1. "Travel Notes from Manjing"
1. Original text:
"Travel Notes from Manjing" by Yuan Hongdao, Ming Dynasty
Yan Dihan , after the Flower Chao Festival, the remaining cold is still severe. When the wind blows, the sand and gravel will fly. It's so cramped in a room that you can't get out of it. Every time I ride in the wind, I often turn back in less than a hundred steps.
On the twenty-second day, the weather was slightly calm, so I went out to Dongzhi with a few friends to Manjing. There are high willows on the embankment, and the soil is slightly moist. The sky is vast, like a swan escaping from its cage. At that time, the ice skin began to melt, and the color of the waves suddenly became bright, and the scales were layered, so clear that the bottom could be seen. The crystals were like a newly opened mirror and the cold light suddenly emerged from the box. The mountains are washed by the clear snow, and the beauty is like wiping, and the fresh beauty is bright, just like the beautiful face of a beautiful girl with a bun and a servant girl starting to sweep.
The wicker will be comfortable, the soft tip of the cloak will be soft, and the wheat field will be shallow. Although there are not many tourists, there are always people drinking tea from the spring, singing songs and people wearing red clothes. Although the wind is strong, walking makes you sweat profusely. All birds exposed to the sand, sipping the scales of the waves, are leisurely and contented, and there is joy among the feathers and scales. It turns out that there is no spring outside the countryside, and those who live in the city don't know it.
This is the only official who can't wander around and wander around in mountains, rocks, grass and trees. And this place is suitable for Yu, and Yu's journey will start from here. How can evil be undisciplined? It is also the second month of Jihai.
2. Translation:
The climate in Beijing is cold. After the Flower Festival in February every year, the remaining cold air is still very strong. The cold wind blows frequently, causing sand and rocks to fly. (People) are confined in a room and want to get out, but it doesn't work. Every time I walked quickly in the wind, I was forced to turn back after less than a hundred steps.
The weather was slightly warm on the 22nd. A few friends and I went out to Dongzhimen and arrived at Manjing. Tall willow trees stand beside the embankment, and the fertile land is a little moist. Looking at the open space here, I feel like a swan escaping from the cage. At this time, the thin ice on the river had just melted, and the waves had just begun to shine brightly, with ripples like fish scales layer upon layer. It was so clear that you could see the bottom of the river. The waves were shining brightly, and the water surface was as bright as a mirror box that had just been opened. It was cold and cold. The light suddenly shot out from the mirror box. The mountains have been washed by the melted snow on a sunny day, and they look beautiful as if they have just been wiped; they are bright, beautiful, bright and charming, and they look like a beautiful girl who has just combed her hair in a bun after washing her face.
The wicker is about to stretch but has not yet stretched. The soft tips spread out in the wind, like the long hair (wheat seedlings) on the neck of an animal, about an inch high. Although there are not many tourists yet, you can still see people drinking spring water to make tea, singing songs with wine glasses, and people wearing colorful clothes and riding donkeys. Although the wind is still strong, walking with empty hands will make you sweat. The birds basking in the sun on the beach and the fish playing on the water are all leisurely and contented, and all animals exude joy. Only then did I realize that there was no spring outside the countryside, but people living in the city didn't know (there was such a change).
I am the only person who will not delay official business because of fun, and can play freely among the mountains, rocks, and trees. I am the only one who is a leisurely official like me. Moreover, Manjing is just close to my residence. I plan to start my outing from here. How could I not write it down? This is February of the twenty-seventh year of Wanli in the Ming Dynasty.
3. Appreciation:
At the beginning, point out the time and place. According to the old custom of Yan, the Flower Festival takes place on the 15th day of the second lunar month. On this day, people go out into the wild to enjoy the spring scenery. However, after the Flower Festival this year, the lingering cold was still severe. It can be seen that the weather in the north is cold and spring is late.
The author writes about a spring outing in the article, but first he writes that he cannot go out on a spring outing. It reflects the author's literary ideas of being "unconventional" and "proposing ideas that others cannot express". The next few sentences follow the above text "The remaining cold is still severe" and focus on the severity of the wind and sand. The wind is a "freezing wind" that feels like freezing ice; it blows frequently. When the wind blows, the sand and gravel fly up, making it impossible to go out.
As soon as you go out, walk quickly in the wind. You won’t be able to stop yourself from turning back within a hundred steps. This is about the contradiction between the desire to travel and the inability to travel. The author is a person who loves to travel and enjoy activities. The Flower Festival has passed, and he doesn’t know what the flowers will be like. Therefore, he has long been unable to hold back his desire to go on a spring trip. However, he is blocked by the cold wind and gravel, and has to "be cramped in a room." "Within", one can imagine his frustration and depression.
