Overall size: 97cmx46cm, painting heart size: 3 1cmx33cm, material: paper-based silk mounting, resin spindle head, original extension.
? Liang Kuan (1758 ~ 183 1) was born in Quanqi, the state of Vietnam, at the end of Edo (the 23rd year of Qing Qianlong). Young name Rong Cang, later changed to filial piety. Liang Kuan received a good education in China when he was young. At the age of 65,438+05, he studied in the "Sanfengguan" of the famous sinologist Dasen Ziyang private school, studying the Four Books and Five Classics and the philosophy of Laozi and Zhuangzi. /kloc-at the age of 0/8, he was cut into a shaman in Zhao Guang Temple. At the age of 22, the Buddhist monk from Yuantong Temple came to Vietnam and was ordained for him. Monks have a wide range of names. After that, he followed Guo Xian to practice in Yudao Yuantong Temple, and studied China's poems after studying Buddhism. At the age of 34, the Zen master died and he traveled around. 183 1 died in Shimazaki (seventeen years of Qing Daoguang).
Liang Kuan lived in a thatched cottage all his life, begging for food, lonely and poor, isolated from the world. In a thatched cottage where material life is extremely poor, generosity can make a person's knees relaxed and stable without changing his pleasure. Xie, a good friend of Liang Kuan, said in "The Mysteries of the Zen Master in Liang Kuan": "When you talk to your teacher, you will feel very clean. The teacher makes a fire in the kitchen or meditates in the main hall without talking about internal and external classics to persuade goodness. His writing does not involve poetry, it is not as good as morality, you can't describe it, it's just moralization. "
According to the records, Liang Kuan studied the cursive scripts of Erwang, Huai Su and Huang Tingjian, and Autumn Posture by Feng Dao of Xiao Ye, and got inspiration from Japanese pen name calligraphy. Liang Kuan's calligraphy was as famous as Ji Yan and Ciyun at that time. Liang Kuan dislikes "calligrapher's words, chef's dishes, poet's poems" the most, because only skills have no self-nature, too many superficial articles have no connotation, are too serious and lack natural qualities. Liang Kuan focused on Chinese and Japanese classical calligraphy, and showed his personality in the integration of the two.
Appreciating Liang Kuan's calligraphy will unconsciously be moved by Liang Kuan's unique artistic situation. Seemingly unskilled, but seemingly superior; Seemingly casual, but actually meaningful. Good calligraphy comes from his life accomplishment, and every painting shows the shadow of a pure and detached soul. His calligraphy, like his favorite bird, flies like a cloud, flying freely and proudly in his own spiritual sky.
Master Liang Kuan is indifferent to life and indifferent to praise and criticism. Often use calligraphy to do Buddhism. His poems have the charm of Sanzang's cloth bag, the style of Wanye Song, and the book style is quite elegant, which is appreciated by the world. He is the author of a collection of poems and songs.