sad logic of emotions, showing a very warm and sad cry. Lu Yin once commented on her, saying that Shi Pingmei doomed her to be the protagonist in the tragedy. She experienced all tragic ups and downs from fantasy to reality, pain and fantasy, disappointment, longing to hatred, destruction and resistance, as well as her emotional journey and huge thinking time and space. Her prose is a true record of her heart.
Little Red
Xiao Hong is known as the "literary goddess of the 1930s", the most miserable woman among the four talented women, and also a legend. She has the same life experience as Li Qingzhao, a poet, and has been in extreme suffering and ups and downs, which can be described as a more unfortunate one. However, she faces the whole secular world with a weak and sickly body. In the national disaster, she experienced rebellion, awakening and struggle, and fought against fate again and again. Although her works do not directly describe her experience, they add a deep understanding of human nature and society to female consciousness. She takes "the ignorance of human nature" and "transforming the national soul" as artistic pursuits, and deeply calls for democratic spirit and personality consciousness in "the ruthless analysis of traditional consciousness and cultural mentality". Xiao Hong's life is a life of struggle and struggle without bowing to fate. It should be said that the appearance of Xiao Jun directly affected her fate, triggered her to start literary creation, and she entered her life.
Zhang ailing
Zhang Ailing is also a legendary female writer. She was born in a noble family in Shanghai. Her great-grandfather was a famous figure Li Hongzhang, and her family had a great influence on her. She was influenced by both local culture and foreign culture. Through rational thinking, her works seek and grasp the true mental state of urban citizens in the historical process, which embodies the tendency of urban popularization and strong civic interest. She talked about her own experiences, what she saw, what she felt and what she felt. She not only recognizes the secular life, but also refuses to enjoy it, but she doesn't want to agree. This is also the reason why Zhang Ailing is "vulgar" but not vulgar. Zhang Ailing's first husband, Mr. Hu Lancheng, once commented that if the color of Zhang Ailing's prose and novels is taken as an example, its bright side is silver purple, and its dark side is cyan gray under the moon. Reading her works is like walking on the piano, with music playing every step. But she created the harmony of life, and still can't be satisfied with this harmony. Her heart is full of joy and trouble, as if a pigeon always wants to break through this beautiful mountain and river, fly to that boundless sky, that distant place, or fall into the depths of the sea, and tell its secrets there. What she is looking for is a little red in the world, or a little black at the top, as her conversion.