Below, the author describes the harmonious spring scenery he saw when he and his friends visited Manjing on the 22nd. "On the 22nd, the weather will be a little peaceful", describing the weather and mood. The word "harmony" not only describes the warmth of the weather, but also reveals the thaw of the author's mood, so he immediately went out to Dongzhimen with several friends to Manjing. "Tall willows line the embankment, and the soil is slightly moist." This is what you see when you go out to the suburbs;
A person who is "confined indoors and can't get out" suddenly comes to the wild and sees the tall willow trees on both sides of the embankment. Smelling the aroma of moist earth, I can't help but feel the joy of spring in my heart. He looked around at the countryside and saw a vast expanse of space. He was as happy as a bird escaping from its cage, flying towards the vast spring wilderness. "If a swan escapes from its cage", the swan is a swan. This is a description of the joy of being freed from a cramped and trapped situation.
"The ice skin begins to unravel" describes the beauty of spring water. "The ice skin is beginning to melt, and the ripples of color are beginning to shine." Using a dual sentence pattern, it points out that the remaining cold has receded, the thin ice has begun to disappear, and the spring water has begun to show a clear color. The words "Shi" and "Zha" are very appropriate to express the scene of early spring. "The waves are layered upon layers, so clear that you can see the bottom. The crystals are like a newly opened mirror and the cold light suddenly emerges from the box." It means that the breeze blows across the water, causing ripples like fish scales. The clear water sparkles, as if just in the morning. Open the mirror box and it will reflect the clear light of a mirror.
The "new opening" and "new opening" of "the cold light suddenly emerges" are the same as the "beginning of solution" and "first solution" of "the ice is beginning to dissolve, and the ripples of color are bright". "Ming", firstly, describes the starting point of a day, and secondly, it describes the starting point of a year. They echo each other, share the same motive, and have a sense of season, which shows the author's meticulous observation and craftsmanship in characterization. In addition, a newly opened mirror is used as a metaphor for the bright spring water, which looks beautiful and smooth.
The lines "The mountains are washed by clear snow" describe the beauty of spring mountains. The snow on the mountains was melted by the sunny sun, and the green mountains looked fresh and bright as if they had been washed, as if a beauty who had just washed her face was combing her bun. The word "Shi" in "Shilu" indicates that the beauty has just put on her morning makeup. This metaphor is similar to the metaphor of the spring water in the open mirror above. Although they refer to mountains and water respectively, they are connected. The mirror brings out the beauty dressing in the mirror. This integrates the spring mountains and spring water into one, giving people a harmonious and harmonious relationship. Beauty.
After writing about water and mountains, I switched to writing about plants. Willow is a sensitive messenger of spring and a symbol of spring. "The willow branches will not be comfortable", it is written that the willow buds have just sprouted, and the branches are light yellow and tender green, just like blossoming buds, about to open and close, which has a unique charm. "Cloak of Soft Tips" expresses the dynamic beauty of willows. Although the soft willow tops have not yet hung down thousands of golden threads, they are already dancing low in the spring breeze. Use the word "soft" and "cover" to describe the grace of willows in early spring, which is very expressive.
These few sentences about willows echo the previous sentence of "high willows and embankments", and provide further appreciation and appreciation. "The wheat field is shallow and wet by an inch" echoes the previous sentence "The soil is slightly moist." The line of sight goes from high to low: on the endless flat field, the light green wheat seedlings have poked their heads out of the fragrant soil, and they were only an inch long. The length of the handle is as neat as a short horse mane. The author uses extremely concise words to clearly express the characteristics of the scenery and his own aesthetic feelings, and every sentence is permeated with joyful emotions.
The above paragraphs start from the first impression of arriving in the wild, and then show the beauty of spring water, spring mountains, willows and wheat seedlings layer by layer, forming a picture of the early spring scenery of the northern suburbs. This is the first level to describe the scenery of early spring.
Then I write about tourists in early spring. The remaining cold has just passed, the peak of spring has not yet arrived, and there are not many tourists yet. But spring has come after all, and with it the first outings. The author writes about several moods of tourists: "Those who drink from springs" drink spring water and make tea, and appear elegant and leisurely; "those who sing with lei" are those who drink and sing at the same time, appearing bold and happy; "those who dress in red" "Jianzhe" refers to a woman wearing gorgeous clothes, riding a donkey slowly, looking calm and comfortable.
