1, the sand before the back peak is like snow, and the moon outside the city is like frost. I don't know where the bleak reed flute blows and I look at my hometown all night.
2. There are crows in Bai Shu and osmanthus fragrans in Coody Leng in the atrium. I don't know who Qiu Si will meet tonight.
Don't dream of going to Xie Jia, the circle of the small corridor is crooked. Only the spring moon in the sky is the most affectionate, and it also shines on the courtyard flowers for the people.
4, the first time I heard the geese, there was no cicada, and it was a hundred feet high. The frost goddess and the moon are not afraid of the cold, and they are more beautiful and pure in the cold and frost recreation.
5, the moonlight is deeper than half a household, and the Beidou is oblique. Tonight, through the green screen window, I know that spring is warm and the sound of insects is fresh.
6, a setting sun in the water, half river rustling and half river red. The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow.
Data expansion:
Seven-character quatrains are a genre of China's traditional poetry, which belongs to the category of modern poetry. There are four poems in this style, each with seven words, and there are strict metrical requirements in rhyme and adhesion.
This poetic style originated from Yuefu songs in the Southern Dynasties or Yuefu folk songs in the Northern Dynasties, or can be traced back to folk songs in the Western Jin Dynasty, and it matured in the Tang Dynasty. Representative works include Wang Changling's Poems on Newly Built Lotus Inn, Li Bai's Poems on Newly Built Baidicheng, and Du Fu's Poems on Riverside Meeting Li Guinian.
Genre evolution:
Seven-character quatrain is a kind of quatrain, which is called seven-character quatrain for short, and its origin is not clear. During the Ming and Qing Dynasties, people thought that the Four Musts originated from Xiao Gang, Yu Shinan or the four great masters, and all of them referred to the seven-character law. Although in its development process, the Seven Juexing was indeed dominated by the law, like the Five Juexing, the formation of the ancient Juexing still preceded the law.
Modern scholars at home and abroad generally tend to regard Yuefu folk songs in the Northern Dynasties as the source of seven-character ancient poems. Some scholars also believe that the source of seven-character ancient poetry should be traced back to the folk songs of the Western Jin Dynasty. Although there were mature seven-character quatrains like Ge Yanxing written by Cao Pi in the Han and Wei Dynasties, the earliest complete seven-character four-sentence style appeared in the ballads of the Western Jin Dynasty.
This is the song of the old man in Yuzhou, which rhymes: "Fortunately, Li escaped from danger and became a loving father. Xuanjiu forgot to work hard, so why bother thinking about singing and dancing? "
In the early Tang Dynasty, the seven-character quatrains were not only few in number and narrow in subject matter, but also had little influence on the poetry circle and were not mature enough in art. Not only was the rhythm not completely coordinated, but the style was relatively sluggish (such as the first half of an antithetical poem) and lacked long rhyme. Famous poets in the early Tang Dynasty, such as Shen Quanqi and Song, were good at writing regular poems, but the level of seven-character regular poems was average.