The Seven Laws of Shaoshan vividly summarizes what is the revolutionary spirit and national spirit of praising China's famous families.

19 1 1 year, Mao Zedong left his hometown Shaoshan for the first time to study in Changsha. Before leaving, he also rewrote a poem to express his ambition: "My son is determined to go to the countryside, and he will never return without learning to become famous." There is no need to bury bones, and there is no green hill in life. "He is only seventeen years old this year. 1959, Mao Zedong returned to his long-lost hometown and wrote another poem to express his feelings. At this time, he was 66 years old. Returning home after a long separation, how can the vicissitudes of life not arouse the infinite feelings of poets, some of which are the oldest! From ancient times to the present, there are countless poems with the theme of the eldest brother returning home, and the feeling of old injury is the homology of this kind of works. As a great proletarian revolutionary, Mao Zedong has hundreds of millions of China people in his heart, and his first concern is the revolutionary cause. This seven-rhythm poem clearly embodies his lofty ideological realm. The first couplet "Don't dream of vaguely cursing Sichuan, my hometown was thirty-two years ago" shows that the poet has deep feelings for his hometown and confessed that he has been away from his hometown for a long time. " "Lost Sichuan" refers to the years 30 years ago. The word "curse" is a sigh of how time flies. This verb is very refined and novel. The couplet immediately follows the article "Thirty-two years ago", which is a memory of the historical scene of the 1927 Great Revolution: "The red flag rolls up the serf halberd, and the black hand hangs the overlord whip". Red Flag and Black Hand are in sharp contrast in visual color and emotional color, effectively highlighting the sharp and fierce class struggle at that time. From 1926 to 1927, with the progress of the northern expedition, the peasant movement also set off a climax. 1927, Jiang Jie launched the "April 12th" counter-revolutionary coup, and the "Ma Hui Incident" also happened in Hunan. At that time, counter-revolutionary forces danced wildly, killing producers and revolutionary masses. But no matter how arrogant the enemy is, revolutionaries will not be intimidated. "For the sake of sacrifice and ambition, I dare to teach the sun and the moon to change the weather. "The sacrifice of comrades-in-arms aroused the revolutionaries' hatred of the enemy and their determination to overthrow the reactionary rule. These two sentences are the focus of the whole poem and have profound implications. First of all, it summarizes the historical spirit of China Revolution. For decades, countless party member and revolutionary fighters have given their precious lives for the people's cause and the China revolution. These two poems are full of the poet's deep nostalgia for the martyrs. In addition, these two poems have profound practical significance, educating and enlightening contemporary people: New China was bought with the blood of countless martyrs and revolutionaries, which was hard-won and should be cherished. In writing, the poet expresses the lofty spirit of revolutionaries with the sentence pattern of causality, which is both a discussion and a lyric. "Dare to teach the sun and the moon to change the sky" is a concrete explanation of the above sentence "ambition". The focus of the two sentences is on a word "dare". Dare is the concrete embodiment of courage, courage and revolutionary spirit. By adopting this sentence pattern, the poet can not only highlight the concrete connotation of revolutionary ambition, but also highlight the lofty greatness of revolutionary ambition. If "the red flag rolls up the serf halberd" describes the actions of revolutionaries in a dignified style, then this wave sentence describes the spirit of revolutionaries in a high-pitched style. Finally, the poet returned to reality from countless memories of history. The reality in front of us is the "new sky" that revolutionaries have been pursuing diligently: "I like to watch the waves of rice, and heroes are dying everywhere." The word "curse" in the first couplet expresses the poet's regret over the fleeting time, which has been completely replaced by the cheerful artistic conception of the word "hi". Heroes everywhere are descendants of former serfs and revolutionaries. They inherited the legacy of their ancestors and exchanged their hard work for a bumper harvest in Shaoshan. They are enemies of heaven and earth, transforming mountains and rivers, and of course they are heroes. Mao Zedong witnessed the prosperity of the revolutionary cause, and there were successors. How can he not be excited? Seventeen-year-old Mao Zedong is full of longing for the world, and his eyes are full of life paths waiting to be explored. He embarked on a journey with the enthusiasm of young people, and his heroic feelings of being at home in the world revealed the unique radicalism and simplicity of young people. When Mao Zedong, who was over sixty years old, returned to Shaoshan, he was already the leader of the party and the country, and his heart was filled with the whole China and the world. Therefore, when he returned to his hometown instead of going to the countryside, looking back on the past instead of looking forward to the future, his poems were so deep and heavy. His deep affection for his hometown lies not in his nostalgia for his relatives and the past, nor in his praise for the local customs of his hometown, but in his review and praise for the fiery struggle of the people in his hometown over the past 32 years. Although Mao Zedong was worried that the young Republic of China was in trouble from 65438 to 0959 due to natural and man-made disasters at home and abroad, as a romantic poet, he found a spiritual strength in his hometown and history. In the revolutionary war years, the people of China were not afraid of sacrifice and defeated all the enemies. What's terrible about temporary difficulties now? This gave the poet great comfort and filled his heart with passion. This poem written in this mood is also full of this passion. So poetry is mainly realistic and romantic. This poem is written with great joy and great sorrow, magnificent and bold. The whole poem takes the people's heroes as the leading role and affirms the truth that people create history. The content is profound and the art is unique. It combines narrative, lyricism and discussion, and at the same time uses a variety of comparative artistic techniques, such as the contrast between the past and the present in time, the contrast between red and black in color, and the contrast between emotional curse and joy. By contrast, the overall style forms a melody from gloomy and dignified to bright and cheerful, which greatly broadens the realm of poetry.