"Also always available" means that it can be seen often. This sentence is followed by the sentence "Although there are not many tourists yet", which shows that there are already many people visiting the spring. The author obviously admires and has a good impression of these first tourists who come to the countryside to find spring. "Although the wind is not strong, I am sweating profusely when walking on foot." These two sentences express my own feelings. Although the wind in the suburbs is still quite strong, the sweat that comes from my back when I swim on foot is still very strong. I can clearly feel the warmth of spring.
This section is written by tourists, describing the various moods of enjoying themselves, which is nothing more than a picture of a spring outing in the countryside. They not only appreciate the earliest spring, but also add a lot of vitality and warmth to the scene where the remaining cold is retreating and the earth is returning to spring. This flashback has become the second level in describing the scenery of early spring.
A few sentences of "Every bird exposed to the sand" describe creatures in nature. "Sandbirds" refers to birds basking in the sun on the beach; "Squawking Scales" refers to fish breathing in the waves. Exposure to sand depicts the leisure and tranquility of birds; sipping waves depicts the freedom and innocence of fish. The author summarizes the leisurely and contented feeling of creatures in the spring through the movement and stillness of fish and birds.
He even discovered and felt that there was a "joyfulness" between the feathers of birds and the scales and fins of fish. The so-called "portrait of mountains and rivers, conveying the spirit of fish and birds", the author used the painter's method and the poet's sensitivity to bring the early spring scenery to life. This section focuses on natural creatures and constitutes the third level of spring description.
Through the above three levels of description, an aesthetic conclusion is drawn: "It is known that outside the suburban fields, there is no spring before it begins, and those who live in the city do not know it." Spring is outside the suburban fields, and people living in People in the city don’t know yet. Comparing these few sentences with the beginning of "I am cramped in a room and can't get out", you can feel the author's relief. Outside the suburban fields, he experienced the breath of early spring and the vitality of nature, and the depression and coldness in his heart was swept away at this moment.
In addition, this is in sharp contrast to the previous scene of "freezing wind and flying sand and gravel". "Beyond the countryside, there is no spring before it begins." This is the author's conclusion from his outing in the well. The word "beginning to know" comes from the deep feeling of meeting God with his eyes. In other words, when he stood outside the suburban fields and bathed in the beautiful spring light, he felt for those who had been hibernating in the city for a long time and could not feel the breath of early spring. People, some emotions. Its meaning is not limited to the perception of spring, but also contains the beautiful feelings that lead people to get rid of the secular world and yearn for nature.
The above describes the scene, depicts people, fish and birds nearby, and then captures the people themselves. "This is the only official who can wander freely among the mountains, rocks, grass and trees without getting into trouble while wandering around." Yes, it’s just me, an official.
At that time, he was working as an instructor at Shuntian Prefecture. It was a casual job, so he had time to travel as much as he wanted without worrying about delaying his official duties.
The word "wei" in "only this official" has a sense of pride and consolation. He is not upset because of his small official position. Instead, he is grateful that he does not have the vulgar feudal officialdom habits, which reveals Yuan Zhonglang's unique personality. The temperament and personality express the author's thoughts and feelings of longing to return to nature.
At the end, "This place is suitable and close" literally means that this place is just close to his residence, but the word "near" not only refers to the proximity of spatial distance, but also the similarity of temperament and character. This reflects the blending of things and people, and the feeling of meeting a close friend. "The rest of the tour will start from here", which means that this tour of Manjing will become a memorable beginning and record this beautiful first impression.
The purpose of turning feelings into words is to consolidate memory and review them from time to time, which fully reveals the author's attachment and cherishment. In fact, the author wrote in the twenty-sixth year of Wanli (1598) that he had already swam through Manjing and written a poem; but here he said that "the rest of his journey will start from here." This is probably because the feeling this time is particularly profound, so I take it as a good beginning. Finally, it is pointed out that the time when this travel note was written was "February of Jihai", which was February of the twenty-seventh year of Wanli (1599).
This travel note is also unique in its artistic techniques.
The other side is the use of line drawing. When describing the scenery, the author does not pile up words, but uses extremely concise brushwork to outline it. For example, the water is written as "the color is bright, the scales are layered, and the bottom is clear", and the wicker is written as "the general is not comfortable, and the soft tips are cloaked". This method of expression does not exaggerate, exaggerate or accentuate, but the image is vivid and picturesque.
