Li Bai lived in the prosperous Tang Dynasty. He had the progressive ideal of "helping the poor" and "settling down in peace", and he struggled to realize this ideal all his life. A large number of his poems not only reflected the prosperity of that era, but also exposed and criticized the debauchery and corruption of the ruling group, showing the positive spirit of despising the powerful, resisting the traditional bondage and pursuing freedom and ideals. In art, his poems are novel in imagination, strong in emotion, magnificent in artistic conception and fresh and lively in language, forming a bold artistic style and reaching the peak of positive romantic poetry in ancient China. There are more than 900 poems, including Li Taibai's poems.
His poems are rich in imagination, unique in conception, magnificent and bold in style, and he is a representative figure of romantic poetry in the prosperous Tang Dynasty.
Now there are more than 990 poems and songs by Li Bai. The themes of poetry are varied. Li Bai was already famous in the Tang Dynasty. His poem "There is no set volume, but every family has it". He is the first poet in China's poetry.
In terms of artistic achievements, Li Bai's Yuefu, Gexing and quatrains are the highest achievements. His songs completely broke all the inherent forms of poetry creation, no one relied on them, and his brushwork was diverse, reaching the magical realm of unpredictability and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only person who combines the five wonders with the seven wonders. [
The elegance of fairies is not uncommon.
Main content: Li Bai left more than 900 poems to later generations. These brilliant poems show his mental journey all his life, and they are artistic portraiture of social reality and spiritual life in the prosperous Tang Dynasty. Li Bai was ambitious all his life, and he expressed his yearning for fame and fortune unabashedly. This is vividly expressed in Fu Liangyin, Reading Biography of Zhuge Wuhou, and Love Cai Sheren Bear. Li Bai liked Ren Xia since he was a teenager, and wrote many ranger poems, among which Knight Rider is the representative work. Three years of political life in Chang 'an had a profound influence on Li Bai's creation. There is a sharp contradiction between his political ideal and the dark reality, and unspeakable pain and resentment accumulate in his chest. Angry wrote good poems, so he wrote a series of nostalgic people, such as "Difficult to Go", "Antique" and "Answering the King for Twelve Nights". A famous sentence that is sad for a person's life and difficult to send away. Li Bai lived a wandering life for most of his life, traveled to many famous mountains and rivers all over the country, and wrote a lot of beautiful poems praising the great rivers and mountains of the motherland to express his feelings of loving freedom and yearning for liberation.
In this kind of poetry, the strange mountains and rivers complement his rebellious and unruly character. This kind of poetry occupies a large number in Li Bai's poetry works, and has been passed down through the ages, among which "Climbing Mount Tianmu in a Dream" is the most outstanding masterpiece. With dripping and carefree poems, the poet freely spread the wings of imagination, wrote various spiritual adventures and pursuits, and truly liberated the repressed soul in his dreams. And "Oh, how can I seriously bow and scrape to high-ranking people and people in high positions? They will never stand being shown an honest face!" His poems show the poet's lofty sentiments and become an important basis for future generations to examine Li Bai's great personality.
As a great poet who loves the motherland, cares about the people and never forgets the reality, Li Bai is also very concerned about the important issue of war. Enthusiastic praise is given to the soldiers guarding the border (such as "Xia Sai Qu"), and the wariness of the rulers is mercilessly lashed (such as "Battle of the South of the City" and "Song of Ding Du"). Li Bai also wrote many Yuefu poems, describing the hard life of laborers and expressing their concern and sympathy (such as Long March and Midnight Wu Ge). ).
Artistic features: Li Bai's poems have the artistic charm of "the pen falls and the wind and rain shake, and the poem makes the gods cry", which is also the most distinctive artistic feature of his poems. As a romantic poet, Li Bai mobilized all romantic skills and realized the perfect unity of poetry content and form. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. For example, when he entered Beijing as an official, he said, "Laugh at the sky and go out. Are we Artemisia people? " ! "When I miss Chang 'an", the wind blows my heart and hangs Xianyang trees in the west. "Some of these poems are very infectious. Extreme exaggeration, apt metaphor and amazing fantasy make people feel highly real. Reading these poems, such as "But since the water is still flowing, even though it is cut with a sword, it is even more worrying to raise a glass to dispel the sorrow" and "The white hair is three thousands of feet, and the sorrow is as long as long", readers can't help being infected by the poet's long sorrow and endless melancholy. Li Bai's artistic expression is particularly prominent in his poems, such as Climbing Mount Tianmu in a Dream, Difficult Road to Shu, etc.
In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce a fantastic, magnificent and moving artistic conception, which is why Li Bai's romantic poems give people a heroic, unrestrained and elegant charm. His language is clear, lively and meaningful, just as two of his poems say, "clear water gives birth to hibiscus, and it is naturally carved."