On the other hand are the figures of speech of personification and metaphor. The author writes about mountains, uses a Chinese girl's new makeup as a metaphor, writes about fish and birds, saying that they are full of joy, all using anthropomorphic writing methods. This method of expression can increase the dynamic or "aura" of the scene, and at the same time incorporate the author's subjective emotions. Personifying the scenery is a common method used by Yuan Hongdao to describe scenery.
In this article, this way of writing is also very prominent. Although the expression method of metaphor is very common, Yuan Hongdao has his own novelty in using it. In this travel note, metaphors are mostly used to describe scenery, such as the sentences about water and mountains analyzed above; but some are also used to describe people (themselves), such as describing one's outing in the city as "a swan that escapes the cage." These metaphors are appropriate because they come from the author's deep experience and feelings.
This travel note describes the early spring weather in the North, which not only conveys the spirit of the mountains and rivers, but also is filled with the author's leisurely and fascinating emotions. The author begins with the narration of the absence of spring in the city, then writes about the exploration of spring in the suburbs, and writes layer by layer the alluring scenery of early spring in the suburbs, and finally concludes: "Beyond the suburbs, there is no spring before it begins, and those who live in the city have not yet seen it. That’s what I know.” In response to the cramped situation at the beginning, there is a huge difference between pain and joy, as well as the difference between heaven and earth. It shows the author’s rejection of the noisy and mundane city life and his unrestrained feelings about mountains, rivers and vegetation. This free and leisurely feeling is permeated throughout the description of the scenery, giving the text a fresh and tranquil pastoral atmosphere.
2. Spring Fu
1. Original text:
"Spring Fu" by Yu Xin in the Northern and Southern Dynasties
Spring has returned to Yichun Garden, Make spring clothes in the incense hall. Thousands of birds sing in the New Year, and poplar flowers fly all over the place in February. Heyang County is full of flowers, and Jingu has always been full of trees. A bush of vanilla is enough to hinder people, but a few feet of hairspring is the root. Driving up the forest and competing to enter, hugging the river bridge and competing to cross.
Go out of the golden house of Lihua, and go down to the orchid words of Feiyan. The hairpins are many but heavy, the hairpins are tall and wind-fearing. The eyebrows are about to compete with willows for green, and the eyebrows are about to compete with peaches for red. Shadows come into the pond, flowers fall from the shirt.
The moss becomes green and hides fish, and the wheat becomes green and covers pheasants. "Blow the flute and make jade stands on the platform, and sing the water of Lingbo. When you move to another place, your family will be rich, and when you enter new abundance, the wine will be delicious. Pomegranates are common, rose berries are sour, cool, hibiscus and jade, and lotus seeds are in golden cups. New sprouts of bamboo shoots and fine-core bayberry. The green pearl arrives with the harp, and Wenjun brings the wine.
The jade pipe is played at the beginning, and the strings are played for a while. The spring is moved, the singing fan is moved, and the flower is supported by the festival drum. The captain of Xielu stops in Xiaoyuan, and the company rides on the golden saddle, and the new bow is used to look at the horse. Hey, "I divided my friends into Shetang. The horse is the dragon species of Tianchi, and the belt is the jade beam of Jingshan Mountain. The Tianlu is decorated with beautiful brocade, and the phoenix is ??woven with new silk.
For three days, the water flows towards Hejin, and at night There are many people walking in the woods under the trees, and people crossing the water in the sand. They wear thin and narrow shirt sleeves and wear beaded scarves. The fragrance of the clothes in the house is not as good as the flowers.
2. Translation:
Spring has returned to Yichun Garden, and new clothes for spring outings are being made in the Xiang Hall. The trees are full of birds. At the beginning of the New Year, the poplars in February are flying all over the road with the spring breeze. It's like arriving in Heyang County, with flowers blooming everywhere; and it's like walking into the lush green trees of Jingu Garden. The bushes of herbs hinder people's footsteps, and the floating threads seem to block the road in front of them. Beautiful women want to enter Shanglin Garden and compete to cross the river bridge.
Some come from Yin Lihua's Golden House. Some are from Zhao Feiyan's Orchid Palace. They wear gold hairpins and high buns that can be blown down by a gust of wind. Their eyebrows are as green as willow leaves, and their faces are as red as peach blossoms. In the pool, flowers are scattered on the sleeves.
Fish swim under the sphagnum moss, green wheat seedlings cover the pheasants, and the sound of jade flutes can be heard from the high platform, and Fairy Lingbo can be heard on the water. The harmony of Peiyu. There are both the rich family of Qili and the fine wine of Xinfeng. The pomegranate wine is fragrant and the wine is mellow.
Lotus-like jade bowls, lotus seed-like golden cups, fresh bamboo shoots, and fine-core bayberry. The girl who plays the piano is like a green pearl, and the woman who drinks wine is like Zhuo Wenjun. The jade pipe has been tuned, and the strings are playing music. They are playing famous songs such as "Yangchun" and "Lushui". Accompanying the music are Dance gracefully and gracefully.
The playing of sheng, drums and reeds adds to the atmosphere, and the rapid strings and columns change the beat from time to time. The singing fans are like a full moon, and the sound of festival drums accompanies the flying flowers. Among them were Lieutenant of Xielu and Zhonglang of Shepheasant. Parking in Xiaoyuan, we came to Changyang again. A golden saddle is placed on the horse's back, and a good bow is fully stretched. Dust rose on the galloping road as teams of riders entered the shooting range. The horse is a fine breed produced in Tianchi, and its belt is inlaid with jade from Jingshan Mountain. The brocade robe is embroidered with a sky deer, and the silk jacket is embroidered with a phoenix.
On March 3rd, the festival was over, and the riverside was full of tourists. In the evening, they began to pray to God to fulfill their wishes. There are tourists coming and going under the tree, and there are people crossing the water in Shatou. The sleeves are decorated with engraved gold flakes, and the scarf is dotted with jewelry. The sun has been tilted on the high mountains, and the tourists have not yet returned home after drinking. The water in the pool shines better than the mirror hanging in the house, and the fragrance of the clothes cannot match the fragrance of the flowers outside.
3. Commentary
This short poem can be said to be the breath of spring brought by Yu Xin And the joy it brings to people is vividly written. No matter from the layout and structure of the work, or from the author's diction, it has reached a relatively perfect artistic realm. Although the short fu mainly depicts the spring scenery of the palace and garden, because the author chose extremely appropriate external scenes, such as flying flowers on the road, green water in the pool, singing, dancing, riding and shooting, winding water bottles, etc., he not only wrote the spring scenery Universal characteristics, and also enable readers to get a strong aesthetic feeling when viewing the works.
As for the occasionally used words and phrases, the sentences are impressive. The whole article is composed of five or seven words. Even those sentences that use quotations and phrases appear to be very smooth and natural. Therefore, it represents the highest artistic achievement that Xiaofu could achieve at that time. Xu Zhuang's "Wen Jie of the Six Dynasties" points out: "The short poems of the Six Dynasties are composed of five or seven words, which are alienated and far away from the vulgar. The four sons of the early Tang Dynasty followed this method... The lines are as beautiful as embroidery, and the postures are as beautiful as peach blossoms. It makes the skin glow...like Tianlu brocade and Phoenix damask, which are mostly obtained from tissues. "The above paragraph by Xu is quite accurate and profound to evaluate Yu Xin's "Spring Fu".
3. Preface to the Spring Night Banquet in the Peach and Plum Garden/Preface to the Spring Night Banquet in the Peach Garden
1. Original text:
"Preface to the Spring Night Banquet in the Peach and Plum Garden/Spring Night Banquet in the Peach and Plum Garden" "Preface to My Brother's Peach Garden" by Li Bai of the Tang Dynasty
Heaven and earth are the reverse journey of all things; time is the passerby of hundreds of generations. And the floating life is like a dream, how much joy is there? The ancients held a candle and walked at night, which was a good thing. Kuang Yangchun called me to see the smoke and scenery, and the large piece of fake me to write articles. Meet in the peach blossom garden and enjoy the joy of family relationships. All the handsome people in the season are Huilian; we sing songs and feel happy alone. The quiet appreciation has not ended, and the high talk has become clear. Sitting on the flowers at the Qiong Banquet, flying in the wine cup and intoxicated by the moon. Without good chants, how can one express his elegance? If the poem fails, the penalty will be the amount of gold, grain, and wine.
2. Translation:
Heaven and earth are the guest houses of all things, and time and generations are passers-by of time from ancient times to the present. Just like the difference between dreaming and waking, the wind and clouds change, and it cannot be questioned. How much joy can be obtained! It makes sense for the ancients to play with candles at night. Moreover, spring calls me with gorgeous scenery. Nature has given me all kinds of beautiful images. We gather in the garden with fragrant peach blossoms and talk about the happy past between brothers. My younger brothers are handsome and outstanding, and all of them are as talented as Xie Huilian, but I am ashamed to be inferior to Xie Lingyun when I write poems and chants.
The elegant and elegant enjoyment of play turns to elegant and elegant conversation. A banquet is held to sit and admire the famous flowers, quickly passing the wine glasses and getting drunk in the moonlight. Without good poetry, how can one express elegant feelings? If someone fails to write a poem, he should compose a poem according to the time when Shi Chong entertained guests in Jingu Garden. According to the precedent, the punishment is three measures of wine.
3. Appreciation:
The whole text begins with a discussion: "Heaven and earth are the reverse journey of all things; time is the passerby of hundreds of generations. And floating life is like a dream, how much joy is there? The ancients took advantage of it "Wu Chucai and Wu Tiaohou said that this is the word "dianye", which means "when". This is certainly correct, but more importantly, it also answers another question. Element: "Why".
Because "life is like a dream, there is no time for joy", so we must enjoy ourselves in time, even at night, which is reflected in the author's ingenuity in writing. Instead of explaining why he wanted to have a "night" banquet, he only explained the reason why "the ancients went out at night holding candles". The reason for his "night" banquet has been explained in detail, without any trouble.
"Kuang Yangchun Zhao. "I use the smoke scene, and the large pieces are false, I use the article." The author uses a conjunction "Kang" to express the progressive relationship to continue the previous step, and further answers the "why".
"Life is like a dream, and the geometry of joy is ", so it should be a "night" feast; what's more, this is the "night" of spring, "Yangchun" calls me with her "smoke scene", and "Big Block" dedicates her "article" to me, how can I live up to it. Therefore, it is more appropriate to have a "night" banquet. These two sentences are indeed wonderful: First, the author reflects the characteristics of the spring scene in just a few words.
The spring sunshine is warm, red and endearing. "Spring" is preceded by the word "yang", which visualizes spring, making readers feel warm and red. Flowers, willows, mountains, water, and all other natural scenery appear in front of their eyes. They are all wearing silk ribbons and dice, which is particularly charming. Of course, it is not silk ribbons, but the curling smoke that fills the air. The word "smoke" in front of the "view" shows this unique picture.
Since then, the "Yangchun Smoke Scenery", just like the "Fireworks in March" created by the author in the poem "Send Meng Haoran to Guangling from the Yellow Crane Tower", immediately evokes infinite associations with the beauty of spring. As for calling all the phenomena in the world "articles", it can also give readers a brilliant and pleasing feeling.
Second, these two sentences also personify the aesthetic object. The "Yangchun" is sentimental, and she calls me with the beautiful "smoke scene"; the "chunk" is also sentimental, and she dedicates the poorly compiled "article" to me. In this case, "I" as the aesthetic subject naturally embraces subject and object and merges seamlessly.
The following is the main body of the full text of "The Garden of Peaches and Plums", which includes six elements and focuses on "how". "Meeting the peaches and plums in the garden" is not for money, but for the "pleasure of family relationships". This sentence not only corresponds to the word "huan" in "Geometry for Huan", but also gives it specific and specific content. This is the "huan" of "the joy of talking about family relationships". The author and his disciples have been separated for a long time. As a "floating life" in the feudal society, it is rare to enjoy the happiness of family.
Now, not only do we meet, but we meet in the fragrant peach and plum garden. The spring calls me with smoke and scenery, and I write articles. At this time and here, "talking about family relationships" "Pleasure" is really a hundred times more joy. Xie Huilian, the younger brother of the poet Xie Lingyun of the Southern Dynasties, was a master of poetry, calligraphy and painting. The author said, "All the handsome brothers in the group are all Huilian."
Xie Huilian compares himself to several of his disciples, and needless to say, Xie Lingyun compares himself. "We sing songs and feel happy alone" is nothing more than self-effacing. The characters are so handsome and their conversation is naturally extraordinary. The following "Secret reward is not over yet, the high talk turns clear", although it seems to be two parallel lines, it is actually the former guest and the latter host.
The objects of "talk" are the "Yangchun Scenery", "Blocky Articles" and "Peach and Plum Garden" written earlier; the content of "talk" is mainly "family happiness", but it can also Including the object of "reward". The object of "reward" is so beautiful, so "poverty" is "secret reward"; the content of "talk" is so joyful, so "talk" is "high talk". Here, the beautiful scenery enhances the fun, and the seclusion encourages high-pitched conversation, thus pushing the joyful passion to a climax.
The two sentences "Having a beautiful banquet and sitting on flowers, flying in the wine cup and being drunk by the moon" focus on "Feasting in the peach and plum garden on a spring night", which is the climax of the wave of joy. "Moon" is the moon of "Spring Night", and "flower" is the flower of "peach and plum". The brothers met, the flowers and the moon shined by each other, they enjoyed the secluded scenery and talked, it was endless fun, so they held a banquet and drank.
In the sentence "flying wine glasses", Li Bai thought of the word "feather" and vividly used the word "fly" to vividly express the scene of the brothers drinking and carousing. Although drinking heavily can express carnival, drinking alone is not "elegant" enough. They are all poets. Drinking is not enough to fully enjoy themselves, so they have to compose poems. So the whole article ends with the sentence "If you don't have good works, how can you express your elegance"?
The article shows the scene of revelry on a spring night, which is intertwined with the passion for life and the sigh of "life is like a dream" and carpe diem. This kind of emotional conflict is exactly what the author's article The reason for the opening and closing arrangements. The full text is only 19 words long. It starts from lamenting the shortness of life, to the beautiful scenery of a grand event, and then to the excitement of chanting poems under the drunken moon. The knots are erratic and the waves are ups and downs, conveying a profound emotional charm. The sentence pattern is short and long, and the sentences are loose in parallel, showing signs of the transition from parallel prose to prose in the Tang Dynasty.
4. "Santai·Qingming Yingzhi"
1. Original text
Santai·Qingming Yingzhi? Song Dynasty: Wan Qiyong
See the pear blossoms with the night moon at the beginning, and the begonias half with the morning rain. In the spring of the inner garden, you can't help but pass through Qingmen, and the Yugou rises and dives into Nanpu. The east wind is calm, and the thin willows are hanging with golden threads. Looking at Fengque, there is neither smoke nor fog. In good times, the government and the public are happy, and the flute and drum are played all over Jiumo and Taiping. ?
The orioles chirped intermittently, and the swallows flew around. Near the green water, the pavilion reflects the swing, there are grass fights and pairs of girls swimming. The fragrance is more fragrant and the wine is cold for an outing. Will know secretly, young Tao Zhuhu. Towards the end of the night, the horse has a carved saddle, the lapel is drunk, and the flowers are flying. ?
It is slightly cold, slightly warm, and always leaking, half cloudy and half clear, clouds are twilight. It's a fire-forbidden day, it's time to try out new makeup, and you're at your prime. During the Qingming Festival, wax torches are passed around the Han Palace. Green smoke scatters and flies into Huai Mansion. The soldiers and guards were gathered, the doors were opened, the propaganda was spread, and the duties were rested.
2. Translation:
The pear blossoms are still stained with the silver mist of the night moon, and the begonias are half covered with the morning rain and dew. The royal palace cannot shut out the spring, and the spring light extends to the distant city gate. . The Yugou is filled with new water, flowing quietly towards Nanpu. Thin willows are draped with golden threads, and the east wind is calm and serene. Looking at the majestic palace and its towering heights, it is not a smoky fairyland. During the Qingping era, the court and the people were so happy. The main roads in the imperial city are filled with the sound of flutes and drums.
The orioles sing intermittently, and the little swallows fly around. The pavilions on the shore are reflected in the green water, and the shadows of the swings are rippling with the water waves. Pairs of wandering girls gather to play grass-fighting games. The outing road is filled with the aroma of selling sugar, and people bringing wine and picnics are everywhere. You may be lucky enough to meet that wealthy family whose faces complement each other's peach blossoms. Young men rode on horses with carved saddles and gathered together in the evening. In their drunkenness, there were patches of red and flying catkins on their clothes.
It is a long day with mild cold and pleasant warmth, and the sunset is half cloudy and half clear. In this fire ban season, young people have tried on their new makeup. The age is at its best. During the Qingming Festival, I can see wax clouds and wisps of green smoke passing through the Han Palace, flying into the mansion of the nobles who are planting acacia trees in front of the door. All the soldiers and guards were removed, the palace opened its doors, no more edicts were heard, and all official duties were suspended.
5. "Preface to Ying's Cry: Can Han Zheng Bing Bing Liquor"
1. Original text:
Preface to Ying Cry: Can Han Zheng Bing Bing Liquor Song Dynasty ：Wu Wenying
Remnant cold is bullying illness and wine, covering the embroidered house with agarwood. The swallow comes late and flies into the west city, as if spring is late. The painting is carried on the boat, the Qingming Festival passes, and the clear smoke slowly rises over the Wu Palace trees. Thoughts and emotions, wandering and following the wind, turn into light fluff.
In the ten years of West Lake, horses are tied to the willows, taking advantage of the delicate dust and soft mist. Trace the red gradually into the fairy stream, the brocade secretly sends the secluded element, leaning against the silver screen, the spring is wide and the dream is narrow, the red is wet, the song is golden. When the embankment is empty and the setting sun is gently touched, the gulls and herons will always return.
Youlan is old, Du Ruo is still alive, and he is still traveling in the water town. After the farewell visit, Liuqiao was unfaithful, and the matter went to the flower committee. The jade was buried in incense, and there were many storms. The long waves are jealous, the distant mountains are shy, and the fishing lanterns are reflected in the spring river. I remember that time, when I crossed the peach root with a short stick, it was like a brothel. I wrote poems on the wall before it was defeated, and the dust was pale with tears. Looking at the extreme end of the dangerous pavilion, the grass is as bright as the horizon, and I sigh that half of my temples are invaded by ramie. Dark spot inspection, leaving traces of joyful saliva, still dyeing shark's silk, the phoenix returns in confusion, and the broken luan dances carelessly. Waiting to be written diligently, the book is full of regret, and the blue clouds and wild geese sink across the vast sea. Longing for lovesickness, playing into the mourning zither pillar. Traveling thousands of miles south of the Yangtze River with sadness, the song of resentment is repeated, is the broken soul still there?
2. Translation:
The lingering cold of late spring seemed to be bullying me. I drank too much and my whole body felt cold and uncomfortable. I lit the agarwood burner and closed the door tightly. Gorgeous agarwood windows. The belated swallows fly into the West City, seeming to tell that the scenery of spring has faded. Painting boats carry drunken tourists to the West Lake, and the prosperity of the Qingming Festival has passed like this. Looking at the dark smoke lingering around the trees in the palace of the State of Wu, I have thousands of thoughts about the journey in my heart, just like wandering with the wind, turning into The catkins are floating lightly.
I once lived in the West Lake for ten years, tying my horse to the willow trees and following the fragrant dust and mist. Along the red-flowered embankment, I gradually entered a fairyland-like place. You ask the waiter to secretly send you a love letter and express your love secretly. There has been so much joy and entertainment in the warm and mysterious depths of the silver screen. Unfortunately, spring is long and dreams are short, and the happy time is so short. Your tears mixed with red powder wet the singing fan and money-embroidered clothes. The embankment of the West Lake is dim and empty, and the beautiful scenery of the West Lake in the sunset is all given to those gulls and herons.
Youlan has grown old in the blink of an eye, while the new Du Ruo exudes fragrance. I am wandering in this strange water town. After the separation, I also visited the hometown of Liuqiao, but could no longer get any information about the beautiful woman. The past is like smoke, spring flowers wither, ruthless wind and rain, burying fragrant flowers and beautiful jade. You are so beautiful, the clear and transparent water waves make you jealous, and the lush green mountains in the distance shy away from your curved eyebrows.
The fishing lanterns are reflected on the river, and you and I are living together in the painted boat. The scene of saying goodbye at the ferry is still vivid in my mind. The makeup building you lived in is still the same as before. When we broke up, I wrote poems on the ruined wall. The ink marks with tears have been covered with dust, and the handwriting has become pale and blurred. When I climbed up to the high pavilion and stared intently, I saw a bunch of fragrant grass stretching to the horizon. I sighed at the half of my temple hair that was already as white as ramie.
I silently looked through old items. The silk handkerchief you left behind is still stained with tears and saliva when parting, which is a record of past joys and sorrows. I am like a lonely phoenix with drooped wings who has forgotten its way back, and like a helpless lone luan who is too lazy to fly and dance. I want to write a long love letter full of sadness and hatred, but when I see the silhouette of the geese sinking in the blue sky and the sea, who will convey my love for me.
I can only place the pain of lovesickness on the strings of the mourning zither, and play out the sorrow in my heart alone.
Thousands of miles south of the Yangtze River makes me sad everywhere. Is your soul right in front of you? Can you hear my plaintive words and lamentations?
Baidu Encyclopedia-Manjing Travels
Baidu Encyclopedia-Spring Fu
Baidu Encyclopedia-Spring Night Banquet from the Peach Garden Preface
Baidu Encyclopedia-Santai·Qingming Yingzhi
Baidu Encyclopedia-Preface to the Oriole's Cry·Remnant Cold Zhengying Disease Wine